This document provides guidance on how to summarize stories about accidents involving cars or other vehicles. It discusses the key elements to include when telling stories about moving violations, car accidents, and other incidents. For stories about moving violations, it recommends an introduction establishing location and people involved, a body describing what happened, and a conclusion offering perspective. When telling about car accidents, it suggests describing the situation, what led to the collision, how the cars collided, and any resulting damages or injuries. The document also discusses techniques like movement agreement and use of classifiers to help clearly convey accident narratives.
This document provides guidance on how to summarize stories about accidents involving cars or other vehicles. It discusses the key elements to include when describing different types of accidents, such as moving violations, car accidents, and accidents involving horses or bicycles. For moving violation stories, it recommends an introduction establishing location and people involved, a body describing what happened, and a conclusion offering perspective. For car accidents, it suggests describing the situation, what led to the collision, how the cars collided, and any resulting damages or injuries. The document emphasizes movement agreement between drivers and vehicles to clearly convey accident sequences. It also includes common road signs and terms to facilitate accident descriptions.
4d. telling about accidents moving violations and car accidents (1)Sarah Weston
油
This document provides guidance on how to summarize stories about accidents involving cars or other vehicles. It discusses the key elements to include when describing different types of accidents, such as moving violations, car accidents, and accidents involving horses or bicycles. For moving violation stories, it recommends an introduction establishing location and people involved, a body describing what happened, and a conclusion offering perspective. For car accidents, it suggests describing the situation, what led to the collision, how the cars collided, and any resulting damages or injuries. The document emphasizes movement agreement between drivers and vehicles to clearly convey accident sequences.
1) The trailer begins with generic horror conventions like an ominous score during peaceful scenes and the introduction of the antagonist dressed in black.
2) It then builds suspense by showing the antagonist stalking and kidnapping one of the protagonists.
3) The mid-section features more typical scenes like discovering the kidnapped character tied up in an abandoned barn and a confrontation between the protagonist and antagonist involving a chainsaw.
4) The trailer ends with a forest chase and jump scares, concluding on a cliffhanger to leave viewers wanting more information about the film.
A film proposal for "Tightrope", a horror thriller about a college girl named Amy who is kidnapped by a sadistic man and trapped in an abandoned building. She must find a way to escape before he harms her. The film would follow Amy as she is initially frightened but learns to toughen up and fight back to escape. It culminates with Amy outwitting her kidnapper and the police arriving to arrest him as Amy has transformed from a quiet girl to someone brave and able to stand up for herself. The target audience is those seeking an edge-of-your-seat experience and who will feel sympathy for Amy as she tries to escape the building without knowing where her kidnapper lurks.
The document discusses several narrative theories and their application to teen slasher films. It describes Vladimir Propp's characterization of 8 character types and 31 narrative functions but notes this theory is difficult to apply to teen slashers, which lack generic heroes. Torodov's narrative structure of equilibrium, disruption, recognition, repair and new equilibrium is also challenging to apply as teen slashers don't have happy endings. However, Levi-Strauss' concept of binary oppositions around themes like good vs evil can be easily applied. Additionally, Roland Barthes' idea of enigma codes, where mysteries are unsolved until the end, is clearly demonstrated in films like Scream by the unknown killer's identity.
The document discusses several narrative theories and their application to teen slasher films. It describes Vladimir Propp's characterization of 8 character types and 31 narrative functions that move stories along. Propp's theory is difficult to apply to teen slashers which lack generic heroes. Claude Levi-Strauss suggested binary oppositions like good/evil drive narratives by creating conflict. This theory can be applied to teen slashers through themes of good vs evil and male vs female. Roland Barthes' concept of enigma codes refers to unexplained narrative elements that create mystery and suspense. In teen slasher films, the identity of the killer is typically the main enigma revealed at the end.
