Ivan Hoffman is a successful proprietary trader and funds manager with deep experience in financial markets and trading strategies. He previously worked as a personal banker at JP Morgan Chase, where he helped customers with various banking needs and sold financial products. Hoffman is highly motivated with strong relationship-building and sales skills and a broad understanding of personal finance.
In cases that important information is needed to be disseminated fast, the use of bulk SMS in Nigeria can be of great option. The information is assured to be delivered on time and secured as well.
El documento describe a la familia del autor. Habla sobre su padre, que es alegre, amable, cari単oso y generoso. Describe a su madre como carism叩tica, cari単osa y protectora. Finalmente, menciona que sus abuelos son alegres y activos y que una de sus primas, Luisa, es como una hermana a pesar de ser cansona e insoportable.
This document discusses language and language arts. It defines language as a system of symbols used by a group to communicate. Language arts refers to the study of grammar, composition, spelling, and sometimes public speaking. The document emphasizes that language is important for communication, relationships, expanding knowledge, and developing the mind. It argues that 21st century education must teach language and language arts that evolve with current times. Students need skills like vocabulary and being multilingual to compete globally. The document proposes a "Study Abroad" project where students research a language and culture, create a presentation and food, and communicate in the language on social media.
Este documento describe diferentes tipos de software educativo, incluyendo software para ni単os, cursos en l鱈nea, ayuda escolar, juegos educativos, referencia y formaci坦n empresarial. Tambi辿n menciona que la autora ha utilizado software de referencia, cursos en l鱈nea y ayuda escolar.
El gran error de muchas empresas con la llegada de la web 2.0 y de los Social Media fue pensar que los m辿todos tradicionales de Publicidad, Relaciones P炭blicas y Marketing pod鱈an seguir funcionando en internet tal y como hab鱈an funcionado fuera de ella.
CARA MEMBUAT ANIMASI RINGKAS DGN FLASHNur Khairani
油
Dokumen ini memberikan langkah-langkah untuk membuat flash tentang bunyi-bunyi haiwan yang meliputi proses melukis latar belakang, memasukkan gambar haiwan, dan menggerakkan simbol haiwan. Langkah pertama melibatkan proses melukis latar belakang, matahari, awan dan pokok. Langkah kedua menjelaskan cara memasukkan gambar haiwan yang telah dibuang latar belakangnya ke dalam flash. Langkah ketiga menyent
Marius Stankeviius is a junior graphic designer seeking an internship or full-time position. He has graphic design education from Shillington College and work experience in floristry and warehousing. His skills include photo manipulation, illustration, layout, logo design, and web design. He is proficient in English, Lithuanian, and Russian and uses Mac and Windows operating systems along with Adobe and Microsoft software. His goal is to utilize his creativity and think outside the box to gain experience in graphic design.
Este documento lista as especifica巽探es t辿cnicas de um computador pessoal, incluindo um leitor de disquetes Mitsumi, uma placa-m達e ATX Dell, uma unidade de CD-ROM GCR-8481B, um processador Intel Pentium 1.8A, um disco r鱈gido de 160GB Maxador PATA, uma fonte de alimenta巽達o Hp-U1806F3 e mem坦ria RAM. O documento foi produzido por J辿ssica Filipa da 1oD.
The document is a props list for a film production, listing various props needed for different scenes and characters. It details that a briefcase is needed for Kamil in the arriving and kitchen scenes with Sarah, a bottle of wine and wine glasses are needed for the kitchen scenes of Kamil and Sarah, a satchel bag is required for Sarah and Laila in the breakfast and school walking scenes, and a water bottle and keys are needed for scenes with the characters Ben and Laila walking to school and Laila returning home.
A questionnaire asked respondents about their experience with and opinions on short films. It collected demographic information and asked whether the respondent had watched a short film before, what genre they prefer, if they are aware of the market for short films, and how they access short films. It also asked if they would be willing to watch short films on a regular basis.
This document analyzes various shots from the short film "2 Cars, 1 Night" through descriptions of camera shots including establishing shots, two shots, medium long shots, point of view shots, focus cut-in shots, master shots, and more. These shots are used to convey the passage of time, relationship between characters, setting, and perspective in order to effectively tell the story and establish the atmosphere, location, and developing relationship between the two main characters over the course of one night.
