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LIGHTING
VISIBILITY
 Light is used to see the
characters faces, the set design,
and the props
 In the play, the lighting helps
focus on Jack as he goes through
his monologue
SHAPES AND FORMS
 Lighting is placed strategically
around so all angle of the stages and
the whatevers on the stage could be
seen and look more fascinating
 When everyone comes together
towards the end of the play, its
important that the audience get to see
everyones reaction when Jack found
out who he really is
FOCUS AND VISUAL
COMPOSITION
 This allows the audience to
zone in on one thing thats
happening during the play
 In this play, the lack of
lighting can give a chance to
them to change set design
MOOD AND STYLE
 The mood is set by the characters
and to help assist, the lighting can
change from bright to dull to
coincide with the mood
 For an example, the lighting can
get darker and dimmer to get the
audience to understand whats being
unfold during the play
TIME AND PLACE
 Lighting can help the audience
tell what time of day it is
 Since this is set during the
Spring, the lighting would be more
chirpy and merrier, so more yellow
and bright orange
RHYTHM OF VISUAL
MOVEMENT
 In order to keep the audiences
interest, theres a constant change
in lighting
 Its usually used during action
scenes, such as war or fighting
CENTRAL VISUAL IMAGE
 The works of lighting plays an important part of a play production
 If used wrong, it can set off the audiences interest and possibly
cause confusion and not having understanding of the play
 Lighting makes a play more interesting and leers in the audience
just be appearance
 It can be used to manipulate a situation, from mood to time to set
change
SET DESIGN
BACKGROUND
 The era is set in the late 19th
century; 1890s to be specific
 This is the period known as
the Victorian Era
 Industrial Revolution is in
its prime
LOCATION
 The First Act is set in
London, England
 The rest of the play is set in
Jacks estate which is located in
Hertfordshire; an extremely rural
area of the country
SIGNIFICANCE OF ERA
 The Victorian Era
called for a traditional
styling that involved
extravagant furniture
complimented by pictures
and plants.
SETTING (ACT 1)
 The inside of the house in the first act should be filled with extravagant wooden
furniture along with luscious plants and a complimentary wallpaper that emits a
fancy look. This was the style of the Victorian Era and a house in London during
that time should be styled no differently.
SETTING (ACT 2,3)
 The rest of the play is set in
Hertfordshire, a rural part of
England where Jack and his estate
reside. The setting should be filled
with plants and the background
should be set to symbolize the
outside. The furniture should still
be wood but should be similar to
that of a more traditional estate
during the late 1900s.
COSTUME DESIGN
STYLE
 Victorian style dominated the
era, where the upper class men
wore suits and women wore ball
gowns and flared skirts
HISTORICAL
PERIOD
The Importance of Being
Earnest first played in
theatres February
14, 1895, in London, UK.
This play focuses on the
upper-class, proper behavior
in the Victorian era.
GWENDOLEN FAIRFAX
AND LADY BRACKNELL
 Both Gwendolen and her mother Lady
Bracknell belong to the upper class. They
epitomize the Victorian high society,
shown by the emphasis of family name
and wealth Lady Bracknell has when
talking to Jack Worthing. Lady Bracknells
goal is to marry her daughter off to a
suitable husband.
 Raised and living in London, both
characters follow the latest fashion and
lifestyle set by those around them.
JACK WORTHING
 Jack Worthing has a middle, upper class
wealth, owning an estate in the country with
wards and tenants. He makes 7000  8000 a
year in investments, which is satisfactory to
the upper-class Lady Bracknell.
 Worthing possesses two identities, Jack
and Earnest. He uses Jack as his country
persona as a respectable individual that tends
to his work and duties. In contrast, he goes by
Earnest when hes in London to do the exact
opposite such as drink and have fun.
ALGERNON MONCRIEFF
 Jack Worthings close friend in the
city, Algernon also belongs to the upper-
middle class but doesnt have as strong
of an emphasis on the Victorian high
society as his aunt, Lady Bracknell. He
even goes as far as to create an imaginary
friend, Bunbury, to escape London
and its high class culture.
CECILY CARDEW
 Contrasting the other characters, Cecily
Cardew is a ward of Jack Worthing and has
been shown to have a wealth of familial
money, but was raised in the country. She
doesnt have the same Victorian principles
and fashion as the others who were raised in
London. This makes her more relatable and
down to earth when compared to the prim
and proper Lady Bracknell.
DIRECTOR OBJECTIVES
CHOOSING A SCRIPT
As the director, I was able to choose the
script and I chose The Importance of
Being Earnest by Oscar Wilde
CASTING
Leonardo DiCaprio as John Worthing
Orlando Bloom as Algernon Moncriett
Olivia Wilde as Gwendolen Fairfax
Kiera Knightley as Cecily Cardew
Meryl Streep as Lady Bracknell
Cloris Leachman as Miss Prism
Hector Elizondo as Rev. Canon Chasuble
Jospeh Marcell as Lane
Kevin Chamberlin as Merriman
CASTING
 For each character in the play, each actor was casted due to their
past roles and how well they portrayed those characters in movies, tv
shoes, etc
THE SPINE
 As the director, I believe the spine of the play would be the idea
of marriage since a lot of the story revolves around different
engagements, for example, Jack/Earnest and Gwendolen s well as
Algernon and Cecily, which all lead into the main theme of love of
their real selves.
STYLE
 A style that helps emphasize the spine of the play- the idea of
marriage, in which I believe would be expressionism because it could
reflect the different emotions and the change in thoughts and feelings
throughout the play, in order for the audience to have a clearer
understanding of the play and the main theme.
