Dadaism was an anti-art movement that began in Zurich, Switzerland between 1916-1920 in response to World War I. It rejected reason and logic and emphasized anti-war, anti-bourgeois and anti-art cultural works. Dadaists like Hugo Ball, Tristan Tzara and Emmy Hennings held public gatherings and performances to express their disgust with the war. Tzara said Dada could have any meaning or none, depending on the viewer. The movement went on to influence later styles like Surrealism through its absurdist works and rejection of social norms.
The Dada art movement originated in Zurich, Switzerland during World War I as a protest against nationalism and bourgeois values through anti-art works incorporating chance, nonsense, and found objects. Key figures included Hugo Ball, Tristan Tzara, Francis Picabia, Marcel Duchamp, Hans Arp, Max Ernst, Man Ray, and Kurt Schwitters, who created works across mediums like painting, collage, sculpture, photography, and performance that challenged artistic conventions. Dada sought to represent the chaos of the postwar period through absurdist, ironic, and provocative creations.
Dadaism was an anti-art movement that began in Zurich, Switzerland between 1916-1920 in response to World War I. It rejected reason and logic and emphasized anti-war, anti-bourgeois and anti-art cultural works. Dadaists like Hugo Ball, Tristan Tzara and Emmy Hennings held public gatherings and performances to express their disgust with the war. Tzara said Dada could have any meaning or none, depending on the viewer. The movement went on to influence later styles like Surrealism through its absurdist works and rejection of social norms.
The Dada art movement originated in Zurich, Switzerland during World War I as a protest against nationalism and bourgeois values through anti-art works incorporating chance, nonsense, and found objects. Key figures included Hugo Ball, Tristan Tzara, Francis Picabia, Marcel Duchamp, Hans Arp, Max Ernst, Man Ray, and Kurt Schwitters, who created works across mediums like painting, collage, sculpture, photography, and performance that challenged artistic conventions. Dada sought to represent the chaos of the postwar period through absurdist, ironic, and provocative creations.
Dadaism was an early 20th century avant-garde art movement that was founded in Zurich in 1916 in reaction to World War I. It rejected reason and logic and emphasized chaos and irrationality through anti-art styles and shock value. Some of the most famous Dadaists included Marcel Duchamp, whose "Fountain" was a urinal signed and submitted as a sculpture, Max Ernst, known for his surreal collage paintings, and Francis Picabia, who formed a Dada group in Barcelona and created the painting "Amorous Parade."
Dadaism was a post-World War I cultural movement that appeared in visual arts, literature, theatre, and graphic design. It protested the barbarism of the war by rejecting prevailing artistic standards and intellectual rigidity. Dadaist works were characterized by deliberate irrationality and had no meaning. Though not considered art by its proponents, Dadaism became highly influential in modern art as a commentary on art and society, and influenced later movements like Surrealism. Key figures in the movement included Hans Arp, Marcel Duchamp, and Kurt Schwitters.
The document discusses the origins and key ideas of the Dada art movement, which began in 1916 in Zurich at Hugo Ball's Cabaret Voltaire. It highlights early Dada artists like Tristan Tzara, Marcel Duchamp, and Hans Arp who pioneered techniques like collage, photomontage, assemblage, and readymades, where everyday objects were presented as art. The original Dada manifesto by Tristan Tzara advocated finding art in chance encounters rather than following conventions.
Dada began in 1916 in Switzerland as an anti-war art movement started by artists rebelling against World War I. The movement had no rules and sought to shock people with absurd art. The first Dadaists met in a Zurich cafe led by Tristan Tzara and took the name "Dada" from a random dictionary word. Famous Dadaists included Jean Arp, Marcel Duchamp, Max Ernst, Man Ray, and Kurt Schwitters who worked in mediums like painting, sculpture, photography, poetry and collage.
The dada movement began around 1915 in Europe as an anti-war protest against World War I and traditional beliefs about art, producing shocking and nonsensical works. Dada artists believed their art should be anti-art that went against established artistic standards. The movement included visual art as well as literature, theater, and graphic design. While beginning in Europe, the dada movement also developed in New York City where the art was often more lighthearted compared to the violence depicted in Europe. Key dada artists included Marcel Duchamp, Max Ernst, Raoul Hausmann, and Man Ray, with Duchamp and Ray helping to establish the American branch of dada in New York.
Originally a literary movement, Surrealism explored dreams, the unconscious mind, and the intersection of reality and imagination. Inspired by World War I destruction and Sigmund Freud's theories of the mind, early Surrealist artists like Salvador Dali, Rene Magritte, and Joan Miro created works featuring illogical juxtapositions and impossible realities to represent inner psychic processes. Their surreal paintings, filled with dreamlike and disturbing images, became popular in France and other European countries in the 1920s.
