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Discussant: RENZZELLE JOY B. BUEN
FILIPINO
WRITERS
SURVEY OF THE PHILIPPINE
LITERATURE

Objectives:
identitfy the famous
Filipino writers and their
works;
a
.
illustrate scenarious of
the popular novels
through paint me a
picture and;
b
value the contribution of
the different literary
pieces to our country
c
.
SURVEY OF THE PHILIPPINE LITERATURE

JOSE RIZAL
P
LITERATURE

Jose Rizal was a Filipino
polymath and nationalist.
An ophthalmologist by
profession, Rizal turned
towards writing and
inspired the Philippine
Revolution through his
writings. The revolution
eventually led to Philippine
independence and Rizal
became a national hero.
His life has inspired
several biographical films
and TV series.
• Birthdate: June
19, 1861
• Sun Sign:
Gemini
• Birthplace:
Calamba,
Laguna
• Died: December
30, 1896
• Works: Noli Me
Tangere, El
Filibusterismo

LITERATURE

Birthdate: August 30, 1850
Sun Sign: Virgo
Birthplace: Bulakan, Bulacan,
Captaincy General of the Philippines
Died: July 4, 1896
Works: Ang Pag-ibig sa Tinubuang
Lupa, Dasalan at Tocsohan

Birthdate: May 4, 1917
Sun Sign: Taurus
Birthplace: Manila
Died: April 29, 2004
Works: La Naval de Manila, The Woman
Who Had Two Navels(1961), A Portrait of the
Artist as Filipino (1966),Cave and Shadows
(1983)
Nick Joaquin was a Filipino journalist and
writer. He is best remembered for his novels
and short stories written in the English
language. Counted among the most
prominent Filipino writers of all time, Nick
Joaquin was the recipient of many
prestigious awards such as the National
Artist Award and Ramon Magsaysay Award
for Literature.

Birthdate: September 13, 1903
Sun Sign: Virgo
Birthplace: Hagonoy
Died: March 24, 1970
Work: Mga Ibong Mandaragit
Amado V. Hernandez was a Filipino labor leader and
writer. He is best remembered for his participation in
the communist movement, for which he was arrested
and imprisoned. Amado V. Hernandez criticized the
social injustices in the Philippines through his
writings and often included his experiences as a labor
leader and as a guerrilla in his socio-political novels.

Birthdate: June 15, 1819
Birthplace: Binan, Laguna
Died: January 21, 1864
Works: Urbana at Felisa, Conleccion de
Sermones
Modesto de Castro, a Catholic priest and moralist, a
writer and an orator. His writing in Pilipino, made the
belief in God and the Christian religion more
understandable and meaningful to the people. For the
invaluable literary services of Father de Castro the
critics in Pilipino Literature conferred upon him the
title, "King of Prose."

Literature under spanish colonization.pptx

Discussant: CLAIRE JOY C. CABATAS
: SOPHIA D. BUAYA
LITERARY
PIECES
(WRITTEN IN SPANISH BUT
TRANSLATED IN ENGLISH)
LITERATURE

NOLI ME TANGERE
The plot revolves around Crisostomo
Ibarra, mixed-race heir of a wealthy clan,
returning home after seven years in
Europe and filled with ideas on how to
better the lot of his countrymen. Striving
for reforms, he is confronted by an
abusive ecclesiastical hierarchy and a
Spanish civil administration by turns
indifferent and cruel. The novel suggests,
through plot developments, that
meaningful change in this context is
exceedingly difficult, if not impossible.
Noli Me Tangere the title means
'Touch Me Not'
•Written in Spanish and published
in 1887, José Rizal’s Noli Me
Tangere played a crucial role in
the political history of the
Philippines.
•That same year, he returned to
Manila, where the Noli had been
banned and its author now hated
intensely by the friars.
Author: JOSE RIZAL

The death of Ibarra’s father, Don Rafael, prior to his homecoming,
and the refusal of a Catholic burial by Padre Damaso, the parish
priest, provokes Ibarra into hitting the priest, for which Ibarra is
excommunicated. The decree is rescinded, however, when the
governor general intervenes. The friar and his successor, Padre
Salvi, embody the rotten state of the clergy. Their tangled feelings—
one paternal, the other carnal—for Maria Clara, Ibarra’s sweetheart
and rich Capitan Tiago’s beautiful daughter, steel their
determination to spoil Ibarra’s plans for a school. The town
philosopher Tasio wryly notes similar past attempts have failed, and
his sage commentary makes clear that all colonial masters fear that
an enlightened people will throw off the yoke of oppression.
Precisely how to accomplish this is the novel’s central question,
and one which Ibarra debates with the mysterious Elias, with whose
life his is intertwined. The privileged Ibarra favors peaceful means,
while Elias, who has suffered injustice at the hands of the
authorities, believes violence is the only option.
SUMMARY:

