84839746 final-project-weaving ii

Mar 7, 2013Download as PPT, PDF1 like610 views

This document discusses a final project for a weaving II class. It lists the names of several students - Junichi Arai, Agneta Hobin, Michiko Kawarabayashi, Maxine Bristow, Louise Anderson, and Michael Radyk, and Masayo Ave - who will draw on other artists, techniques, and ideas for the project.

This document discusses the exchange of artistic styles and techniques between Japan and the West from the 15th century onwards. It notes that materials like ink and oil paints influenced where and how art was made in each culture. After 1850, with increased global exchanges, Japanese artists began traveling abroad to study Western techniques while Western artists came to Japan to teach. This led to the development of distinct Nihon-ga and Yō-ga styles of Japanese painting and the establishment of art schools. The document explores specific artists that showcased exchanges in subject matter and composition between the cultures, as well as materials like woodblock prints that influenced Impressionists. It traces how Japonisme influenced Western artists like van Gogh, Cassatt

Satish GujralChinmayiPandey

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Satish Gujral was a renowned Indian artist born in 1925 in British India who worked in various mediums including painting, sculpture, architecture and more. Over his long career he received many honors like the Padma Vibhushan for his contributions to Indian art. He is known for his versatile style and tackling subjects like the impact of Indian partition in his early works. Gujral later branched out into architecture, designing notable buildings like the Belgium Embassy in Delhi. He continued experimenting with different materials and styles throughout his life, making Satish Gujral one of India's most prolific multi-faceted artists.

Task 1 Case studykatietorpey1

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David Hockney is a British artist considered one of the most influential of the 20th century. In the 1980s, he pioneered a new technique called "The Joiners" where he took Polaroid photos of scenes from various angles and arrangements and glued them together into photo collages, later expanding this to include color prints. Hannah Hoch was a German artist known as one of the originators of photo montage, where she combined different art mediums like photos, illustrations, and paintings into collages. Man Ray was an American artist who pioneered photograms, which he called "rayographs," made by arranging objects on light-sensitive paper and exposing it to light to create unique abstract images without using a

Advice weaving in AspectJSander Mak (@Sander_Mak)

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Environmental engineeringIfra Marriam Memon

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This document summarizes an Environmental Management System project conducted by students to reduce noise levels in a weaving mill. The students identified that looms produce noise levels between 90-100dB, posing health risks to workers. Their plan involved modifying loom parts to reduce noise, insulating gearing, training workers on ear protection, and lubricating parts to reduce friction. Post-implementation testing found noise levels decreased by 4-8dB. The results satisfied continuing noise reduction efforts through the EMS cycle of continual improvement.

Dornier as Air Jet Weaving MachinesKEVSER CARPET

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The document summarizes the capabilities and features of Dornier air-jet weaving machines. Key points include: - The machines offer high economic efficiency for denim and stretch fabrics at widths of 260-540cm and speeds over 2000m/min. - Features like reliable start mark prevention and patented filling insertion control produce high quality fabrics meeting standards. - Additional details are provided on selvedge formation devices, shed geometry, electronics, and end-use applications. - Technical specifications are listed for various components ensuring versatility, quality, and maximum speeds.

Different types of loomAzmir Latif Beg

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Loom is machine or device which is used to produce woven fabric. It is the central point of whole process of cloth production. In other word, a loom is a mechanism or tool used for weaving yarn and thread into textiles. Looms vary in a wide assortment of sizes. They come in huge free standing hand looms, tiny hand-held frames, to vast automatic mechanical tools. A loom can as well pertain to an electric line construction like that of a wiring loom. The main task of looms is to clutch the twist threads under pressure to enable the progress of interweaving of the woof strands. The loom's system and exact form can differ to some extent; however it still performs the basic application.

Weaving, loomsrsujandiu

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The document discusses different types of looms used in weaving fabrics. It describes primitive looms like the vertical loom and pit loom. It then covers the development of powered looms using various energy sources like water, steam, diesel and electricity. The key components and motions of looms are explained, including shedding mechanisms like tappet, dobby and jacquard shedding. Tappet shedding is discussed in detail, outlining its working principle, advantages and limitations.

Doubleweave block Erin Moore

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Gunta Stölzl was an artist known for her textile designs while working at the influential Bauhaus school in Germany. This watercolor sketch called "Doubleweave Block" illustrates her preliminary concept for a complex woven textile using a technique called double-weave that employs two sets of yarn to create two distinct textile surfaces joined together. Though a loose sketch, it served to develop her initial ideas that could then be translated into detailed plans and specifications for actual woven textile production if pursued further. The sketch exemplifies the Bauhaus aim to unite craft and fine arts.

Woven inspirationErin Moore

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Knit and crochetErin Moore

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This document outlines an assignment for students to engage in the art of "yarn-bombing" by crocheting or knitting textiles to cover areas around the art school. Students will be divided into groups and each group must choose a space to cover, considering factors like time, how the piece will blend in or stand out, and how color and texture will be used. Each group must present their plans and ideas visually and verbally, addressing the techniques used, the project form, how it relates to the space, and any legal issues. Individual assignments include making crochet and knitting samples while the group assignment is to complete the yarn bombing project.