Halloween trailer codes and conventions hifsahussain
油
The document analyzes how the Halloween movie trailer adheres to the codes and conventions of the slasher horror sub-genre. It discusses how the trailer uses establishing shots, camera angles, sound, settings, weapons, and characters archetypes common to the genre. Specifically, it shows a tense scene of a house at night with shadowy trees and piano music. It then reveals the killer as a young disturbed boy who grows up to be a psychotic murderer. Finally, it depicts the killer chasing the "final girl" as tension-building music plays, showing the conventions of shot-reverse-shot and a neighbor unable to hear her calls for help.
Rhys Smith plans to analyze a range of thriller films to understand conventions of the genre. They will be assessed on their ability to use appropriate film techniques like shots, sound, mise en scene, and framing. They are required to create titles and openings for a new 2-minute fiction film. The document discusses key thriller elements like protagonists, antagonists, genres (action, disaster), and character ethos. It explains that thrillers build suspense through narrative trajectory, bounded worlds, timescape, and how characters respond to threats.
Divergent is a thriller set in a futuristic society divided into factions based on virtues. The main character, Tris, learns she is Divergent and does not fit into any one faction. When she discovers a plot to destroy Divergents, Tris teams up with Four to find out what makes Divergents dangerous and stop it. The movie creates suspense through battle scenes and moments that put the characters in danger. Cinematography, like over-the-shoulder shots, are used to portray the main character as brave in facing threats and looking down on others with pity but readiness to confront challenges.
1. The film proposes an action movie plot where a controversial British MP named Oliver Barrett is kidnapped ahead of an election by a terrorist group called Antina to advance their anti-nationalist agenda.
2. An MI5 agent, Tanner, who is known for getting unconventional jobs done, is tasked with finding Oliver Barrett and bringing the kidnappers to justice.
3. The film would be inspired by the Taken franchise and follow a similar story structure of Tanner tracking down leads and confronting the main kidnapper, Mike Towers, in a climactic standoff to rescue Oliver Barrett.
The document discusses key elements of thriller films that create suspense and excitement. It notes that thrillers use techniques like fast-paced music, quick camera shots and angles, plot twists, and dramatic finishes to keep viewers on the edge of their seats. Examples provided include Pulp Fiction, Inception, and Die Hard films that incorporate suspense through dangerous missions, life-threatening stakes, and relying on the protagonist to save lives. Common thriller tropes mentioned are the good guy versus villain dynamic, chase or fight scenes for action, and puzzles the hero must solve.
This document discusses the thriller/suspense genre. It notes that thrillers involve excitement, intense scenes, anticipation and anxiety. A common narrative involves a crime being committed, detectives trying to solve it amid complications, and ultimately solving the case. Key directors who helped shape the genre include Alfred Hitchcock, who made films in the 1920s-1960s that featured themes of abuse, murder, paranoia and used techniques like tension-building music. Hitchcock never won an Academy Award despite five nominations as best director.
This document provides an overview of the thriller genre for a class presentation. It defines thrillers as aiming to promote suspense and excitement through intense emotions. It outlines several thriller subgenres and common themes. Key elements of thriller narratives are discussed, including typical character roles, plot sections, and binary oppositions. The document also details many common thriller codes and conventions for elements like music, lighting, camera work and settings. It provides examples of how mise-en-scene techniques like mirrors, flashbacks and shadows are used to create meaning and tension in thrillers.
Thrillers use suspense and excitement to stimulate anticipation and raise tension throughout the film. They consist of twists that manipulate the viewer's mind and a sense of urgency that keeps them on the edge of their seats. Thrillers feature a danger or mission that must be overcome and have villain-driven plots typically involving corruption and double-crossing. Some examples of thriller films include Inception, Inside Man, American Gangster, Apollo 18, Pulp Fiction, The Dark Knight, Taken, Training Day, Enemy of the State, and Righteous Kill.
This document discusses the thriller/suspense genre. It notes that thrillers create tension by not revealing what will happen next, generating anxiety in audiences. It gives examples of early thrillers like "Safety Last" and "M." The document also discusses Alfred Hitchcock's significant contributions to the genre through films like "The Lodger" and "Rear Window." It states that Hitchcock explored themes of abuse, murder, paranoia, and obsession in his movies.