DIRECTORIAL CONCEPT
 My directorial concept for the play would be to take the traditional
approach because the play deserves to be shown as it is written, which
is set in 1895, in order to give spectators a feel for that certain time
period.

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The Importance of Earnest

  • 2. VISIBILITY Light is used to see the characters faces, the set design, and the props In the play, the lighting helps focus on Jack as he goes through his monologue
  • 3. SHAPES AND FORMS Lighting is placed strategically around so all angle of the stages and the whatevers on the stage could be seen and look more fascinating When everyone comes together towards the end of the play, its important that the audience get to see everyones reaction when Jack found out who he really is
  • 4. FOCUS AND VISUAL COMPOSITION This allows the audience to zone in on one thing thats happening during the play In this play, the lack of lighting can give a chance to them to change set design
  • 5. MOOD AND STYLE The mood is set by the characters and to help assist, the lighting can change from bright to dull to coincide with the mood For an example, the lighting can get darker and dimmer to get the audience to understand whats being unfold during the play
  • 6. TIME AND PLACE Lighting can help the audience tell what time of day it is Since this is set during the Spring, the lighting would be more chirpy and merrier, so more yellow and bright orange
  • 7. RHYTHM OF VISUAL MOVEMENT In order to keep the audiences interest, theres a constant change in lighting Its usually used during action scenes, such as war or fighting
  • 8. CENTRAL VISUAL IMAGE The works of lighting plays an important part of a play production If used wrong, it can set off the audiences interest and possibly cause confusion and not having understanding of the play Lighting makes a play more interesting and leers in the audience just be appearance It can be used to manipulate a situation, from mood to time to set change
  • 10. BACKGROUND The era is set in the late 19th century; 1890s to be specific This is the period known as the Victorian Era Industrial Revolution is in its prime
  • 11. LOCATION The First Act is set in London, England The rest of the play is set in Jacks estate which is located in Hertfordshire; an extremely rural area of the country
  • 12. SIGNIFICANCE OF ERA The Victorian Era called for a traditional styling that involved extravagant furniture complimented by pictures and plants.
  • 13. SETTING (ACT 1) The inside of the house in the first act should be filled with extravagant wooden furniture along with luscious plants and a complimentary wallpaper that emits a fancy look. This was the style of the Victorian Era and a house in London during that time should be styled no differently.
  • 14. SETTING (ACT 2,3) The rest of the play is set in Hertfordshire, a rural part of England where Jack and his estate reside. The setting should be filled with plants and the background should be set to symbolize the outside. The furniture should still be wood but should be similar to that of a more traditional estate during the late 1900s.
  • 16. STYLE Victorian style dominated the era, where the upper class men wore suits and women wore ball gowns and flared skirts
  • 17. HISTORICAL PERIOD The Importance of Being Earnest first played in theatres February 14, 1895, in London, UK. This play focuses on the upper-class, proper behavior in the Victorian era.
  • 18. GWENDOLEN FAIRFAX AND LADY BRACKNELL Both Gwendolen and her mother Lady Bracknell belong to the upper class. They epitomize the Victorian high society, shown by the emphasis of family name and wealth Lady Bracknell has when talking to Jack Worthing. Lady Bracknells goal is to marry her daughter off to a suitable husband. Raised and living in London, both characters follow the latest fashion and lifestyle set by those around them.
  • 19. JACK WORTHING Jack Worthing has a middle, upper class wealth, owning an estate in the country with wards and tenants. He makes 7000 8000 a year in investments, which is satisfactory to the upper-class Lady Bracknell. Worthing possesses two identities, Jack and Earnest. He uses Jack as his country persona as a respectable individual that tends to his work and duties. In contrast, he goes by Earnest when hes in London to do the exact opposite such as drink and have fun.
  • 20. ALGERNON MONCRIEFF Jack Worthings close friend in the city, Algernon also belongs to the upper- middle class but doesnt have as strong of an emphasis on the Victorian high society as his aunt, Lady Bracknell. He even goes as far as to create an imaginary friend, Bunbury, to escape London and its high class culture.
  • 21. CECILY CARDEW Contrasting the other characters, Cecily Cardew is a ward of Jack Worthing and has been shown to have a wealth of familial money, but was raised in the country. She doesnt have the same Victorian principles and fashion as the others who were raised in London. This makes her more relatable and down to earth when compared to the prim and proper Lady Bracknell.
  • 23. CHOOSING A SCRIPT As the director, I was able to choose the script and I chose The Importance of Being Earnest by Oscar Wilde
  • 24. CASTING Leonardo DiCaprio as John Worthing Orlando Bloom as Algernon Moncriett Olivia Wilde as Gwendolen Fairfax Kiera Knightley as Cecily Cardew Meryl Streep as Lady Bracknell Cloris Leachman as Miss Prism Hector Elizondo as Rev. Canon Chasuble Jospeh Marcell as Lane Kevin Chamberlin as Merriman
  • 25. CASTING For each character in the play, each actor was casted due to their past roles and how well they portrayed those characters in movies, tv shoes, etc
  • 26. THE SPINE As the director, I believe the spine of the play would be the idea of marriage since a lot of the story revolves around different engagements, for example, Jack/Earnest and Gwendolen s well as Algernon and Cecily, which all lead into the main theme of love of their real selves.
  • 27. STYLE A style that helps emphasize the spine of the play- the idea of marriage, in which I believe would be expressionism because it could reflect the different emotions and the change in thoughts and feelings throughout the play, in order for the audience to have a clearer understanding of the play and the main theme.
  • 28. DIRECTORIAL CONCEPT My directorial concept for the play would be to take the traditional approach because the play deserves to be shown as it is written, which is set in 1895, in order to give spectators a feel for that certain time period.