El documento habla sobre el cafeto (Coffea spp.), la planta de la que se obtienen los granos de caf¨¦. Describe las dos especies principales utilizadas comercialmente, Coffea arabica y Coffea canephora, sus or¨ªgenes geogr¨¢ficos, y los efectos de la cafe¨ªna que contienen. Tambi¨¦n menciona brevemente la historia del caf¨¦ y algunos usos adicionales de los granos y la cafe¨ªna m¨¢s all¨¢ de la bebida de caf¨¦.
This document discusses polynomials, including the terms of a polynomial, reduced and opposite polynomials, and the numeric value of a polynomial. It provides examples and solutions for exercises related to these polynomial concepts.
El documento explica la importancia del curr¨ªculum vitae para encontrar trabajo y ofrece consejos sobre c¨®mo estructurarlo de manera efectiva. Recomienda incluir secciones sobre datos personales, formaci¨®n, experiencia laboral, idiomas e inform¨¢tica. Adem¨¢s, enfatiza la necesidad de destacar las cualificaciones m¨¢s relevantes para el puesto deseado y presentar la informaci¨®n de manera clara y concisa para causar una buena primera impresi¨®n.
Riesgos laborales de los m¨²sicos para blogjoansoco
The document summarizes a student's media production project creating an opening scene for a film. It discusses how techniques like sound, editing, and camera work were used to create tension. The intended audience is described as 15-20 year olds, with the goal of attracting both male and female viewers through elements of action and romance. The student learned how to use editing software and the importance of teamwork during the production process. Feedback on the opening scene suggested it effectively set the scene for a thriller and hinted at action to come through its fast pace and atmospheric music.
The document summarizes a student's media production project creating an opening scene for a film. It discusses how techniques like sound, editing, and camera work were used to create tension. The intended audience is described as 15-20 year olds based on research. Universal is proposed as a potential distributor given their experience with similar genres. The student learned about editing software and the importance of teamwork through completing the project.
Philippa Heath was the producer while Katie-marie Parr was the director and Liam Gettings handled camera work. Katie-marie's role as director included making the script, storyboards and organizing filming. She believes she fulfilled her directing role as best as possible and worked well with the group, also helping with filming and overseeing the final cut of the piece.
Philippa Heath was the producer while Katie-marie Parr was the director and Liam Gettings handled camera work. Katie-marie's role as director included making the script, storyboards and organizing filming. She believes she fulfilled her directing role as best as possible and worked well with the group, also helping with filming and overseeing the final cut.
The document outlines a 6-week calendar for a film project. Week 1 involves creating preliminary ideas and scripts. Week 2 focuses on choosing actors, locations, and securing filming sites. Week 3 is for filming and initial editing. Week 4 is for editing footage. Week 5 adds music and voiceovers. Week 6 involves final review and polishing of all elements.
The document outlines a 6-week calendar for a film project. Week 1 involves creating preliminary ideas and scripts. Week 2 focuses on choosing actors, locations, and securing filming sites. Week 3 is for filming and initial editing. Week 4 is for editing footage. Week 5 adds music and voiceovers. Week 6 involves final review and polishing of all elements.
The document provides a cast list for a production including the characters Alex played by Martin Slater, Father played by Paul Bennett, Hudded Killer played by Ethan Gornall, and Girlfriend played by Amy Barton.
The document provides a cast list for a production including the characters Alex played by Martin Slater, Father played by Paul Bennett, Hudded Killer played by Ethan Gornall, and Girlfriend played by Amy Barton.
The document outlines a 5-week calendar for a film project. Week 1 involves creating preliminary ideas and scripts. Week 2 focuses on choosing actors, locations, and securing filming sites. Week 3 is for filming and initial editing. Week 4 is for editing footage. Week 5 imports music and voiceovers. The final week reviews all work to ensure high quality.
The document provides a costume list for a film production that includes outfits for the teacher, student, dad, and killer characters. It specifies that the student and teacher will wear casual clothes for preliminary scenes, while specific outfits of jeans, tops, and cardigans are listed for characters Alex, Molly, and Dad in cemetery and house scenes. Props of a tripod, fake blood, phone, book, and flowers are also included for scenes at a house and cemetery.