The Great Train Robbery (1903) was an early silent western film directed by Edwin S. Porter that experimented with film techniques like continuity. It told a story of a train robbery and was filmed on an actual moving train before green screens. The film established scenes, followed the 180 degree rule by keeping characters on the same side, and used match on action between shots to seamlessly continue the narrative.
Will Smith outlines props needed for his upcoming film including:
1) A fake/cheap ring to show a relationship in trouble after a marriage proposal with a cheap ring.
2) A toothpick for an antagonist character.
3) Spare clothes to imply a girlfriend kicking her boyfriend out and not wanting him back.
4) A gun to indicate violence and identify the protagonist and antagonist.
5) Fake blood to show the protagonist tied up in a van with blood from his mouth.
Dt film opening title sequence mood boardsDeclanTyldsley
油
1) The document discusses plans for a title sequence for a thriller film set in a city about a retired agent whose wife was murdered.
2) The sequence will open with a tracking shot through the city ending at the back alley where the agent's wife was killed, showing him listening to her final voice recording in depression and attempting self-harm.
3) Iconography and characters will be used to indicate the locations of crimes committed by the gang the agent is pursuing for revenge, and to lure the agent into traps set by the gang to kill him.
The document defines thrillers as novels, plays, or films that provide excitement through crime or espionage plots that keep audiences engaged. It provides examples of thriller films and analyzes key components including characters (hero and mystery villain), plots (average person as detective in danger), situations (chases without gore), and music/sounds (upbeat and mysterious). Generic thriller conventions include short shots during action scenes and longer shots otherwise to match pacing. Overall success requires a compelling story, underdog protagonist, tension from multiple perspectives, and high pacing through continual reveals that induce change.
This document outlines the steps in the writing process for narrative writing, including brainstorming ideas, planning the narrative, writing an introduction, drafting the narrative, writing a closing, revising the draft, editing the narrative, and publishing the final work. It lists each step three times for emphasis. The document provides guidance to an 8th grade student on how to structure their narrative writing assignment.
This document discusses types of sentences and provides information and exercises on classifying sentences. It covers the following types of sentences: simple, compound, complex, compound-complex, imperative, declarative, exclamatory, and interrogative. The objectives are to recognize sentence types, identify problems in sentences, classify sentences according to type, create a mind map of the concept, and play sentence classification games. Later sections provide practice classifying sentences in groups.
This document outlines elements that can be analyzed in a work of literature. It includes questions about the author, title, purpose, type, genre, setting, point of view, characters, audience, and plot components of a prose text. Key elements are identified such as the protagonist, antagonist, dynamic/static and round/flat characters. The overall purpose is to analyze various aspects of a prose text.
Rhys Smith plans to analyze a range of thriller films to understand conventions of the genre. They will be assessed on their ability to use appropriate film techniques like shots, sound, mise en scene, and framing. They are required to create titles and openings for a new 2-minute fiction film. The document discusses key thriller elements like protagonists, antagonists, genres (action, disaster), and character ethos. It explains that thrillers build suspense through narrative trajectory, bounded worlds, timescape, and how characters respond to threats.
Divergent is a thriller set in a futuristic society divided into factions based on virtues. The main character, Tris, learns she is Divergent and does not fit into any one faction. When she discovers a plot to destroy Divergents, Tris teams up with Four to find out what makes Divergents dangerous and stop it. The movie creates suspense through battle scenes and moments that put the characters in danger. Cinematography, like over-the-shoulder shots, are used to portray the main character as brave in facing threats and looking down on others with pity but readiness to confront challenges.
1. The film proposes an action movie plot where a controversial British MP named Oliver Barrett is kidnapped ahead of an election by a terrorist group called Antina to advance their anti-nationalist agenda.
2. An MI5 agent, Tanner, who is known for getting unconventional jobs done, is tasked with finding Oliver Barrett and bringing the kidnappers to justice.