Dadaism was an early 20th century art movement begun in Zurich as a protest against World War I. It rejected reason and logic and emphasized randomness, irrationality, and nonsense. Dadaist works appeared in visual arts, literature, theater, and graphic design. Prominent Dadaists included Hans Arp, Marcel Duchamp, Francis Picabia, Max Ernst, Man Ray, and Kurt Schwitters. Dadaism influenced later artistic movements like Surrealism and became an commentary on art and society.
The document discusses visual communication inspiration sources such as nature, man-made environments, and fantasy. It describes the dimensions for a project using square modules that are 100x100mm arranged on a 300x300mm base with 10mm gaps between modules.
This document provides an overview of the early 20th century art movement known as Dadaism, including its origins in Zurich during World War I. It discusses key Dada figures like Marcel Duchamp and their rejection of traditional art in favor of "anti-art" works that challenged social and aesthetic conventions. Examples of important Dada works are mentioned, such as Duchamp's "Fountain" and his concept of "readymades". The document also provides biographical details on Mexican artists Frida Kahlo and Diego Rivera, and highlights some of their major collaborative and individual works.
Wilfred Owen and Siegfried Sassoon were two of the most prominent poets of World War I. [1] Both served as soldiers in the trenches of Europe during the war and drew from their horrific experiences to write realistic, shocking poetry that depicted the horrors of trench and gas warfare. [2] Their poetry stood in stark contrast to the prevailing public perception of war and helped change attitudes about the true nature of combat. [3] Both poets were greatly influenced by and influenced each other, with Sassoon helping Owen develop his style and voice before Owen's untimely death in 1918, shortly before the end of the war.
Atheism is defined as the absence of belief in deities. Atheists claim that matter is all that exists and natural occurrences can explain events seen as supernatural. While atheism originated as a Greek term, some of the first individuals to identify as atheists lived in the 18th century during the Enlightenment. Today, estimates show 200-240 million atheists worldwide, with the non-religious comprising around 9.6% of the global population. Atheists hold a variety of ethical stances ranging from moral universalism to nihilism.
This document summarizes 20th century poetry in the UK, beginning with poetry about World War I. It describes the changing nature of war poetry from early optimism to disillusionment represented by poets like Wilfred Owen. It then discusses modernist poetry, traditional poetry, feminist poetry, multicultural poetry, and various poet styles like Ted Hughes exploring nature, Seamus Heaney writing about Irish history, and Philip Larkin capturing ordinary life. Major poets mentioned include T.S. Eliot, Carol Ann Duffy, and Wilfred Owen.
Paraphilia is described as experiencing intense sexual arousal from atypical objects, situations, or individuals. People with paraphilias can experience this sexual arousal to non-human objects, the suffering or humiliation of oneself or one's partner, or to children or other non-consenting individuals. Having a paraphilia is not illegal, but acting on paraphilias involving non-consent or criminal behavior is against the law.
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Ìý
Dadaism
2. I MS tähendas
• Tragöödiat,intelligentsile šokki
• Katkestas kunstnike sidemed
riikide vahel
• Pidurdas maailmakunsti arengut
• Tõi kaasa šovinistlikud vaated
• Viha kodanliku kultuuri vastu
3. DADAISM
• Tekkis 1916.a
• Eitati kunsti klassikat
• Uued võtted kunstis- ready-
made
• Lähtuti juhuslikkusest
• Tekkis mitmes riigis üheaegselt
4. VOLTAIR`I KABAREE
• Max Ernst
• Kurt Schwitters
• Hans Arp
• Vassily Kandinsky
• Walter Gropius - rajas 1919.a
Bauhausi- 20.saj uus kunstikool
6. BAUHAUS
• 20.saj mõjukam kunstikool
Weimaris (1925.a Dessaus)
• Esikohal vormi- ja
disainiõpingud
• Arvamus- hea kunst suudab
kaasa tuua sotsiaalseid
elumuutusi
7. • Esemete massiline tööstuslik
toodetavus
• Funktsionalism- mis hästi
funktsioneerib ja on ilus
• Vormide selgus, lihtsus
• Tootmise majanduslik
põhjendatus
10. KONSTRUKTIVISM
• Venemaal tekkinud kunst, kus
oldi arvamusel, et kunst peab
uusi vorme , uut elukeskkonda
looma
• Kunst, kus kujund konstrueeriti
geomeetrilistest elementidest
13. EDOUARD JEANNERET 1887-1968
• Prantsusmaal nn.purismi rajaja-
geomeetriline korrastatud
kunst, tundeid pole
• Le Corbusier nime all töötas
arhitektina- funktsionalismi rajaja
• Uued ehitustehnika võimalused-
postidel majad, lamekatused
17. DADA
• Dada- itaalia keeles-ema
• Nimetus pidi olema mõttetu
• Loodi „muusikat“, kus kõik pillid
koos mängisid,
• Seosetud poeemid, viled, karjed
• Publikut loobiti toiduga