Lezione che affronta il tema della variet nel teatro di Plauto, prendendo in esame due brani: uno tratto dall'Amphitruo e l'altro dal Miles Gloriosus. La lezione si chiude con un confronto tra Plauto e Pasolini, che tradusse in dialetto romanesco il Miles Gloriosus.
1. A relation is a rule that links one or more inputs to one or more outputs. A relation is a function if each input is mapped to only one output.
2. Functions can be represented graphically using graphs or arrow charts, or non-graphically using sets of ordered pairs. Common functions include those that map states to capitals or people to grandparents.
3. For a function to be injective, no two inputs can map to the same output. To be surjective, every element in the codomain must have some input mapped to it. A function is bijective if it is both injective and surjective.
1. A relation is a rule that links one or more inputs to one or more outputs. A relation is a function if each input is mapped to only one output.
2. Functions can be represented graphically using graphs or arrow charts, or non-graphically using sets of ordered pairs. Common functions include those that map states to capitals or people to grandparents.
3. For a function to be injective, no two inputs can map to the same output. To be surjective, every element in the codomain must have some input mapped to it. A function is bijective if it is both injective and surjective.
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Orazio
2. Nasce a Venosa nel 65 a.C.
Battaglia di Filippi nel 42 a.C.
Rientra a Roma nel 41 a.C.
Entra nel circolo di Mecenate nel 38 a.C.
Compone il Carmen Saeculare nel 17 a.C.
Muore nell 8 a.C.
3. Epodi (o Giambi)
41-30 a.C.
Satire
35 a.c.
Odi
30 a.C.
Adatta le forme metriche
greche alla lirica romana
Denuncia tutti i vizi tipici
delluomo
Passionalit tipicamente
giovanile
Si verifica un notevole
incremento di pessimismo
Epistole
19-13 a.C.
5. Sermo
Tipico delle Satire e
delle Epistole
Semplicit vicina al
parlato
Ricerca di immediatezza
Lirica Elevata
Tipica delle Odi
Raffinatezza
Callide iuncturae
Labor limae
6. Exegi monumentum aere perennius
regalique situ pyramidum altius,
quod non imber edax, non Aquilo impotens
possit diruere aut innumerabilis
annorum series et fuga temporum.
Non omnis moriar multaque pars mei
vitabit Libitinam; usque ego postera
crescam laude recens, dum Capitolium
scandet cum tacita virgine pontifex.
Dicar, qua violens obstrepit Aufidus
et qua pauper aquae Daunus agrestium
regnavit populorum, ex humili potens
princeps Aeolium carmen ad Italos
deduxisse modos. Sume superbiam
quaesitam meritis et mihi Delphica
lauro cinge volens, Melpomene, comam.
7. Ho innalzato un monumento pi湛 duraturo del bronzo
pi湛 alto del sito regale delle piramidi,
tale che non la pioggia corrosiva, non lAquilone sfrenato
o linnumerevole serie degli anni
o la fuga del tempo possano distrugger(la).
Non morir嘆 (del) tutto, e molta parte di me stesso
eviter Libitina, io continuamente
crescer嘆 giovane nella lode dei posteri,
finch辿 il pontefice scandir, con la vergine silenziosa, il
Campidoglio.
Si dir che io, da umile famoso, abbia portato per primo la
poesia Eolica ai ritmi italici
da dove strepita il violento Ofanto e da dove Dauno,
povero di acqua regn嘆 sui popoli agresti.
Oh Melpomene propizia, prenditi lorgoglio ottenuto con i
tuoi meriti
e cingi a me la chioma con lalloro Delfico.