The document discusses the growth of Chicago's population from 300 people in 1830 to 1 million people by 1870, making it the sixth largest city in the world. It then summarizes some of the key buildings that helped establish the Chicago School of Architecture style, including the Home Insurance Building designed by William Le Baron Jenney in 1883-85, considered one of the first steel-frame structures. It also mentions the Rookery, Auditorium Building, Reliance Building, and Carson Pirie Scott Department Store designed by architects like Burnham, Root, Sullivan, and Adler between 1885-1899, which helped pioneer the modern skyscraper and innovative use of structure and ornamentation.
The document contains descriptions of artworks by prominent Renaissance and Baroque artists such as Michelangelo, Botticelli, Caravaggio, Bernini, and Rembrandt. It includes the titles, dates, materials, and locations of works including paintings, sculptures, and frescoes housed in museums across Europe. The artworks cover a wide range of subject matters from religious scenes to portraits to historical and mythological themes.
1. The Chicago School of architecture emerged after the Great Chicago Fire of 1871 as architects developed new building techniques using steel skeleton frames and curtain walls of glass to allow for taller, modern skyscrapers.
2. Key influences included the work of architect Henry Hobson Richardson and his embrace of new materials like steel. Louis Sullivan was a leading architect who designed buildings with detailed ornamentation integrated into the structure.
3. Chicago School buildings were characterized by bold facades with arched or rectangular openings, decorative terra cotta details, and projecting roofs.
The document provides an overview of Baroque art, architecture, music, and jewelry from the 17th century. It describes how Baroque style developed in response to the Protestant Reformation as part of the Counter Reformation led by the Catholic Church. Baroque aimed to use dramatic artistic forms to communicate religious themes in a way that would appeal to audiences emotionally. The document discusses characteristics of Baroque architecture, sculpture, painting, and music, noting the emphasis on movement, drama, and exaggerated decorative motifs. Famous Baroque artists mentioned include Bernini as well as developments in faceted gemstones and naturalistic jewelry designs.
The document provides an overview of Baroque architecture. It discusses how Baroque architecture originated in Italy in the late 16th/early 17th century and spread across Europe. Key characteristics of Baroque architecture included dramatic lighting, sculptural forms, complex geometric shapes, and illusionary paintings and frescoes used to create a sense of depth and movement. The document summarizes important Baroque architects like Bernini and Borromini and their works in Italy, as well as how the style spread to other countries like Austria.
The Baroque period in art spanned from 1600-1750. It saw developments in motion, drama, light and color. In Italy, artists like Bernini and Caravaggio used these techniques. Their works emphasized emotion, movement and light/shadow effects. Outside Italy, Spanish artist Velazquez and Flemish artist Rubens incorporated Italian Baroque styles. In Holland, Vermeer and Rembrandt captured Dutch interests in genre scenes and psychology. French art under Louis XIV favored classicism as seen in Poussin's works. Major architectural works included St. Peter's Basilica and the Palace of Versailles. The Rococo style developed ornate, lighthearted works later in the Baroque period.
Baroque architecture developed from the late 16th century to 1750 across Europe and America. It reflected the scientific advances and religious/political conflicts of the time through dramatic use of light, illusionistic painting/sculpture, asymmetrical and curved designs. In Italy, architects like Bernini and Borromini created dramatic church designs fusing architecture, art and sculpture. French Baroque like Versailles was more ordered and classical, showing royal power. Rococo later emphasized ornate interiors and decoration.
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