The document is a 6 question questionnaire about a short film script called "ComingHome". It asks the respondent if they have watched a short film before, what genre they think the film is based on reading the script, what theme the film deals with out of family, loneliness or love, if they think there is a moral to the storyline, if they enjoyed reading the script, and how they would improve the script.
This document is a post-audience questionnaire for a short film called "Coming Home" that asks viewers about their reactions to and opinions on various aspects of the film such as whether they enjoyed it, which parts could be improved, if the narration was effective, who the target audience seemed to be, what genre it was, how they would rate it, what age rating they would give it, if they predicted the ending, if it was predictable, and what the strongest part and moral of the film were. It collects both multiple choice and open-ended feedback.
This document analyzes various shots from the short film "2 Cars, 1 Night" through descriptions of camera shots including establishing shots, two shots, medium long shots, point of view shots, focus cut-in shots, master shots, and more. These shots are used to convey the passage of time, relationship between characters, setting, and perspective in order to effectively tell the story and establish the atmosphere, location, and developing relationship between the two main characters over the course of one night.
This document provides production details for multiple film shoots, including locations, actors, equipment, dates, costumes, and props. Scenes were filmed at the Oakleigh View house and outside locations featuring Talia Smith, Pishdaad Modaressi, Laila Smith, Benjamin Shaw, and using various cameras, tripods, and lighting equipment between January and April. Costumes included school uniforms, business attire, nightwear, and makeup. Props included bags, briefcases, and other accessories.
This document provides production details for multiple film shoots, including locations, actors, equipment, dates, costumes, and props. Scenes were shot at the Oakleigh View bedroom, kitchen, and outside at Oakleigh View and West Lane between January 14th and April 9th. Talia Smith, Pishdaad Modaressi, and Laila Smith starred in various scenes, requiring costumes like skirts, suits, and school uniforms. Cameras, tripods, and lighting were used along with props such as makeup, briefcases, and school bags.
1) Laila's mother Sarah is preparing Laila for school while talking on the phone. Laila leaves with her friend Ben.
2) Sarah has a male visitor, Kamil, over while Laila is at school. They proceed to engage in sexual activity upstairs.
3) Meanwhile, Laila realizes she forgot her homework at home. When she returns home, she hears noises coming from her mother's bedroom and goes to investigate.
Films require lighting because film and video see contrast in a much more extreme way than human eyes. Without additional lighting, shadows will be too dark and highlights will be completely white in films. To make a scene look natural on film, it requires enough lighting to allow the film to see the scene similarly to how the human eye sees it. Lighting also helps set the mood of the film and is necessary for many situations where natural light alone would not properly expose a scene, such as night exterior shoots.
There are four main genres of short films: romance, comedy/dark comedy, sci-fi/fantasy, and drama. Romance films follow characters' journeys to love, often dealing with passion and emotion. Comedies and dark comedies aim to make audiences laugh, sometimes through humorously dark stories that usually have happy endings. Sci-fi and fantasy films are set in futuristic or imaginary worlds that rely on technology or the imagination. Drama films portray real-life situations. Film noir is not a specific genre but has a mood of cynicism and deals with crime stories involving a disillusioned male and seductive femme fatale.
Claude Levi-Strauss was a media theorist who studied hundreds of myths and concluded that humans make sense of the world by seeing binary opposites such as good vs evil, weak vs strong, and man vs nature. His theory was that narrative structures are based around these conflicts between binary opposites, which are at the climax of the story. Levi-Strauss' theory suggests binaries like a generic middle class family contrasted with the protagonist selling herself for income in one film.
Claude Levi-Strauss was a media theorist who studied hundreds of myths and concluded that humans make sense of the world by seeing binary opposites such as good vs evil, weak vs strong, fast vs slow, man vs nature. He discovered that narratives are structured around these binary oppositions, with the conflict centered around the oppositional climax. Levi-Strauss' theory was that mythic structures are based on the use of binary opposites to define theoretical positions against one another.
The document discusses conventions taken from the film "We're the Millers" and applied to the author's own film. Some conventions that were used include having the protagonist Sarah portrayed as a seductive yet maternal character similar to Rose Miller. Additionally, both films start the protagonists in an unethical living/financial situation and end with the protagonists finding love and a happy ending. Family is a main theme in both but the author's film explores the theme in a more sexualized way between husband and wife.