Kabanata 25
Elias: Salome, tama ang iyong pagpasyang
manirahan sa iyong kamag anak. Limutin mo na ako.
Limutin mo na ang pag ibig na hibang at walang
halaga. Marahil doon ay makakatagpo ka ng karapat
dapat sa iyo.
Salome: Kung gayon ay dito ka nalang tumira, ang
kubong ito ang magpapagunita sa iyo tungkol sakin.
Hindi pa ako mag-aalala na tangayin ito ng hangin at
alon. At kung iisipin ko ang pook na ito, ang alaala
mo at ang ala ng tahanan ko ay magiging isa.
SUMMARY:

Ibarra’s enemies, particularly Salvi, implicate him in a fake insurrection,
though the evidence against him is weak. Then Maria Clara betrays him
to protect a dark family secret, public exposure of which would be
ruinous. Ibarra escapes from prison with Elias’s help and confronts her.
She explains why, Ibarra forgives her, and he and Elias flee to the lake.
But chased by the Guardia Civil, one dies while the other survives.
Convinced Ibarra’s dead, Maria Clara enters the nunnery, refusing a
marriage arranged by Padre Damaso. Her unhappy fate and that of the
more memorable Sisa, driven mad by the fate of her sons, symbolize the
country’s condition, at once beautiful and miserable.
Using satire brilliantly, Rizal creates other memorable characters whose
lives manifest the poisonous effects of religious and colonial oppression.
Capitan Tiago; the social climber Doña Victorina de Espadaña and her
toothless Spanish husband; the Guardia Civil head and his harridan of a
wife; the sorority of devout women; the disaffected peasants forced to
become outlaws: in sum, a microcosm of Philippine society. In the
afflictions that plague them, Rizal paints a harrowing picture of his
beloved but suffering country in a work that speaks eloquently not just
to Filipinos but to all who have endured or witnessed oppression.
SUMMARY:

Q1:
If you will given a chance to potray a character from the
novel, who is it? Why?
WHO IS THIS WRITER?
He criticized the social injustices in the Philippines through
his writings and often included his experiences as a labor
leader and as a guerrilla in his socio-political novels.
Q2:
If you are a writer under spanish regime, would you write
about criticism about the government’s bad deeds even if
it would risk your life? why or why not?

URBANA AT FELIZA
Historical Background:The
correspondence of two ladies, Urbana
and Filiza, the daughter of Modesto
De Castro, the king of writing. This is
about two sisters who write letters to
one other about what is going on in
their lives. The story is about
etiquette, proper gestures, and how
to act in various situations. It was
published in the Philippines during
the Spanish colonization in 1864.
Setting:
Manila and Paombong Bulacan
Characters: (always remember to
include their descriptions when
asked about the characters)
Urbana- the eldest sister of Feliza
who studied in Manila
Feliza- the younger sister of
Urabana who deeply care about her
Honesto- youngest among the three
Amadeo- lover of Feliza who later
become her husband
Author: MODESTO DE CASTRO

Urbana and Feliza, two sisters, exchange letters about what is
going on in their lives. Feliza seeks advice from Urbana,
knowing that her sister knows what is right. The narrative
discusses etiquette, right gestures, and how to act in various
situations. Feliza seeks counsel from Urbana because her
sister is studying in Manila; her sistershares everything she
has learnt in Manila with Feliza, who lives in Paombong,
Bulacan. She also warns Honesto, their younger brother, not
to participate in vices, conflicts, or hang out with bad people.
The letters they exchanged were about everyday events in
their life. Until Feliza seeks her sister for advice on how to
handle her suitor Amadeo.Feliza is reconsidering her decision
to marry Amadeo. But she went on with the wedding after
Urbana put her doubts and fears to rest. Feliza's letter ends
with a discussion about their father'sdeath. Their father stated
that he did not want Urbana to feel sad thus he wanted her to
know he died after he was buried. In her final letter, Urbana
states that she intends to become a nun.
SUMMARY:

SHAKE HANDS- 8
BOWING WHEN GREETING- 14
GREETING/SAYING HI- 20
SMILE- 3
PAGMAMANO- 5

POISED- 12
SOFT SPOKEN- 32
MAHINHIN/MODEST- 44
QUIET- 2
SITS PROPERLY- 10

EAT PROPERLY- 7
DRESS APPROPRIATELY- 15
BE FORMAL- 25
GREET PEOPLE- 3

In this game the reporter will announce one scenario from
the given story and then each team or groups will portray
it through the use of anything that the group has. They can
use their hands, feet, or any parts of their body just to form
the requested picture.
PAINT ME A PICTURE!
SURVEY OF PHILIPPINE LITERATURE

Thank
You!
SURVEY OF PHILIPPINE LITERATURE

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Literature under spanish colonization.pptx

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