3. The film would be inspired by the Taken franchise and follow a similar story structure of Tanner tracking down leads and confronting the main kidnapper, Mike Towers, in a climactic standoff to rescue Oliver Barrett.
The document discusses key elements of thriller films that create suspense and excitement. It notes that thrillers use techniques like fast-paced music, quick camera shots and angles, plot twists, and dramatic finishes to keep viewers on the edge of their seats. Examples provided include Pulp Fiction, Inception, and Die Hard films that incorporate suspense through dangerous missions, life-threatening stakes, and relying on the protagonist to save lives. Common thriller tropes mentioned are the good guy versus villain dynamic, chase or fight scenes for action, and puzzles the hero must solve.
This document discusses the thriller/suspense genre. It notes that thrillers involve excitement, intense scenes, anticipation and anxiety. A common narrative involves a crime being committed, detectives trying to solve it amid complications, and ultimately solving the case. Key directors who helped shape the genre include Alfred Hitchcock, who made films in the 1920s-1960s that featured themes of abuse, murder, paranoia and used techniques like tension-building music. Hitchcock never won an Academy Award despite five nominations as best director.
This document provides an overview of the thriller genre for a class presentation. It defines thrillers as aiming to promote suspense and excitement through intense emotions. It outlines several thriller subgenres and common themes. Key elements of thriller narratives are discussed, including typical character roles, plot sections, and binary oppositions. The document also details many common thriller codes and conventions for elements like music, lighting, camera work and settings. It provides examples of how mise-en-scene techniques like mirrors, flashbacks and shadows are used to create meaning and tension in thrillers.
Thrillers use suspense and excitement to stimulate anticipation and raise tension throughout the film. They consist of twists that manipulate the viewer's mind and a sense of urgency that keeps them on the edge of their seats. Thrillers feature a danger or mission that must be overcome and have villain-driven plots typically involving corruption and double-crossing. Some examples of thriller films include Inception, Inside Man, American Gangster, Apollo 18, Pulp Fiction, The Dark Knight, Taken, Training Day, Enemy of the State, and Righteous Kill.
This document discusses the thriller/suspense genre. It notes that thrillers create tension by not revealing what will happen next, generating anxiety in audiences. It gives examples of early thrillers like "Safety Last" and "M." The document also discusses Alfred Hitchcock's significant contributions to the genre through films like "The Lodger" and "Rear Window." It states that Hitchcock explored themes of abuse, murder, paranoia, and obsession in his movies.
The Great Train Robbery (1903) was an early silent western film directed by Edwin S. Porter that experimented with film techniques like continuity. It told a story of a train robbery and was filmed on an actual moving train before green screens. The film established scenes, followed the 180 degree rule by keeping characters on the same side, and used match on action between shots to seamlessly continue the narrative.
Will Smith outlines props needed for his upcoming film including:
1) A fake/cheap ring to show a relationship in trouble after a marriage proposal with a cheap ring.
2) A toothpick for an antagonist character.
3) Spare clothes to imply a girlfriend kicking her boyfriend out and not wanting him back.
4) A gun to indicate violence and identify the protagonist and antagonist.
5) Fake blood to show the protagonist tied up in a van with blood from his mouth.
Dt film opening title sequence mood boardsDeclanTyldsley
油
1) The document discusses plans for a title sequence for a thriller film set in a city about a retired agent whose wife was murdered.
2) The sequence will open with a tracking shot through the city ending at the back alley where the agent's wife was killed, showing him listening to her final voice recording in depression and attempting self-harm.
3) Iconography and characters will be used to indicate the locations of crimes committed by the gang the agent is pursuing for revenge, and to lure the agent into traps set by the gang to kill him.
The document defines thrillers as novels, plays, or films that provide excitement through crime or espionage plots that keep audiences engaged. It provides examples of thriller films and analyzes key components including characters (hero and mystery villain), plots (average person as detective in danger), situations (chases without gore), and music/sounds (upbeat and mysterious). Generic thriller conventions include short shots during action scenes and longer shots otherwise to match pacing. Overall success requires a compelling story, underdog protagonist, tension from multiple perspectives, and high pacing through continual reveals that induce change.
