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Romantic period:
Music
- Group 3
GROUP MEMBERS:
REPORTERS:
ANDAMUN, ABDUL AZIZ
SAMPORNA, IZZ ALDIN
SERAD, AMER HUSSIN
PPT EDITORS:
AMATE, HANNA ATHIYA
MINDALANO, SAJJAD
ROMANTIC
PERIOD
1820 - 1900
The romantic period
The romantic period (1820 - 1900) proved
that creativity and innovation in all things
can be limitless.
Earlier period music forms and techniques
have either been improved, combined, or
experimented with in this period.
This era built a strong relationship between
music, visual arts, and literature.
The power of subjectivity, freedom,
radicalism, and the merging of ideas and
emotions were maximized.
The romantic period
At its core, composers of the Romantic Era
saw music as a means of individual and
emotional expression.
Indeed, they considered music the art form
most capable of expressing the full range of
human emotion.
As a result, romantic composers broadened
the scope of emotional content.
Music was expected to communicate to the
audience, often by using a narrative form
that told distinct stories
Historical and cultural background of the
romantic music period
Romanticism  by definition is an emphasis on
individualism and a focus on emotions, ideas, and
feelings.
This is one of the main characteristics of the
romantic period in music as well as a focus on
instrumental music.
GERMANY became the center of musical
romanticism
The romantic period
The Romantic emphasis on individual self-
expression grew out of the political ideas of
individualism born during the Age of
Enlightenment.
However, the Romantics rejected that age's
emphasis on logic and rationality.
The Romantic emphasis on individual self-
expression grew out of the political ideas of
individualism born during the Age of
Enlightenment.
However, the Romantics rejected that age's
emphasis on logic and rationality.
Four primary artistic inspirations of Romantic Era music
 Conveying extreme emotional states, whether auto-biographical, taken from a
literary character or situation or just a representation of being human.
 Exploring nature, particularly its wilder aspects, such as using musical
techniques to imitate the sounds of storms or evoke the atmosphere of a
dense, mysterious forest.
 Fascination with the supernatural as a reaction to scienti鍖c advances, that
both demysti鍖ed old beliefs and created uncertainty about where science
might take humanity.
 Incorporating folk music or stories as a means to proclaim or reclaim national
pride.
Themes and subjects that romantic music revolved on:
1. Deep relationships with nature
2. Inspirations of medieval chivalry
3. The strange and mysterious
4. Extreme attitudes of solidarity and flamboyance
5. The shocking
6. Supernatural, spiritual, nocturnal, or frightening creatures
7. and experiences
8. Patriotism and national identity
Characteristics of Romantic Era music:
1. Big orchestras
2. Dramatic contrasts of dynamics and pitch
3. Freedom of form and design
4. Long melodies
5. Melody
6. Bigger range of dynamics
7. Dramatic
8. Dynamic instrumentation
9. Extensive symphonies
10. form
The Romantic Era of Music
The Piano
Piano music continues to grow during the romantic period.
An important musical instrument that became the entertainment
center of many homes in the coming centuries.
1709
Upright piano was
invented by
Bartolomeo
Cristofori
1720
Grand piano
invented by
Bartolomeo
Cristofori
1766
Square pianos were
invented by john
zumpe
1774
Soft piano pedals
were invented
1783
Sustain piano pedals
were invented
1929
Digital piano were
invented
Additional facts:
Sustain pedal  allowed
pianists to lift out their finger
from keys and still hear the
sounds
Soft pedal  changes the
positions of the hammers
inside the piano, so they tap
the metal strings softer.
Program music
Program music expresses ideas, provokes
real or imagined stories, describes
characters, or draws feelings, to or from
the listeners.
it is created to bring out our own
emotions and thoughts while listening to
music, and that is something we are very
familiar with today.
An opera depicting program music subjects
Examples of
music during the
romantic period
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The Romantic-era-of-music in the late centuries

