Pp Chap31 Monet(2)
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The document discusses Claude Monet and his role in the Impressionist movement. It provides background on Monet's artistic philosophy and approach, including his emphasis on capturing transient visual impressions painted directly from nature using broken color. Examples of several of Monet's prominent landscape and water lily paintings are presented and analyzed in relation to Impressionism. The challenges the reader to consider which two works are most representative of Monet's style and if his paintings reinforce or contradict their understanding of Impressionism.
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Claude Monet was a famous French painter and founder of Impressionism. He is renowned for his landscapes depicting nature meeting civilization. While mythological themes were popular during his time, Monet distinguished himself as a landscape painter who seamlessly blended realistic natural scenes with fantastical narratives. His painting Landscape with Egeria Mourning the Death of Numa is analyzed as encapsulating his notable style of combining the natural and civilized through its scenic landscape featuring rustic architecture nestled in lush wilderness with contrasting colors.Dark World
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Impressionism was an art movement that originated in Paris in the 1870s-1880s. Key characteristics included small brush strokes, emphasis on light and movement, and depictions of everyday subjects. The name came from Monet's painting Impression, Sunrise. Impressionism influenced other media like music and literature. Monet and other Impressionists faced criticism but their independent exhibitions brought them prominence. The document also provides brief biographies of Claude Monet and Edgar Degas, two influential Impressionist painters.Impressionists
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This presentation is on three impressionist artists, Vincent van Gogh, Claude Monet, and Berthe Morisot. Olympia Manet Gender Roles
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1) Edouard Manet's painting Olympia from the 19th century challenged traditional gender roles of the time by depicting a nude real woman rather than mythical figures.
2) The painting shocked viewers and critics accustomed to non-realistic nudes in art, as it confronted them with the actual practices of sexuality in high society.
3) One art historian noted the painting reminded viewers of circumstances of familiar nudity, causing embarrassment and highlighting societal hypocrisy.Impressionism&beyond
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late 19th century art & architecture, including impressionism, post impressionism, symbolism, and skeletal architectureA R T O F T H E M I D D L E A N D L A T E 1 9 T H C.docx
A R T O F T H E M I D D L E A N D L A T E 1 9 T H C.docxevonnehoggarth79783
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A R T O F T H E M I D D L E A N D L A T E
1 9 T H C E N T U R Y
Realism in Painting and
Literature
Learning Objectives
To understand the forces which led to the
development of the Realist style
To recognize the major characteristics of Realist
painting
To be able to identify the major subjects of Realist
painting and literature
Realism in Painting
In part due to the impact of photography, the Realist painters wanted to branch
away from fantastic or Romanticized representation of life and nature and
instead strove to depict real-life events with real-life detail.
Realists tried to move away from their own feelings and ideas and instead
represent life as it actually was not filtered through just one persons
understanding or emotion. They wanted to represent life without any
embellishments and this meant even dealing with its ugly, dirty, or low sides.
Ultimately, they aimed for objective rather than subjective representation.
They were also concerned with contemporary events with the here and now
rather than some romanticized past or utopian future.
The subject matter consists almost exclusively of the lower classes and rural poor.
Realists tried to convey the idea that ordinary people in modern times, not
archaic gods or kings and queens, were the proper subject for modern art.
The Realists also generally refused to use traditional iconography in their
paintings, such as Biblical allusions, mythological subjects, or complex symbols.
Gustave Courbet (1819-1877)
Courbet was one of the leading figures in this shift away from Romantic,
sublime, and idealized art toward a more true-to-life style in painting. He,
like most Realists, was also a social activist on the side of the working classes.
What follows are a few quotes from Courbet that reveal his new approach to
painting and which reinforce the characteristics on the previous slide:
To be able to translate the customs, ideas, and appearances of my time as I
see them in a word, to create a living art this has been my aim
The art of painting can consist only in the representation of objects visible
and tangible to the painter[who must apply] his personal faculties to the
ideas and the things of the period in which he lives
I hold also that painting is an essentially concrete art, and can consist only
of the representation of things both real and existingAn abstract object,
invisible or nonexistent, does not belong to the domain of painting
A painter should paint only what he can see. When asked why he never
painted angels, Courbet replied, Show me an angel, and Ill paint one.
Courbet
Self-Portrait
1848
Here is Courbets self-portrait. You can tell he
has not tried to create an idealized image of
himself or an overly sentimental image either. It
is simply what he sees in the mirror for better
or for worse!
Gustave Courbet The Stone-Breake.The Influence Of Edouard Manet On The Transition Of...
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- 1. The Move Toward Modernism: A Look at Monet Chapter 31 Humanities 103 Instructor Beth Camp
- 2. Impressionism 1875-1900 Transitory visual impressions Painted directly from nature (plein air) Observed nature closely Used broken color to show form and luminosity Rejected academic standards, romantic emotion or imagination
- 3. Challenge Question: Do the paintings by Monet reinforce or contradict your understanding of Impressionism? As you view these works, select two paintings which you think are most representative of Monets work.
- 4. Claude Monet (1840-1926) Suddenly, it was as though a veil had been ripped from my eyes. I understood, I saw, what painting could be! From that moment on, my way was clear, my destiny decreed. I would be a painter no matter what. And I understood nature and I learned at the same time to love it. Monet at 18; Boudin introduces him to plein air painting Next: Bathing at La Grenouillere (1869)
- 5. Monet
- 6. Monet Boulevard des Capucines (1873) Next: The Railroad Bridge at Argenteuil (1874)
- 7. Monet
- 8. Monet The Stroll, Camille Monet and her son Jean (Woman with a Parasol), (1875)
- 9. Claude Monet (1840-1926) When you go out to paint, try to forget what objects you have before you -- a tree, a house, a field, or whatever. Merely think: Here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you, the exact color and shape, until it gives your own na誰ve impression of the scene before you.
- 10. Claude Monet (1840-1926) Landscapes Impressions: Sunrise (1873) Wheatstacks (End of Summer) (1890-1891)
- 11. Monet
- 12. 油
- 13. Monet Rouen Cathedral, the West Portal, Full Sunlight, Harmony in Blue and Gold (1893) Next: Water Lilies (1906)
- 14. Courbet
- 15. Claude Monet (1840-1926) One day I believe I have a masterpiece, then it turns to nothing; I fight, I fight without advancing. I think I am searching for the impossible although I am full of courage. Monet quoted in Monet to Moore, Portland Art Museum, 1999-2000 Next: The Japanese Bridge (1918-1924)
- 16. 油
- 17. About Monet What is your impression of Monets work? Which one or two paintings were you most intrigued by? Why? How would you describe the subtext of Monets work?
- 18. Challenge Question: Did the paintings by Monet reinforce or contradict your understanding of Impressionism? Which two paintings are most representative of Monets work and why?
- 19. Sources 際際滷s from Mark Hardins Artchive Monet to Moore, Portland Art Museum, 1999-2000 Follow-up: Do some additional reading about these three painters. What did each contribute? How are they different? How are they alike? What were the most memorable images from this slide show? Why?
Editor's Notes
- #5: Next, state the action step. Make your action step specific, clear and brief. Be sure you can visualize your audience taking the action. If you cant, they cant either. Be confident when you state the action step, and you will be more likely to motivate the audience to action.