This document outlines the steps in the writing process for narrative writing, including brainstorming ideas, planning the narrative, writing an introduction, drafting the narrative, writing a closing, revising the draft, editing the narrative, and publishing the final work. It lists each step three times for emphasis. The document provides guidance to an 8th grade student on how to structure their narrative writing assignment.
This document discusses types of sentences and provides information and exercises on classifying sentences. It covers the following types of sentences: simple, compound, complex, compound-complex, imperative, declarative, exclamatory, and interrogative. The objectives are to recognize sentence types, identify problems in sentences, classify sentences according to type, create a mind map of the concept, and play sentence classification games. Later sections provide practice classifying sentences in groups.
This document outlines elements that can be analyzed in a work of literature. It includes questions about the author, title, purpose, type, genre, setting, point of view, characters, audience, and plot components of a prose text. Key elements are identified such as the protagonist, antagonist, dynamic/static and round/flat characters. The overall purpose is to analyze various aspects of a prose text.
The document discusses the four main types of sentences: simple, compound, complex, and compound-complex. A simple sentence contains one independent clause. A compound sentence contains two independent clauses joined with a coordinating conjunction. A complex sentence contains one independent clause and at least one dependent clause. A compound-complex sentence contains at least two independent clauses and at least one dependent clause.
The document discusses the key differences between phrases and clauses. A phrase is a group of related words that does not contain both a subject and a verb, while a clause contains both a subject and a verb. Phrases cannot stand alone as sentences, but clauses may be able to. There are two main types of clauses: independent clauses, which can stand alone as complete sentences, and subordinate clauses, which cannot stand alone and must be attached to an independent clause. The document provides examples of identifying phrases and clauses, as well as filling in blanks about their definitions. It also covers the different types of clauses and how clauses can be connected.
SOCIAL CHANGE(a change in the institutional and normative structure of societ...DrNidhiAgarwal
油
This PPT is showing the effect of social changes in human life and it is very understandable to the students with easy language.in this contents are Itroduction, definition,Factors affecting social changes ,Main technological factors, Social change and stress , what is eustress and how social changes give impact of the human's life.
Blind Spots in AI and Formulation Science Knowledge Pyramid (Updated Perspect...Ajaz Hussain
油
This presentation delves into the systemic blind spots within pharmaceutical science and regulatory systems, emphasizing the significance of "inactive ingredients" and their influence on therapeutic equivalence. These blind spots, indicative of normalized systemic failures, go beyond mere chance occurrences and are ingrained deeply enough to compromise decision-making processes and erode trust.
Historical instances like the 1938 FD&C Act and the Generic Drug Scandals underscore how crisis-triggered reforms often fail to address the fundamental issues, perpetuating inefficiencies and hazards.
The narrative advocates a shift from reactive crisis management to proactive, adaptable systems prioritizing continuous enhancement. Key hurdles involve challenging outdated assumptions regarding bioavailability, inadequately funded research ventures, and the impact of vague language in regulatory frameworks.
The rise of large language models (LLMs) presents promising solutions, albeit with accompanying risks necessitating thorough validation and seamless integration.
Tackling these blind spots demands a holistic approach, embracing adaptive learning and a steadfast commitment to self-improvement. By nurturing curiosity, refining regulatory terminology, and judiciously harnessing new technologies, the pharmaceutical sector can progress towards better public health service delivery and ensure the safety, efficacy, and real-world impact of drug products.
Finals of Rass MELAI : a Music, Entertainment, Literature, Arts and Internet Culture Quiz organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025.
