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This document provides the programme for Eilidh Joanne Fraser's Bachelor of Music final performance recital on alto saxophone, accompanied by Richard Bailey on piano. The recital will take place on May 17th at King's College Chapel in Aberdeen, Scotland. The programme includes pieces from 1954 to 1997 spanning classical, jazz, and contemporary styles, including works by Paule Maurice, Paul Creston, Phil Woods, François Rossé, John Coltrane, and Charlie Parker. The recital fulfills part of the requirements for Eilidh's Bachelor of Music degree.
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Programme2
- 1. Bachelor of Music Final Performance Recital Eilidh Joanne Fraser, Alto Saxophone Richard Bailey, Piano Tuesday 17th of May, 18:30pm King’s College Chapel, College Bounds, University of Aberdeen
- 2. PROGRAMME Tableaux De Provence (1954-9) Paule Maurice (1910-1967) Movement IV: Dis alyscamps l’amo souspire This moving fourth movement of the suite was written after the death of a loved one to the composer, where she wrote this movement to describe a somber walk across the cemetery. Sonata Op. 19 for Alto Saxophone (1939) Paul Creston (1906-1985) Movement III: With gaiety This fast, lively third movement is taken from one of the earliest sonatas written for the instrument, quoted as ‘one of the definite works for saxophone and piano’. Sonata for Alto Sax and Piano (1997) Phil Woods (1931-2015) Movements I & II Woods’ two movements effectively combine elements of both classical and jazz. After a charismatic, fast paced first movement with improvisation, it’s soon followed by a slow morose movement where the composer writes, ‘think Free Jazz à la Eric Dolphy. Let yourself go crazy!’ Séaodie I (1989) François Rossé (b. 1945) Rossé studied piano, musical analysis and composition with Messiaen at the Paris Conservatoire. He soon met Jean- Marie Londeix who introduced him to writing music for saxophone by exploring the different techniques of the instrument. Impressions (1961) John Coltrane (1926-1967) John William Coltrane is known for his iconic tenor saxophone performances of free jazz. This popular standard is from Trane’s album of the same name, although this piece is often performed by various musicians in several live performances. Thriving From A Riff (1945) Charlie Parker (1920-1955) The bebop jazz style has always been the iconic sound of legendary saxophonist, Charlie ‘Bird’ Parker that we all know and love. Thriving From a Riff was one of the pieces that was played on his first session as leader, which is a fast paced, extremely energetic and fun piece to play and conclude today’s recital. Recital in part requirement for the degree of BMus (Single Honours) Kind Regards go to Richard Ingham, Richard Bailey & Pauline Black. A huge thank you to everyone for coming here to support me tonight, hope you all enjoy the performance!