  • 2. GROUP MEMBERS: REPORTERS: ANDAMUN, ABDUL AZIZ SAMPORNA, IZZ ALDIN SERAD, AMER HUSSIN PPT EDITORS: AMATE, HANNA ATHIYA MINDALANO, SAJJAD
  • 4. The romantic period The romantic period (1820 - 1900) proved that creativity and innovation in all things can be limitless. Earlier period music forms and techniques have either been improved, combined, or experimented with in this period. This era built a strong relationship between music, visual arts, and literature. The power of subjectivity, freedom, radicalism, and the merging of ideas and emotions were maximized.
  • 5. The romantic period At its core, composers of the Romantic Era saw music as a means of individual and emotional expression. Indeed, they considered music the art form most capable of expressing the full range of human emotion. As a result, romantic composers broadened the scope of emotional content. Music was expected to communicate to the audience, often by using a narrative form that told distinct stories
  • 6. Historical and cultural background of the romantic music period Romanticism by definition is an emphasis on individualism and a focus on emotions, ideas, and feelings. This is one of the main characteristics of the romantic period in music as well as a focus on instrumental music. GERMANY became the center of musical romanticism
  • 7. The romantic period The Romantic emphasis on individual self- expression grew out of the political ideas of individualism born during the Age of Enlightenment. However, the Romantics rejected that age's emphasis on logic and rationality. The Romantic emphasis on individual self- expression grew out of the political ideas of individualism born during the Age of Enlightenment. However, the Romantics rejected that age's emphasis on logic and rationality.
  • 8. Four primary artistic inspirations of Romantic Era music Conveying extreme emotional states, whether auto-biographical, taken from a literary character or situation or just a representation of being human. Exploring nature, particularly its wilder aspects, such as using musical techniques to imitate the sounds of storms or evoke the atmosphere of a dense, mysterious forest. Fascination with the supernatural as a reaction to scienti鍖c advances, that both demysti鍖ed old beliefs and created uncertainty about where science might take humanity. Incorporating folk music or stories as a means to proclaim or reclaim national pride.
  • 9. Themes and subjects that romantic music revolved on: 1. Deep relationships with nature 2. Inspirations of medieval chivalry 3. The strange and mysterious 4. Extreme attitudes of solidarity and flamboyance 5. The shocking 6. Supernatural, spiritual, nocturnal, or frightening creatures 7. and experiences 8. Patriotism and national identity
  • 10. Characteristics of Romantic Era music: 1. Big orchestras 2. Dramatic contrasts of dynamics and pitch 3. Freedom of form and design 4. Long melodies 5. Melody 6. Bigger range of dynamics 7. Dramatic 8. Dynamic instrumentation 9. Extensive symphonies 10. form
  • 11. The Romantic Era of Music
  • 12. The Piano Piano music continues to grow during the romantic period. An important musical instrument that became the entertainment center of many homes in the coming centuries. 1709 Upright piano was invented by Bartolomeo Cristofori 1720 Grand piano invented by Bartolomeo Cristofori 1766 Square pianos were invented by john zumpe 1774 Soft piano pedals were invented 1783 Sustain piano pedals were invented 1929 Digital piano were invented
  • 13. Additional facts: Sustain pedal allowed pianists to lift out their finger from keys and still hear the sounds Soft pedal changes the positions of the hammers inside the piano, so they tap the metal strings softer.
  • 14. Program music Program music expresses ideas, provokes real or imagined stories, describes characters, or draws feelings, to or from the listeners. it is created to bring out our own emotions and thoughts while listening to music, and that is something we are very familiar with today.
  • 15. An opera depicting program music subjects
  • 16. Examples of music during the romantic period
  • 17. CREDITS: This presentation template was created by 際際滷sgo, including icons by Flaticon, infographics & images by Freepik Thank You Please keep this slide for attribution

Editor's Notes

  • #5: Hence, setting a higher level of critical thinking for musician, Romantic music opened boundless roads to musical evolution which led composers to take different paths.
  • #6: Romantic composers prioritized the emotional or narrative content of the music above its form, which is why they broke so many of the classical composers' rules. Romantic composers didn't reject or break with the musical language developed during the Classical Period. They used its forms as a foundation for their work but felt unconstrained by them.
  • #7: Music theory was not content with old formulas and traditional rules. Musical elements of this period include subjectivism, freedom of form and design, and dramatic contrast in dynamics.
  • #8: Much of Romantic Era art, including music, also re鍖ected the tension and nationalism of war and revolution that swept across Europe from the French Revolution (1789) through the mid-century revolutions and on to the national uni鍖cations in the 1870s. Examples of this include the sculpture Departure of the Volunteers on the fa巽ade of Paris's Arc de Triomphe, which alludes to soldiers both of the French Revolution and the Napoleonic Wars; and Spanish painter Francisco Goya's paintings depicting Spanish resistance to Napoleon.
  • #9: These four themes aren't clearly delineated, as you can 鍖nd many or all of them incorporated into a single work. One of the ways Romantic composers did this was by writing pieces inspired by literature. This method gave a composition with both a narrative and emotional framework for the composer
  • #10: With the rise of the middle class, romantic composers wrote for public concerts and festivals with huge audiences who did not necessarily know musics, unlike past composers who lived on aristocratic patronage and performed to small upper class and knowledgeable audience. The romantics showed the world that there should be no social discrimination in music
  • #11: While the classical period had an emphasis towards elegance and balance in its music, the romantic period focused upon the use of song-like melodies and newer harmonic elements to be designed to feel much more personal and emotive to the listeners or player
  • #13: The piano signi鍖cantly evolved during the Romantic Period. For example, the number of physical keys expanded from 鍖ve to eight octaves. The materials used to construct piano frames shifted from wood to metal, and the durability of the metal used to manufacture its strings improved. These improvements enriched the pitch range and tonal quality of the piano. one of the most signi鍖cant changes to instrumentation during the Romantic Era wasn't the nature of the instruments individually, but changes in the instrumentation of the works.
  • #14: The Steinway family invented the cross-string layout now used in modern pianos, allowing for richer tone qualitie
  • #15: A program music genre is well-used in film music today, adding a more applicable and effective audio atmosphere for the viewers. Pop musicians also apply program music in their compositions, but with a lot of ease due to the present of lyrics The assumption of program music is that it must have program notes to share with the audience and explain the work. That may have been true when it 鍖rst gained its greatest popularity during the Romantic Period, but handing out notes isn't the de鍖ning characteristic of program music. 油In part because program music didn't have to tell a narrative story, but could be used to evoke the spirit of a time or place.
  • #16: The symphonic or tone poem, a popular form of program music from the Romantic era, was intended to paint a scene where it transports the listener, which may or may not be a narrative story. For example, Sibelius composed numerous tone poems from old Finnish mythology, but composed others meant to invoke the spirit of his country and inspire patriotism, such as Finlandia