The document outlines a 5-week calendar for a film project. Week 1 involves creating preliminary ideas and scripts. Week 2 focuses on choosing actors, locations, and securing filming sites. Week 3 is for filming and initial editing. Week 4 is for editing footage. Week 5 imports music and voiceovers. The final week reviews all work to ensure high quality.
My role was as the director, making the script, storyboards and organizing filming. I believe I fulfilled this role as best I could and worked well with the group, also helping with filming and overseeing the final cut.
The cast list includes four roles - Alex played by Martin Slater, Father played by Hudded Killer, Killer played by Ethan Gornall, and Girlfriend played by Amy Barton.
This document asks a series of questions about audience preferences for action film openings, including genre preferences, viewing format, age/gender, desired elements like colors, music, stunts, locations, and settings for the opening scene.
The film The Krays is based on the lives of British gangsters Ronald and Reginald Kray, known as the Kray twins. The opening scene is set in an old-fashioned house in the 1960s-1970s and shows a woman giving birth while attended by a midwife dressed in white and black. Camera techniques like close-ups, tracks, and high angles are used to draw attention to a flying bird and the vulnerable screaming woman during the birth. Non-diegetic gloomy music plays throughout, except for the sounds of the woman's screams during labor and talking in the background.
A group of football hooligans meet in an underground train station, dressed casually but looking working class. They are lit dimly by the station lights as their leader speaks to the group. The camera films them from eye level and tracks their movements up the stairs. Edits cut from traffic outside to the more enclosed station, then jump to a man being intimidated by a boy kicking a can, building tension through sound effects of trains and the men's cheering.
The film The Krays is based on the lives of British gangsters Ronald and Reginald Kray, known as the Kray twins. The opening scene is set in an old-fashioned house in the 1960s-1970s and shows a woman giving birth while attended by a midwife dressed in white and black. Camera techniques like close-ups, tracks, and high angles are used to draw attention to a flying bird and the vulnerable screaming woman during the birth. Non-diegetic gloomy music plays throughout, except for the sounds of the woman's screams during labor and talking in the background.
A group of football hooligans meet in an underground train station, dressed casually but looking working class. They are waiting for their leader's instructions in the dimly lit station, as the camera focuses closely on his face. When cuts between the traffic above and the hidden station build tension, sound effects of trains and the men's cheering enhance the looming threat of violence.
Alex visits his father's grave on the anniversary of his death with his girlfriend Molly. Alex reflects on finding his father's killer and being willing to go down for revenge. The scene then flashes back to a year earlier, where Alex's father calls him to open the door but is shot dead on the doorstep moments later. Alex finds his father and breaks down in grief as Molly calls for an ambulance.
The document summarizes a student's media production project creating an opening scene for a film. It discusses how techniques like sound, editing, and camera work were used to create tension. The intended audience is described as 15-20 year olds based on research. Universal is proposed as a potential distributor given their experience with similar genres. The student learned about editing software and the importance of teamwork through completing the project.
Philippa Heath was the producer while Katie-marie Parr was the director and Liam Gettings handled camera work. Katie-marie's role as director included making the script, storyboards and organizing filming. She believes she fulfilled her directing role as best as possible and worked well with the group, also helping with filming and overseeing the final cut of the piece.
Philippa Heath was the producer while Katie-marie Parr was the director and Liam Gettings handled camera work. Katie-marie's role as director included making the script, storyboards and organizing filming. She believes she fulfilled her directing role as best as possible and worked well with the group, also helping with filming and overseeing the final cut.
The document outlines a 6-week calendar for a film project. Week 1 involves creating preliminary ideas and scripts. Week 2 focuses on choosing actors, locations, and securing filming sites. Week 3 is for filming and initial editing. Week 4 is for editing footage. Week 5 adds music and voiceovers. Week 6 involves final review and polishing of all elements.