Weave a collectionErin Moore

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The document provides instructions for an assignment to design and weave a collection of fabrics and yardage inspired by the student's favorite place. Students will present their favorite place and the qualities that make it special, including photos, drawings and descriptions. They will then weave 5-10 fabric samples referring to this place and select one to expand into a yardage piece of at least 3 yards by 27 inches. A schedule is provided with deadlines for presentations, preparing looms, and weaving samples and the final yardage piece, which will be critiqued at the end.

Stripe slideshow 1Erin Moore

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Stripe assignment sp'13Erin Moore

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This document provides instructions for a 3rd assignment in an art class to design a landscape stripe pattern. Students are to: 1) Research landscape images from resources like photos, magazines and choose two to use as inspiration for a stripe design. 2) Paint 15+ stripes approximately 2" tall and 10" wide using gouache paints to represent one of the landscape images. 3) Make photocopies of the painted stripe to see it repeated and adjust the design if needed. Measure and mark stripes on fabric to print the design. 4) A final critique will be held where students hang their fabric designs with supporting materials.

Color slideshow sp'13Erin Moore

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The document contains a list of names including Kate Kosek, Jackie Tileston, Sam Sangailo, Basso and Brooke, Chris Johanson, Bella Foster, Manuel Canovas, Leanne Shapton, David Matthew Parker, Kirra Jamison, Mike Perry, Maya Hayuk, Nanette Lepore, Eric Hurtgen, William Steinman, Marimekko, Luli Sanchez, Erin McIntosh, Marc Jacobs, Gee's Bend, Tim Garwood, Erin McIntosh, Vince Contarino, Garima Dhawan, Jennifer Mercede, Bruce McLean, Color Blocking, Vince Contarino, Heather Patterson, Marc

Organic object studies sp'13Erin Moore

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This document provides the schedule and instructions for an assignment in an introductory surface design course to create patterns based on organic objects. Students are asked to choose 2 objects from nature, sketch them in various scales and techniques to create motifs, and assemble the motifs into patterns on butcher paper. They will then print their best patterns onto fabric using a single color source, and present the finished designs for critique on the assigned dates. Materials needed include paper, fabric, drawing and printing supplies.

Shiborisp13Erin Moore

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Shibori is a Japanese technique for resist dyeing fabric using binding, folding, clamping or wrapping techniques to create patterned areas of dyed and undyed fabric. Some key techniques include itajime (pleating and clamping), arashi (wrapping fabric around a pole), and kumo (binding fabric in gathered areas using thread). Shibori originated in Japan over 1300 years ago and was traditionally done using indigo dye on silk or cotton. It allows the dyer to work with the fabric to create unexpected patterns in a natural, non-overpowering way.

Assignment3 resistdyeingErin Moore

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The document provides instructions for Assignment 3 which involves resist dyeing techniques. Students are asked to create 8" x 8" samples demonstrating clamp resist, pole-wrapping, spider web, wood grain, and teeth techniques as well as rust dyeing and a layered sample. Additionally, students must create a larger 36" x 72" piece using at least two techniques and incorporating at least two layers of pattern while considering scale, placement of motifs, and being guided by a photograph. Tips are provided about using a limited color scheme and bleaching/rinsing procedures. The sketchbook assignment involves examining a photograph for mood, relationships, and abstract sketches exploring scale and layout of patterns.

Shiborisp13Erin Moore

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Shibori is a Japanese technique for resist dyeing fabric using binding, folding, clamping or wrapping techniques to create patterned areas of dyed and undyed fabric. Some key techniques mentioned include itajime (pleating and clamping), arashi (wrapping fabric around a pole), and kumo (binding fabric in horn-like shapes). Shibori originated in Japan over 1300 years ago and was traditionally done using indigo dye on silk or cotton. It has evolved into an art form where the dyer works with the fabric to allow for unexpected patterns.

Resist dyeing shiboriErin Moore

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This document outlines an assignment for a resist dyeing project. Students are asked to create 8" x 8" samples demonstrating 6 specific resist dyeing techniques as well as a larger 12" x 18" pole-wrapping sample. Students must also create a final piece that is 36" x 72" incorporating at least two techniques with two layers of pattern. The final piece should be inspired by a photograph representing either a natural or built environment to guide choices of pattern, scale, color, and mood. A sketchbook assignment involves examining the mood and elements of the photographic reference and making abstract sketches exploring pattern layout and scale.

Organic and floral fabric slideshowErin Moore

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Takashi Murakami is a Japanese contemporary artist known for blending pop art and Japanese otaku culture. He founded the art collective Kaikai Kiki Co., Ltd. in 1995 and has since become one of the most influential contemporary artists working today. Murakami's work often features flat, graphic figures and bright colors inspired by anime, manga, and advertising. He is considered a leading figure in the globalization of Japanese popular culture through his art.

Doubleweave slideshowErin Moore

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Embroiderysp13Erin Moore

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The art of embroidery has existed for over 30,000 years, originating in places like China and the Middle East. It began as a way to join animal skins but evolved into an embellishment for clothing. Different cultures developed unique embroidery techniques using materials available to them. Embroidery was especially important in medieval Islamic societies and was used decoratively on many items of clothing, decor, and more. In Europe, elaborate gold embroidery known as Opus Anglicanum became prestigious. Samplers were also embroidered by young girls as part of their training. Contemporary embroidery takes many artistic forms around the world today.