Lens table

Mar 17, 2015Download as PPTX, PDF0 likes358 views

franqie1996

This document describes different types of camera lenses and their characteristics, including image size, angle of view, and distance of foreground objects from background. Lenses range from fish eyes and wide angle lenses that capture very wide views with faraway backgrounds, to long telephoto lenses that have a narrow view but can capture near subjects in high detail.

Types (subframe) Image Size Angle Of View Foreground to Background
Fish Eyes 10mm Very small Very very wide Very far away from subject
Very Wide 12mm Smaller Very wide ‘’
Wide 16mm Small Wide Further away
Standard 35mm Same size Same as what
we see
-
Short Telephoto
100mm
Big Narrow Near
Long Telephoto
300mm
Bigger More narrow Near
Very Long Telephoto
500mm
Very Big Very narrow Very near to subject

This document outlines different types of camera lenses and their effects on images, listing the image size, viewing angle, and distance between foreground and background subjects for fisheye, very wide, wide, standard, short telephoto, long telephoto, and very long telephoto lenses. Fisheye lenses produce very small images with a very wide viewing angle and far background, while very long telephoto lenses produce very big images with a narrow viewing angle and very near background.

Departurefranqie1996

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This movie follows Daigo Kobayashi, who loses his job as a cellist and takes a new job preparing bodies for cremation. Though he initially finds the work disgusting, he grows accustomed to it over time. When his wife Mika discovers the true nature of his job, she leaves him, but later returns pregnant. Daigo continues working even when faced with disapproval. Later, when Daigo's estranged father passes away, he insists on preparing the body himself and finds a stone his father had kept as a child, helping Daigo find closure. The film conveys messages about respecting all jobs equally and the importance of family.

Cinema paradisofranqie1996

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This movie tells the story of Salvatore Di Vita, a famous Italian director who returns home after learning that his friend Alfredo has died. The movie then flashes back to Salvatore's childhood, when he spent much of his time at the Cinema Paradiso with Alfredo, who worked as the projectionist and taught Salvatore about film. Though the cinema burned down, it was later rebuilt. Salvatore works as the projectionist until Alfredo urges him to leave town to pursue his dreams. Decades later, Salvatore returns for Alfredo's funeral and views a reel of film Alfredo had cut together for him of censored scenes from their films.

Differences between hk sh tw movie 1franqie1996

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This document compares films from Shanghai, Hong Kong, and Taiwan. For Shanghai, it summarizes the 1996 film "East Palace West Palace" which explores homosexuality in China and shows the cultural norms that did not accept it at the time. For Hong Kong, it summarizes the 1993 film "Fong Sai Yuk" about a martial artist and the action film traditions of Hong Kong cinema. For Taiwan, it summarizes the 1993 film "The Wedding Banquet" directed by Ang Lee about a gay man who marries a woman to please his traditional parents, showing the conflicts modern families faced. It discusses the differences in cinema styles, funding, and openness to topics between the three regions.

Director of japanfranqie1996

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Nagisa Oshima was a Japanese film director born in 1932 who died in 2013. He studied political history in university and began his career at Shochiku Ltd film production company, where he quickly rose through the ranks to direct his own films. Some of his early notable films that contributed to the Japanese New Wave cinema movement included The Cruel Story of Youth and Night And Fog In Japan. He later founded his own production company due to controversies surrounding his films. Oshima directed over 30 films throughout his career, many of which explored taboo and controversial topics and pushed creative boundaries through their graphic sexual or political content.

Departurefranqie1996

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This document summarizes the 2007 Japanese film "Departures." It follows Daigo Kobayashi, a former cellist who takes a job preparing bodies for funerals after his orchestra disbands. He struggles with family issues but ultimately reconciles with his deceased father by cleaning and preparing his body for the funeral. The film was critically acclaimed, winning several awards including at the Montreal World Film Festival, Japan Academy Awards, and an Academy Award nomination.

Franqie chan jia yi world cinema assignment 6_thai horror moviefranqie1996

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The document provides summaries and analysis of two Thai horror films, Pee Mak and Phobia 2. Pee Mak tells the story of a man Mak whose wife Nak may be a ghost. It explores the relationship between the living and dead. Phobia 2 contains five short stories addressing moral themes, like a boy facing consequences for his actions. Overall, the document analyzes how Thai horror uses supernatural elements to convey messages and explores relationships and human problems, though the films may not be very scary to some viewers.

The 400 blowsfranqie1996

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1) The film tells the story of Antoine Doinel, a troubled 12-year-old boy who acts out due to neglect from his parents. He frequently skips school and gets into trouble. 2) Antoine's mother yells at him often and his stepfather is harsh, bringing Antoine to a police station after he steals a typewriter. 3) After Antoine is caught skipping school again, his father slaps him. Antoine runs away from home and is eventually sent to a correctional facility, where he plans his escape.

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Lens table

1. Types (subframe) Image Size Angle Of View Foreground to Background Fish Eyes 10mm Very small Very very wide Very far away from subject Very Wide 12mm Smaller Very wide ‘’ Wide 16mm Small Wide Further away Standard 35mm Same size Same as what we see - Short Telephoto 100mm Big Narrow Near Long Telephoto 300mm Bigger More narrow Near Very Long Telephoto 500mm Very Big Very narrow Very near to subject

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