The document outlines a 6-week calendar for a film project. Week 1 involves creating preliminary ideas and scripts. Week 2 focuses on choosing actors, locations, and securing filming sites. Week 3 is for filming and initial editing. Week 4 is for editing footage. Week 5 adds music and voiceovers. Week 6 involves final review and polishing of all elements.
The document provides a cast list for a production including the characters Alex played by Martin Slater, Father played by Paul Bennett, Hudded Killer played by Ethan Gornall, and Girlfriend played by Amy Barton.
The document provides a cast list for a production including the characters Alex played by Martin Slater, Father played by Paul Bennett, Hudded Killer played by Ethan Gornall, and Girlfriend played by Amy Barton.
The document outlines a 5-week calendar for a film project. Week 1 involves creating preliminary ideas and scripts. Week 2 focuses on choosing actors, locations, and securing filming sites. Week 3 is for filming and initial editing. Week 4 is for editing footage. Week 5 imports music and voiceovers. The final week reviews all work to ensure high quality.
The document provides a costume list for a film production that includes outfits for the teacher, student, dad, and killer characters. It specifies that the student and teacher will wear casual clothes for preliminary scenes, while specific outfits of jeans, tops, and cardigans are listed for characters Alex, Molly, and Dad in cemetery and house scenes. Props of a tripod, fake blood, phone, book, and flowers are also included for scenes at a house and cemetery.
The document outlines a 5-week calendar for a film project. Week 1 involves creating preliminary ideas and scripts. Week 2 focuses on choosing actors, locations, and securing filming sites. Week 3 is for filming and initial editing. Week 4 is for editing footage. Week 5 imports music and voiceovers. The final week reviews all work to ensure high quality.
My role was as the director, making the script, storyboards and organizing filming. I believe I fulfilled this role as best I could and worked well with the group, also helping with filming and overseeing the final cut.
The cast list includes four roles - Alex played by Martin Slater, Father played by Hudded Killer, Killer played by Ethan Gornall, and Girlfriend played by Amy Barton.
This document asks a series of questions about audience preferences for action film openings, including genre preferences, viewing format, age/gender, desired elements like colors, music, stunts, locations, and settings for the opening scene.
The film The Krays is based on the lives of British gangsters Ronald and Reginald Kray, known as the Kray twins. The opening scene is set in an old-fashioned house in the 1960s-1970s and shows a woman giving birth while attended by a midwife dressed in white and black. Camera techniques like close-ups, tracks, and high angles are used to draw attention to a flying bird and the vulnerable screaming woman during the birth. Non-diegetic gloomy music plays throughout, except for the sounds of the woman's screams during labor and talking in the background.
A group of football hooligans meet in an underground train station, dressed casually but looking working class. They are lit dimly by the station lights as their leader speaks to the group. The camera films them from eye level and tracks their movements up the stairs. Edits cut from traffic outside to the more enclosed station, then jump to a man being intimidated by a boy kicking a can, building tension through sound effects of trains and the men's cheering.
The film The Krays is based on the lives of British gangsters Ronald and Reginald Kray, known as the Kray twins. The opening scene is set in an old-fashioned house in the 1960s-1970s and shows a woman giving birth while attended by a midwife dressed in white and black. Camera techniques like close-ups, tracks, and high angles are used to draw attention to a flying bird and the vulnerable screaming woman during the birth. Non-diegetic gloomy music plays throughout, except for the sounds of the woman's screams during labor and talking in the background.
A group of football hooligans meet in an underground train station, dressed casually but looking working class. They are waiting for their leader's instructions in the dimly lit station, as the camera focuses closely on his face. When cuts between the traffic above and the hidden station build tension, sound effects of trains and the men's cheering enhance the looming threat of violence.
Alex visits his father's grave on the anniversary of his death with his girlfriend Molly. Alex reflects on finding his father's killer and being willing to go down for revenge. The scene then flashes back to a year earlier, where Alex's father calls him to open the door but is shot dead on the doorstep moments later. Alex finds his father and breaks down in grief as Molly calls for an ambulance.