The document introduces database regression testing using DbFit. It discusses why databases need to be tested, including areas like schema, stored procedures, and data values. It provides an overview of DbFit, highlighting how it allows creating and executing database tests through a wiki interface without extensive programming knowledge. The document demonstrates DbFit by example, showing how tests can validate database metadata, business logic, and data in an easy to use and repeatable manner.
Transmedia storytelling, TV Fiction and Fandom margrandio
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This document discusses transmedia storytelling and fandom. It defines transmedia storytelling as the expansion of fiction across multiple media platforms so that each platform can stand alone but also contributes to the overall story. It notes that each medium should contribute uniquely to the narrative. The document then provides examples of transmedia storytelling in TV shows like El Barco and Skins, including their use of websites, videoblogs, webisodes, social media, novels and more. It also briefly mentions transmedia in movies. Finally, it discusses fandom and fan participation online, providing a YouTube link as an example.
1) The document discusses challenges in the audiovisual industry due to convergence and cross-media storytelling.
2) It introduces concepts like transmedia narratives, contextual products, and web-oriented narratives that spread stories across multiple platforms.
3) Key points are that each medium should play to its strengths and franchises must be self-contained enough for standalone consumption across different platforms. The document also addresses multi-tasking audiences, user-generated content, and geolocated experiences.
This document maps the progress of audience research in Spain from 2005 to 2010 focusing on the reception of television fiction and film. It finds that audience research in Spain has been fragmented but is growing. Regarding television fiction reception, key areas studied include the impact on youth identity formation, cultural identity, concepts of pleasure and entertainment, and media literacy perspectives. Methodologies often combine quantitative and qualitative measures. Film reception studies have focused on character identification processes, using mixed methodologies. Emerging areas of interest are crossmedia audiences and media literacy/skills of citizens, especially children.
This document analyzes TV genres in the Spanish market. It identifies three main macro-genres: fiction, reality, and entertainment. Fiction includes soap operas, dramedies, sitcoms, dramas, and TV movies. Reality includes newscasts, documentaries, and reality shows. Entertainment includes infotainment programs like political talk shows, magazines, and info-shows that blend information and entertainment. Examples of popular programs in each genre are provided.
El relato transmedia ante el reto de Internetmargrandio
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Presentaci¨®n en las IV Jornadas sobre Ficci¨®n en Cine y Televisi¨®n bajo el t¨ªtulo "La ficci¨®n ante el reto de Internet" celebradas en la Universidad San Jorge de Zaragoza. 14 de marzo de 2013.
1) The document discusses challenges in the audiovisual industry due to convergence and cross-media storytelling.
2) It introduces concepts like transmedia narratives, contextual products, and web-oriented narratives that spread stories across multiple platforms.
3) Key points are that each medium should play to its strengths and franchises must be self-contained enough for standalone consumption across different platforms. The document also addresses multi-tasking audiences, user-generated content, and geolocated experiences.
This document maps the progress of audience research in Spain from 2005 to 2010 focusing on the reception of television fiction and film. It finds that audience research in Spain has been fragmented but is growing. Regarding television fiction reception, key areas studied include the impact on youth identity formation, cultural identity, concepts of pleasure and entertainment, and media literacy perspectives. Methodologies often combine quantitative and qualitative measures. Film reception studies have focused on character identification processes, using mixed methodologies. Emerging areas of interest are crossmedia audiences and media literacy/skills of citizens, especially children.
This document analyzes TV genres in the Spanish market. It identifies three main macro-genres: fiction, reality, and entertainment. Fiction includes soap operas, dramedies, sitcoms, dramas, and TV movies. Reality includes newscasts, documentaries, and reality shows. Entertainment includes infotainment programs like political talk shows, magazines, and info-shows that blend information and entertainment. Examples of popular programs in each genre are provided.
El relato transmedia ante el reto de Internetmargrandio
?
Presentaci¨®n en las IV Jornadas sobre Ficci¨®n en Cine y Televisi¨®n bajo el t¨ªtulo "La ficci¨®n ante el reto de Internet" celebradas en la Universidad San Jorge de Zaragoza. 14 de marzo de 2013.