APM event hosted by the South Wales and West of England Network (SWWE Network)
Speaker: Aalok Sonawala
The SWWE Regional Network were very pleased to welcome Aalok Sonawala, Head of PMO, National Programmes, Rider Levett Bucknall on 26 February, to BAWA for our first face to face event of 2025. Aalok is a member of APMs Thames Valley Regional Network and also speaks to members of APMs PMO Interest Network, which aims to facilitate collaboration and learning, offer unbiased advice and guidance.
Tonight, Aalok planned to discuss the importance of a PMO within project-based organisations, the different types of PMO and their key elements, PMO governance and centres of excellence.
PMOs within an organisation can be centralised, hub and spoke with a central PMO with satellite PMOs globally, or embedded within projects. The appropriate structure will be determined by the specific business needs of the organisation. The PMO sits above PM delivery and the supply chain delivery teams.
For further information about the event please click here.
How to Configure Flexible Working Schedule in Odoo 18 EmployeeCeline George
油
In this slide, well discuss on how to configure flexible working schedule in Odoo 18 Employee module. In Odoo 18, the Employee module offers powerful tools to configure and manage flexible working schedules tailored to your organization's needs.
QuickBooks Desktop to QuickBooks Online How to Make the MoveTechSoup
油
If you use QuickBooks Desktop and are stressing about moving to QuickBooks Online, in this webinar, get your questions answered and learn tips and tricks to make the process easier for you.
Key Questions:
* When is the best time to make the shift to QuickBooks Online?
* Will my current version of QuickBooks Desktop stop working?
* I have a really old version of QuickBooks. What should I do?
* I run my payroll in QuickBooks Desktop now. How is that affected?
*Does it bring over all my historical data? Are there things that don't come over?
* What are the main differences between QuickBooks Desktop and QuickBooks Online?
* And more
APM People Interest Network Conference 2025
- Autonomy, Teams and Tension
- Oliver Randall & David Bovis
- Own Your Autonomy
Oliver Randall
Consultant, Tribe365
Oliver is a career project professional since 2011 and started volunteering with APM in 2016 and has since chaired the People Interest Network and the North East Regional Network. Oliver has been consulting in culture, leadership and behaviours since 2019 and co-developed HPTM速an off the shelf high performance framework for teams and organisations and is currently working with SAS (Stellenbosch Academy for Sport) developing the culture, leadership and behaviours framework for future elite sportspeople whilst also holding down work as a project manager in the NHS at North Tees and Hartlepool Foundation Trust.
David Bovis
Consultant, Duxinaroe
A Leadership and Culture Change expert, David is the originator of BTFA and The Dux Model.
With a Masters in Applied Neuroscience from the Institute of Organisational Neuroscience, he is widely regarded as the Go-To expert in the field, recognised as an inspiring keynote speaker and change strategist.
He has an industrial engineering background, majoring in TPS / Lean. David worked his way up from his apprenticeship to earn his seat at the C-suite table. His career spans several industries, including Automotive, Aerospace, Defence, Space, Heavy Industries and Elec-Mech / polymer contract manufacture.
Published in Londons Evening Standard quarterly business supplement, James Caans Your business Magazine, Quality World, the Lean Management Journal and Cambridge Universities PMA, he works as comfortably with leaders from FTSE and Fortune 100 companies as he does owner-managers in SMEs. He is passionate about helping leaders understand the neurological root cause of a high-performance culture and sustainable change, in business.
Session | Own Your Autonomy The Importance of Autonomy in Project Management
#OwnYourAutonomy is aiming to be a global APM initiative to position everyone to take a more conscious role in their decision making process leading to increased outcomes for everyone and contribute to a world in which all projects succeed.
We want everyone to join the journey.
#OwnYourAutonomy is the culmination of 3 years of collaborative exploration within the Leadership Focus Group which is part of the APM People Interest Network. The work has been pulled together using the 5 HPTM速 Systems and the BTFA neuroscience leadership programme.
https://www.linkedin.com/showcase/apm-people-network/about/
Useful environment methods in Odoo 18 - Odoo 際際滷sCeline George
油
In this slide well discuss on the useful environment methods in Odoo 18. In Odoo 18, environment methods play a crucial role in simplifying model interactions and enhancing data processing within the ORM framework.