CARA MEMBUAT ANIMASI RINGKAS DGN FLASHNur Khairani
油
Dokumen ini memberikan langkah-langkah untuk membuat flash tentang bunyi-bunyi haiwan yang meliputi proses melukis latar belakang, memasukkan gambar haiwan, dan menggerakkan simbol haiwan. Langkah pertama melibatkan proses melukis latar belakang, matahari, awan dan pokok. Langkah kedua menjelaskan cara memasukkan gambar haiwan yang telah dibuang latar belakangnya ke dalam flash. Langkah ketiga menyent
Marius Stankeviius is a junior graphic designer seeking an internship or full-time position. He has graphic design education from Shillington College and work experience in floristry and warehousing. His skills include photo manipulation, illustration, layout, logo design, and web design. He is proficient in English, Lithuanian, and Russian and uses Mac and Windows operating systems along with Adobe and Microsoft software. His goal is to utilize his creativity and think outside the box to gain experience in graphic design.
Este documento lista as especifica巽探es t辿cnicas de um computador pessoal, incluindo um leitor de disquetes Mitsumi, uma placa-m達e ATX Dell, uma unidade de CD-ROM GCR-8481B, um processador Intel Pentium 1.8A, um disco r鱈gido de 160GB Maxador PATA, uma fonte de alimenta巽達o Hp-U1806F3 e mem坦ria RAM. O documento foi produzido por J辿ssica Filipa da 1oD.
The document is a props list for a film production, listing various props needed for different scenes and characters. It details that a briefcase is needed for Kamil in the arriving and kitchen scenes with Sarah, a bottle of wine and wine glasses are needed for the kitchen scenes of Kamil and Sarah, a satchel bag is required for Sarah and Laila in the breakfast and school walking scenes, and a water bottle and keys are needed for scenes with the characters Ben and Laila walking to school and Laila returning home.
A questionnaire asked respondents about their experience with and opinions on short films. It collected demographic information and asked whether the respondent had watched a short film before, what genre they prefer, if they are aware of the market for short films, and how they access short films. It also asked if they would be willing to watch short films on a regular basis.
This document analyzes various shots from the short film "2 Cars, 1 Night" through descriptions of camera shots including establishing shots, two shots, medium long shots, point of view shots, focus cut-in shots, master shots, and more. These shots are used to convey the passage of time, relationship between characters, setting, and perspective in order to effectively tell the story and establish the atmosphere, location, and developing relationship between the two main characters over the course of one night.
The document is a 6 question questionnaire about a short film script called "ComingHome". It asks the respondent if they have watched a short film before, what genre they think the film is based on reading the script, what theme the film deals with out of family, loneliness or love, if they think there is a moral to the storyline, if they enjoyed reading the script, and how they would improve the script.
This document is a post-audience questionnaire for a short film called "Coming Home" that asks viewers about their reactions to and opinions on various aspects of the film such as whether they enjoyed it, which parts could be improved, if the narration was effective, who the target audience seemed to be, what genre it was, how they would rate it, what age rating they would give it, if they predicted the ending, if it was predictable, and what the strongest part and moral of the film were. It collects both multiple choice and open-ended feedback.
This document analyzes various shots from the short film "2 Cars, 1 Night" through descriptions of camera shots including establishing shots, two shots, medium long shots, point of view shots, focus cut-in shots, master shots, and more. These shots are used to convey the passage of time, relationship between characters, setting, and perspective in order to effectively tell the story and establish the atmosphere, location, and developing relationship between the two main characters over the course of one night.
This document provides production details for multiple film shoots, including locations, actors, equipment, dates, costumes, and props. Scenes were filmed at the Oakleigh View house and outside locations featuring Talia Smith, Pishdaad Modaressi, Laila Smith, Benjamin Shaw, and using various cameras, tripods, and lighting equipment between January and April. Costumes included school uniforms, business attire, nightwear, and makeup. Props included bags, briefcases, and other accessories.