1) The document discusses challenges in the audiovisual industry due to convergence and cross-media storytelling.
2) It introduces concepts like transmedia narratives, contextual products, and web-oriented narratives that spread stories across multiple platforms.
3) Key points are that each medium should play to its strengths and franchises must be self-contained enough for standalone consumption across different platforms. The document also addresses multi-tasking audiences, user-generated content, and geolocated experiences.
4. Darbo u?daviniai: atlikti NT projekto ?Didvyri? namai¡° situacijos analiz? remiantis ?PEST¡°, ?SSGG¡° metodais, taip pat marketingo komplekso element? analiz? atlikti ry?i? su visuomene programos parengimo teorin? pagrindim?; pritaikyti ?i? metodik? parengiant projekto ?Didvyri? namai¡° ry?i? su visuomene program?.
5. Situacijos analiz? (1): Atlikus PEST analiz? paai?k?jo, mokes?i? sistema Lietuvoje ?nelanksti¡°; auk?ta ir vis dar auganti infliacija; suma??jusi vartotoj? perkamoji galia;
6. Situacijos analiz? (2): Atlikus marketingo komplekso element? analiz? paai?k?jo, trys ?Didvyri? nam?¡° marketingo elementai yra labai konkurencingi konkurent? at?vilgiu. Ypa? akcentuojama kaina; silpniausias marketingo komplekso elementas yra r?mimo sprendimai.
7. Situacijos analiz? (3): Atlikus SSGG analiz? paai?k?jo, Did?iausia stipryb? ¨C vis dar didelis rinkos pelningumas; Did?iausia silpnyb? ¨C labai didel? konkurencija; Did?iausia galimyb? ¨C did?ja paklausa i?skirtini?, unikali? projekt?; Did?iausia gr?sm? - NT rinkoje yra jau?iamas didelis nuosmukis, tod?l pasi¨±la vir?ija paklaus?
8. Situacijos analiz? (4): Nagrin?jama problema: Nestabilioje NT rinkoje ne?inom? projekt? reikia paversti ?inomu . Vienas i? b¨±d? tai padaryti ¨C parengti ry?i? su visuomene (sutrumpintai RsV) program?.
9. Ry?i? su visuomene programos parengimo metodika ( 1 ): RsV programos parengime ir ?gyvendinime svarbiausia u?duotis ¨C programos planavimas ir sudarymas
10. Ry?i? su visuomene programos parengimo metodika ( 2 ): Pasitelkus skirtingas nuomones, priimta nuostata, kad: ry?i? su visuomene parengt? program? svarbu ?gyvendinti per kuo daugiau netradicini? auditorijos informavimo priemoni? ¨C b¨±ti i?skirtiniu.
11. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas ( 1 ): NT projekto ¡°Didvyri? namai¡± situacija: ¡° Didvyri? namai¡± prek?s ?enklas visi ?kai ne?inomas; I?skirtin? prek? rinkoje ¨C pilnai ?rengti namai, su interjero apdaila, baldais, sutvarkyta aplinka ir papildoma prid?tine verte u? dalin?s apdailos rinkos kain?.
12. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas (2): ¡° Didvyri? namai¡± RsV programos tikslai: supa?indinti tikslin? rink? su ?Didvyri? namai¡° projektu; sudominti tikslin? rink? ?Didvyri? namai¡° projekto i?skirtinumu; ?tikinti tikslin? rink? projekto ?Didvyri? namai¡° prana?umu rinkoje;
13. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas (3): ¡° Didvyri? namai¡± RsV programos tikslin? auditorija: jaunos ( 30 -40) ?eimos; su ma?ame?iais dviem arba vienu vaiku; gyvenantys bei dirbantys Kauno mieste; ?eimos m?nesin?s pajamos nuo 4000 iki 7000 lit?
14. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas (4): ¡° Didvyri? namai¡± RsV programos pagrindin? ?inut?:
15. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas (5): ¡° Didvyri? namai¡± RsV programos strategija: Internetin? svetain?, www.didvyriunamai.lt; Nemokamos, vie?os vaik? ?aidim? aik?tel?s ?rengimas; Realyb?s ?ou ¡°Namas¡± ;
16. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas (6): ¡° Didvyri? namai¡± RsV programos taktika: ry?i? su visuomene programos strategijos ir tikslai ?gyvendinami pagal trij? etap? taktik?
17. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas (7): Pirmas etapas ¨C Interaktyvios interneto svetain?s suk¨±rimas, www.didvyriunamai.lt kurioje: i?samiai apra?omas NT projektas ¡°Didvyri? namai¡±; ?diegiama naujov? ¨C ?Didvyri? nam?¡° interjero k¨±rimo, vidaus sien? spalv? derinimo programa ¨C simuliatorius; paskelbiamas konkursas ?Meistriuk? brokas¡°; ?is etapas skirtas ?gyvendinti RsV programos tiksl? ¨C sudominti tikslin? rink? ?Didvyri? nam?¡° projekto i?skirtinumu.
18. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas ( 8 ): ¡° Meistriuk? brokas¡°
19. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas ( 9 ): ? Didvyri? nam?¡° interjero k¨±rimo, vidaus sien? spalv? derinimo programa simuliatorius :
20. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas ( 10 ): Antras etapas ¨C vie?os vaik? ?aidim? aik?tel?s ?rengimas. ?kurta puikioje vietoje, ?Vytauto parke¡°, Kauno ??uolyne, tapt? da?nai lankoma tikslin?s auditorijos vieta, kur linksmai laik? praleist? tiek ma?ieji, tiek ir suaug?. Tuo pasinaudodama UAB ?Senator projektai¡° patraukliomis ir ?simintinomis reklamomis gal?s perduoti svarbi? ?inut? ¨C supa?indinti tikslin? auditorij? su ?Didvyri? nam?¡° projektu ir jo nauda .
21. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas ( 11 ): Vie?a vaik? ?aidim? aik?tel? bus ?rengta tris vasaros m?nesius. ?aidim? aiktel?s inventorius bus i?nuomotas i? partnerio UAB ?Patikimas turtas¡°.
22. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas ( 12 ): Tre?ias etapas ¨C realyb?s ?ou ?Namas¡°. a?tuonios poros, tur?s per keturis m?nesius ?sukurti¡° jiem priskirto ¡°Didvyri? namo¡± piln? interjer? bei namo aplink?; keturios geriausios per m?nes? laiko tur?s parduoti savo pilnai ?rengt? nam? kuo brangiau; Brangiausiai pardavusi pora laim?s pagrindin? ?ou priz? ¨C ketvirtadal? brangiausiai parduotos kainos. ?gyvendintas etapas pasieks programos tiksl? - ?tikinti tikslin? rink? projekto ?Didvyri? namai¡° prana?umu rinkoje ir pave r sti ?? NT projekt? geid?iama preke.
24. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas (1 4 ): RsV programos taktikos etapuose komunikacijai su tiksline auditorija be tradicini? komunikavimo metod? bus panaudoti ir netradiciniai:
28. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas (1 5 ): ¡° Didvyri? namai¡± RsV programos tvarkara?tis: RsV programa bus ?gyvendinta per 12 m?nesi?. 3 m?n. Internetin?s svetain?s k¨±rimas ir ?diegimas; 3 m?n. Vie?os vaik? ?aidim? aik?tel?s parengimas ir ?rengimas 6 m?n. Realyb?s ?ou ¡°Namas¡± vykdymas
29. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas (1 6 ): ¡° Didvyri? namai¡± RsV programos biud?etas: RsV programa kainuos apie 100 000 lit?, o tai yra 2 % nekilnojamojo turto projekto ?Didvyri? namai¡° vert?s.
30. NT projekto ¡°Didvyri? namai¡± ry?i? su visuomene programos parengimas (1 7 ): ? gyvendinus ¡°Didvyri? namai¡± RsV program? b¨±t? pasiekta: Projektas ¡°Didvyri? namai¡± tapt? ?inomas; ¡° Didvyri? namai¡± b¨±t? daug konkurencingesni rinkoje kit? koted?o tipo nam? at?vilgiu; tik?tina, kad visi ¡°Didvyri? namai¡± b¨±t? parduoti pasibaigiant RsV programai; tik?tina, kad projektas atne?t? u?sibr??t? peln?.