Questionnaire
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This document is a post-audience questionnaire for a short film called "Coming Home" that asks viewers about their reactions to and opinions on various aspects of the film such as whether they enjoyed it, which parts could be improved, if the narration was effective, who the target audience seemed to be, what genre it was, how they would rate it, what age rating they would give it, if they predicted the ending, if it was predictable, and what the strongest part and moral of the film were. It collects both multiple choice and open-ended feedback.
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2 cars 1 nightZara Bhatti
油
This document analyzes various shots from the short film "2 Cars, 1 Night" through descriptions of camera shots including establishing shots, two shots, medium long shots, point of view shots, focus cut-in shots, master shots, and more. These shots are used to convey the passage of time, relationship between characters, setting, and perspective in order to effectively tell the story and establish the atmosphere, location, and developing relationship between the two main characters over the course of one night.Time management
Time managementZara Bhatti
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This document provides production details for multiple film shoots, including locations, actors, equipment, dates, costumes, and props. Scenes were filmed at the Oakleigh View house and outside locations featuring Talia Smith, Pishdaad Modaressi, Laila Smith, Benjamin Shaw, and using various cameras, tripods, and lighting equipment between January and April. Costumes included school uniforms, business attire, nightwear, and makeup. Props included bags, briefcases, and other accessories.Time management
Time managementZara Bhatti
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This document provides production details for multiple film shoots, including locations, actors, equipment, dates, costumes, and props. Scenes were shot at the Oakleigh View bedroom, kitchen, and outside at Oakleigh View and West Lane between January 14th and April 9th. Talia Smith, Pishdaad Modaressi, and Laila Smith starred in various scenes, requiring costumes like skirts, suits, and school uniforms. Cameras, tripods, and lighting were used along with props such as makeup, briefcases, and school bags.
Haus Script
Haus ScriptZara Bhatti
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1) Laila's mother Sarah is preparing Laila for school while talking on the phone. Laila leaves with her friend Ben.
2) Sarah has a male visitor, Kamil, over while Laila is at school. They proceed to engage in sexual activity upstairs.
3) Meanwhile, Laila realizes she forgot her homework at home. When she returns home, she hears noises coming from her mother's bedroom and goes to investigate.Lighting 
Lighting Zara Bhatti
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Films require lighting because film and video see contrast in a much more extreme way than human eyes. Without additional lighting, shadows will be too dark and highlights will be completely white in films. To make a scene look natural on film, it requires enough lighting to allow the film to see the scene similarly to how the human eye sees it. Lighting also helps set the mood of the film and is necessary for many situations where natural light alone would not properly expose a scene, such as night exterior shoots.Genres in short films 
Genres in short films Zara Bhatti
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There are four main genres of short films: romance, comedy/dark comedy, sci-fi/fantasy, and drama. Romance films follow characters' journeys to love, often dealing with passion and emotion. Comedies and dark comedies aim to make audiences laugh, sometimes through humorously dark stories that usually have happy endings. Sci-fi and fantasy films are set in futuristic or imaginary worlds that rely on technology or the imagination. Drama films portray real-life situations. Film noir is not a specific genre but has a mood of cynicism and deals with crime stories involving a disillusioned male and seductive femme fatale.Claude levi strauss nt 
Claude levi strauss nt Zara Bhatti
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Claude Levi-Strauss was a media theorist who studied hundreds of myths and concluded that humans make sense of the world by seeing binary opposites such as good vs evil, weak vs strong, and man vs nature. His theory was that narrative structures are based around these conflicts between binary opposites, which are at the climax of the story. Levi-Strauss' theory suggests binaries like a generic middle class family contrasted with the protagonist selling herself for income in one film.Claude levi strauss nt 
Claude levi strauss nt Zara Bhatti
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Claude Levi-Strauss was a media theorist who studied hundreds of myths and concluded that humans make sense of the world by seeing binary opposites such as good vs evil, weak vs strong, fast vs slow, man vs nature. He discovered that narratives are structured around these binary oppositions, with the conflict centered around the oppositional climax. Levi-Strauss' theory was that mythic structures are based on the use of binary opposites to define theoretical positions against one another.Conventions from real media texts
Conventions from real media textsZara Bhatti
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The document discusses conventions taken from the film "We're the Millers" and applied to the author's own film. Some conventions that were used include having the protagonist Sarah portrayed as a seductive yet maternal character similar to Rose Miller. Additionally, both films start the protagonists in an unethical living/financial situation and end with the protagonists finding love and a happy ending. Family is a main theme in both but the author's film explores the theme in a more sexualized way between husband and wife.Focus and depth of field 
Focus and depth of field Zara Bhatti
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Depth of field refers to the area of an image that appears sharp, and can be manipulated to achieve different visual effects. It is determined by the aperture, focal length, and focus distance of the camera. A wide aperture results in a shallow depth of field where parts of the frame are out of focus, while a narrow aperture creates a deep depth of field where the entire frame is in focus. Selective focus using a shallow depth of field draws attention to a specific area by keeping it sharp while blurring other parts of the frame.Asa
AsaZara Bhatti
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The Advertising Standards Authority (ASA) is the independent regulator of advertising across all UK media. They apply the UK Advertising Codes to ensure ads are legal, decent, honest and truthful. The ASA acts on complaints and proactively checks ads, requiring about 4,000 to be changed or withdrawn annually. The self-regulatory system is funded by the advertising industry and aims to uphold standards while maintaining a flexible approach.Analysis inbox 
Analysis inbox Zara Bhatti
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This document analyzes scenes from the film "Inbox" through the use of camera shots and angles. It discusses how the camera focuses on a red gift bag in multiple scenes, implying it will be significant to the plot. Shots are analyzed at different depths of field and angles to draw meaning from the expressions and positioning of characters. The analysis suggests the bag represents love and excitement between the two main characters, and the film ends by confirming the bag was a symbol for happiness.
Immediate media
Immediate mediaZara Bhatti
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Immediate Media Co is one of the largest consumer media businesses in the UK, publishing over 34 magazines and reaching over 22 million people online every month. They employ 880 staff across offices in London, Bristol, and Manchester to create category-leading brands through high-quality editorial content distributed across 50 websites, 34 magazines, and over 70 brands. Their integrated, multi-platform approach combines editorial excellence with ecommerce and subscriptions to build valuable brands that fuel lifelong passions.
Questionnaire
- 1. POST AUDIENCE QUESTIONNAIRE COMING HOME GENDER: _______________ AGE: ______ 1) Didyou enjoyit? YES NO If so whichwas yourfavourite bit?If not,why? 2) Whichpart of the filmwouldyouimprove? 3) Do youthinkthe narrationworkedwell YES NO 4) Who do youthinkwasthe target audience Women Mothers Men Teenagers 5) What genre isthe short film .. 6) What wouldyourate the film? 5 Star 4 Star 3 Star 2 Star 1 Star 7) What certificate wouldyougive the film PG 12 15 18 8) Didyou expectthe ending YES NO 9) Was it predictable YES NO 10) What was the strongestpartof the film .
- 2. 11) Wouldyouwatch it again YES NO 12) What do youthinkisthe moral of the film