This document provides production details for multiple film shoots, including locations, actors, equipment, dates, costumes, and props. Scenes were shot at the Oakleigh View bedroom, kitchen, and outside at Oakleigh View and West Lane between January 14th and April 9th. Talia Smith, Pishdaad Modaressi, and Laila Smith starred in various scenes, requiring costumes like skirts, suits, and school uniforms. Cameras, tripods, and lighting were used along with props such as makeup, briefcases, and school bags.
1) Laila's mother Sarah is preparing Laila for school while talking on the phone. Laila leaves with her friend Ben.
2) Sarah has a male visitor, Kamil, over while Laila is at school. They proceed to engage in sexual activity upstairs.
3) Meanwhile, Laila realizes she forgot her homework at home. When she returns home, she hears noises coming from her mother's bedroom and goes to investigate.
Films require lighting because film and video see contrast in a much more extreme way than human eyes. Without additional lighting, shadows will be too dark and highlights will be completely white in films. To make a scene look natural on film, it requires enough lighting to allow the film to see the scene similarly to how the human eye sees it. Lighting also helps set the mood of the film and is necessary for many situations where natural light alone would not properly expose a scene, such as night exterior shoots.
There are four main genres of short films: romance, comedy/dark comedy, sci-fi/fantasy, and drama. Romance films follow characters' journeys to love, often dealing with passion and emotion. Comedies and dark comedies aim to make audiences laugh, sometimes through humorously dark stories that usually have happy endings. Sci-fi and fantasy films are set in futuristic or imaginary worlds that rely on technology or the imagination. Drama films portray real-life situations. Film noir is not a specific genre but has a mood of cynicism and deals with crime stories involving a disillusioned male and seductive femme fatale.
Claude Levi-Strauss was a media theorist who studied hundreds of myths and concluded that humans make sense of the world by seeing binary opposites such as good vs evil, weak vs strong, and man vs nature. His theory was that narrative structures are based around these conflicts between binary opposites, which are at the climax of the story. Levi-Strauss' theory suggests binaries like a generic middle class family contrasted with the protagonist selling herself for income in one film.
Claude Levi-Strauss was a media theorist who studied hundreds of myths and concluded that humans make sense of the world by seeing binary opposites such as good vs evil, weak vs strong, fast vs slow, man vs nature. He discovered that narratives are structured around these binary oppositions, with the conflict centered around the oppositional climax. Levi-Strauss' theory was that mythic structures are based on the use of binary opposites to define theoretical positions against one another.
The document discusses conventions taken from the film "We're the Millers" and applied to the author's own film. Some conventions that were used include having the protagonist Sarah portrayed as a seductive yet maternal character similar to Rose Miller. Additionally, both films start the protagonists in an unethical living/financial situation and end with the protagonists finding love and a happy ending. Family is a main theme in both but the author's film explores the theme in a more sexualized way between husband and wife.
Depth of field refers to the area of an image that appears sharp, and can be manipulated to achieve different visual effects. It is determined by the aperture, focal length, and focus distance of the camera. A wide aperture results in a shallow depth of field where parts of the frame are out of focus, while a narrow aperture creates a deep depth of field where the entire frame is in focus. Selective focus using a shallow depth of field draws attention to a specific area by keeping it sharp while blurring other parts of the frame.
The Advertising Standards Authority (ASA) is the independent regulator of advertising across all UK media. They apply the UK Advertising Codes to ensure ads are legal, decent, honest and truthful. The ASA acts on complaints and proactively checks ads, requiring about 4,000 to be changed or withdrawn annually. The self-regulatory system is funded by the advertising industry and aims to uphold standards while maintaining a flexible approach.
This document analyzes scenes from the film "Inbox" through the use of camera shots and angles. It discusses how the camera focuses on a red gift bag in multiple scenes, implying it will be significant to the plot. Shots are analyzed at different depths of field and angles to draw meaning from the expressions and positioning of characters. The analysis suggests the bag represents love and excitement between the two main characters, and the film ends by confirming the bag was a symbol for happiness.
Immediate Media Co is one of the largest consumer media businesses in the UK, publishing over 34 magazines and reaching over 22 million people online every month. They employ 880 staff across offices in London, Bristol, and Manchester to create category-leading brands through high-quality editorial content distributed across 50 websites, 34 magazines, and over 70 brands. Their integrated, multi-platform approach combines editorial excellence with ecommerce and subscriptions to build valuable brands that fuel lifelong passions.