Computer Application in Business (commerce)Sudar Sudar
油
The main objectives
1. To introduce the concept of computer and its various parts. 2. To explain the concept of data base management system and Management information system.
3. To provide insight about networking and basics of internet
Recall various terms of computer and its part
Understand the meaning of software, operating system, programming language and its features
Comparing Data Vs Information and its management system Understanding about various concepts of management information system
Explain about networking and elements based on internet
1. Recall the various concepts relating to computer and its various parts
2 Understand the meaning of softwares, operating system etc
3 Understanding the meaning and utility of database management system
4 Evaluate the various aspects of management information system
5 Generating more ideas regarding the use of internet for business purpose
2. Exposition: (page 31)
What can you tell from the following:
Martin is a twelve-year old boy who is uncomfortable in elevators.
(line 4)
He fears that they might fall.
bullied at school (line 25) and always picked last (lines 25-26) He is not very popular with
his classmates.
get used to it (line 24) He will try to deal with his fear of elevators.
3. State 2 external conflicts in the exposition:
1. Martin vs. his dad
2. Martin vs. the bullies at school
3. Martin vs. the elevator
4. What is the main conflict?
The main conflict will probably involve the elevator. He has a fear of being
trapped in the elevator (lines 34-35), and he dislikes being too close to any
other rider (line 36). The storys conflict will probably involve Matrin confronting
his fear.
5. Rising action: (lines 41-174)
A large woman gets on the elevator at the fourteenth floor and stares
at Martin after the doors close (lines 41-49). This event forces Martin
to confront his worst fears and sets the rising action in motion.
State 1 internal conflict in the rising action:
Martins decision to either take the elevator or not.
6. One of the literary devices/techniques is
foreshadowing which means:
Foreshadowing is a hint of what is to come later in the story. It often
appears at the beginning of a story, or a chapter, and helps the reader
develop expectations about the coming events in a story.
8. One of the literary devices/techniques is
suspense which means:
The intense feeling that an audience goes through while waiting for the
outcome of certain events. It basically leaves the reader holding their
breath and wanting more information. The amount of intensity in a
suspenseful moment is why it is hard to put a book down.
9. Which lines in the story helped build
suspense?
blue eyes already fixed on him as though she knew hed be there
(line 89)
it was like a nightmare (line 90)
The elevator trembled (line 94)
The fat lady watched him (line 95)
What was she doing? Had she been waiting for him? Was she riding
with him on purpose? (lines 98-99)
What is if got stuck between floors? What if it fell? (line 105)
Etc.
10. Climax: (line 175)
Martin is in danger.
How did we figure this out?
The lady gets on the elevator at the tenth floor (line 172) as if she knew
that Martin would be alone on the elevator at that moment.
She ]moves[ in quickly (line 173), as if wanting to take advantage of
his vulnerability on the crutches.
The phrase the door sealed them in (line 174) suggests that he is trapped.
She knows his name, she laughs, and she pushes the stop button (line 175).
11. Falling action and resolution:
The story had an open ending so that we can come up with our own
resolution to the conflict.
12. Protagonist:
A protagonist is the central character or leading figure in poetry,
narrative novel or any other story. A protagonist is something called a
hero by the audience or readers. The word originally came from
Greek language which refers to the person who led the chorus.
The protagonist in our story is:
Martin
13. Antagonist:
In literature, an antagonist is a character, group of characters, or other force
that presents an obstacle or is in direct conflict with the protagonist. The
antagonist is most often one character who has a goal that opposes the
protagonists goal and will try to stop the protagonist from getting what he
or she wants.
The word antagonist comes from the Greek for a competitor, rival, or
opponent.
The antagonist in our story is:
The fat lady
14. Difference Between Antagonist and Villain
The definition of antagonist states that this
character or characters works in opposition to
the protagonist. This does not mean, however,
that the antagonist is necessarily a villain or that
the antagonists motives are inherently evil.