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The document outlines plans for an audio production of a fantasy story involving a witch named Mixxy, an evil unicorn named Camellias, and a potoo bird narrator. Mixxy is given the task of planting magical seeds but loses them, allowing corruption to spread and turn the unicorns evil. In an opening scene, Mixxy encounters the corrupted unicorn Camellias. The production will use studio recording for dialogue between Mixxy, Camellias, and the narrator. Foley artistry and some field recording will create sound effects for actions and environments. Cheerful then ominous music will track the changing mood.
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Sound Recording GlossaryPaulinaKucharska
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The document is a glossary of terms related to sound design and production for computer games. It contains definitions for 18 terms researched by the student, including Foley artistry, sound libraries, uncompressed and lossy audio file formats (wav, aiff, mp3), limitations of audio hardware, mono and stereo audio, pulse code modulation (PCM), analog and digital audio recording systems, and surround sound. For each term, the student provides a short definition from an online source as well as their thoughts on how the term relates to their own production practice.Sound design in computer games analysis work sheet - Warcraft III
Sound design in computer games analysis work sheet - Warcraft IIIPaulinaKucharska
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The soundtrack for the Warcraft III cutscene establishes the setting as a fancy, prestigious place through choir singing and bells. As the scene progresses, the atmosphere becomes more aggressive and ominous through increased volume and doom-like tube sounds. When Arthas kills the king, the mood becomes grave and funeral-like. The narrative reveals that Arthas kills his father the king to succeed him and plans to reshape the kingdom in a way that will impact the entire world. Various sound effects were likely created using studio recordings, field recordings, foley artistry, and virtual instruments.Sound design in computer games analysis work sheet dark space 3
Sound design in computer games analysis work sheet dark space 3PaulinaKucharska
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The document analyzes the soundtrack of the video game "Dark Space 3". It identifies different sound elements used in two settings - a snowy outskirts and a futuristic city. Production techniques are suggested for specific sounds, like field recordings for walking in snow and Foley artistry for futuristic doors. The mood created by the music and sounds is described as dramatic and tragic. Elements like gunshots, explosions and hits were likely produced with real recordings, Foley artistry or VST plugins. The narrative jumps between three characters experiencing misfortune - someone lost in the snow, a soldier killed by his general, and a man forced on a mission after a disturbing message. Dialogues were likely studio recordings while other voices were modified digitSound design in computer games analysis work sheet - The Last of Us
Sound design in computer games analysis work sheet - The Last of UsPaulinaKucharska
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The document analyzes the soundtrack of the game The Last of Us. It describes the setting of the imaginary game as a shadow temple or battle area with tropical instruments played. The mood starts quiet but builds tension with impacts and faster beats as the battle begins. Specific sound effects like hits were likely made with foley artistry or plugins. The narrative involves Ellie wanting to play an arcade game but it's broken, so Riley narrates an imaginary fighting adventure game for her using voice actors with some panning.Sound design in computer games analysis work sheet - Borderlands 2
Sound design in computer games analysis work sheet - Borderlands 2PaulinaKucharska
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This document provides an analysis of the soundtrack from the video game Borderlands 2. It examines the sound techniques used to establish the setting, mood, and narrative through the soundtrack. Specific elements like wind sounds were likely created with VST plugins or field recordings modified in software. Parts of the fantasy music section used traditional instruments, while other parts used MIDI and VST instruments. Noise effects like metal and weapons were probably studio recordings or Foley artistry. The narrative is told through dialogue between the characters that was likely recorded in a studio with voice actors.PK JH 2nd final draft cutsequence script
PK JH 2nd final draft cutsequence scriptPaulinaKucharska
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Young witch Mixxy was tasked with delivering seeds to maintain peace in the Magical Land, but had an accident that scattered the seeds. This allowed corruption to take hold, making the unicorns believe they were enslaved. They declared they would now enslave the witches and fairies. Mixxy and her bird Potoo realize they must find the Grand Witch's stored seeds to restore order before it's too late. They set off on their broom to save everyone.Sound recording glossary - IMPROVED
Sound recording glossary - IMPROVEDPaulinaKucharska
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The document provides definitions for various audio and sound design terms. It includes definitions for terms like Foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations like RAM, and audio recording systems like analog, digital, Mini Disc, and compact disc. For each term, it provides a short definition from an online source as well as how the term relates to the author's own sound production practice.
Final Presentation
Final PresentationPaulinaKucharska
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The document outlines key details about a fantasy/adventure game including the genre, influential games, main characters, storyline, audio production needs, and recording techniques. The game takes place in a land threatened by spreading evil and the protagonist Mixxy must defeat evil unicorns to save the land after failing a task. Key characters include the narrator, Mixxy, Potoo, and Camellias. Audio production will require dialogue recording, original music composition, and sound effects creation and implementation.L3 gd p_statement_template_260115
L3 gd p_statement_template_260115PaulinaKucharska
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The document is a draft personal statement for Paulina Kucharska's application to Salford City College's BTec Level 3 90 Credit Diploma in Creative Media Production Games Design course. It asks her to answer questions about her dream jobs in the games industry, the skills required, her relevant skills and experience, soft skills, and personal interests. For her dream jobs, she lists concept artist and indie games developer. She discusses the portfolio and skills needed to work in games. For her skills, she mentions digital art, design, programming, and storytelling abilities. She discusses relevant voluntary work painting and working in a charity shop. For skills, she lists both those she has and wants to develop further like communication andPaulina kucharska CV
Paulina kucharska CVPaulinaKucharska
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This resume is for Paulina Kucharska, who was born in 1997 in Poland and currently lives in Eccles, England. She has studied creative media production at Salford City College, where she earned distinctions, and has work experience in volunteering with the National Citizen Service Programme and British Heart Foundation. Her skills include creativity, digital art, writing, and computer literacy. In her spare time she enjoys karate, role playing games, reading, and music. She provides contact information and lists five referees from Salford City College.L3 gd ha4_showcase_130115
L3 gd ha4_showcase_130115PaulinaKucharska
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This document provides an assignment brief for a unit on understanding the computer games industry. The purpose of the assignment is for students to prepare personal career development materials, including a portfolio, CV, skills audit, and plans for higher education or apprenticeships after completing their course. Students must complete 5 tasks: 1) Create a portfolio of completed work, 2) Prepare a CV using a template, 3) Produce a skills audit and personal statement, 4) Create a shortlist of 5 higher education courses, and 5) Create a shortlist of 10 apprenticeships. The deadline is February 27th and the assignment aims to help students prepare for their progression after the course.Pk jh final draft cutsequence script
Pk jh final draft cutsequence scriptPaulinaKucharska
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Young witch Mixxy accidentally drops a bag of seeds meant to spread peace in the Magical Land. This allows mischief to take hold, corrupting the unicorns. Camellias leads the unicorns to declare they will enslave the witches and fairies. Mixxy realizes she must make things right. She and her bird Potoo fly off to find more seeds from the Grand Witch, hoping to restore order before it's too late.
Research Sound Kit
Research Sound KitPaulinaKucharska
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This document lists various hardware and software items for audio recording and production, including a Rode shotgun microphone, Sennheiser headphones, a Sound Devices recorder, a Rycote boom pole, and a microphone stand. It also lists the software Absynth 5. Additionally, it provides a link to Greystroke Studio, a recording studio in London.
Initial brief audio script
Initial brief audio scriptPaulinaKucharska
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Potoo, Witch Mixxy, and Unicorn discuss a beautiful spring day that turns ominous when explosions and screams are heard in the background. Unicorn reveals that unicorns have rebelled and plan to enslave or kill witches and fairies. Though Unicorn laughs at the idea, Mixxy vows to defeat the unicorn lord and flies off with magic wand in hand, determined to end the threat as heroic music swells.ig2 game audio cut sequence production_2014 to 2015
ig2 game audio cut sequence production_2014 to 2015PaulinaKucharska
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This document provides an assignment brief for a qualification in creative media production. The assignment involves producing audio assets for computer game cut sequences, including recording dialogue and sound effects, and editing them together. It consists of 11 tasks, such as researching sound design terms, analyzing existing game audio, scriptwriting, recording dialogue in a studio, editing sounds using software, and programming the finished audio into a game. The tasks assess learning outcomes related to understanding sound design, pre-production documentation, communication skills, and applying audio production skills to industry standards. The deadline for completion is June 5th, 2015.Presentation script
- 1. 1. The Genre of Game Fantasy/adventure side-scrolling platformer With fighting (melee and magic) mechanisms A clear line separating the good from evil. 2. Influential Games: Idea about the corruption spreading through the land was from the games terraria and Minecraft. Very intrigued by the idea of evil unicorns which is also from the game terraria. 3. Characters Speech: Role-reversal witches are good characters, unicorns become the evil ones; Witch Mixxy Unicorn Camellias Potoo Narrator Stereotype or Countertype Young protagonist who becomes the hero and saves the world Not a classical bad guy, neither the purely good unicorn. Still fabulous and magnificent in looks and behaviour. An unusual companion (instead of clich辿s such as owl or cat). Stereotypical deep male voice as in any classic fantasy / medieval films or stories.
- 2. Accent Premature, hyperactive Posh accent Bird accent Calm, either classically British or indifferent accent Voice Tone Easily excited, or exaggerated feelings expressionism Supercilious (narcissi), arrogant Squeaky, a voice of an averagegreat potoo call Calm, but fitting to the current mood, story teller Type of Language Informalbut not a street language formal Baa~ He actually speaks but only the witch can understand him Very formal and descriptive 4. The Storyline: Mixxy (the main character) who is just an ordinary teenager given the crucial job of planting the Conciliation flower seeds to stop the corruption. She loses the seeds due to being reckless/careless with them. The corruption spreads and infects the unicorns to convert from good to evil. She gets confronted by one of these unicorns (Camellias) who has a burning hatred for witches. This unicorn leaves but she doesnt yet realise thats not the last time they will meet.
- 3. The young protagonist is left with the responsibility of saving The Magical Land. This cut sequence will be used as the opening scene of the came and as an introduction to the characters. 5. Audio Production: Dialogue: Well either need an extra person to play as an additional character or use the software to modify the voice. The dialogue of 3 characters (the narrator, the witch and the unicorn) will be recorded, and possibly the only one word (or two actually) supposed to be spoken by potoo bird. We will try to make their speech the way it is supposed to be, if that wont be possible, well have to alter their voices to what we can achieve. Music: At the beginning the music is meant to be cheerful, melodic and present the spring festival. Later on it should change into a song representing either a challenge or the wave of evil that appears. Sound Effects: Sound effects will represent the action throughout the audio. At first it will be laughter and fairy sounds, then the noise of flying birds and broom riding. After that it will be a tree branches cracking and then the hoof beats and other horse noises. Other important effect is a noise of a potoo bird. 6. Recording Production Techniques:
- 4. For the majority of our recording we will be focusing on the technique of studio recording as there is quite a lot of dialogue to portray the story. We will also be mainly be focusing on the technique of Foley artistry as there are multiple sounds that cant be made by human voices and cant easily be field recorded. However we will be integrating an aspect of field recording on one or two sounds for the cut sequences to gain experience is each field of the process. For the music and specified sound effects that we will either find online to download for free or create ourselves in software that suits the purpose.