presentatie in de context van de workshop "3D- scanning van gebouwen en erfgoed", georganiseerd door VCB en WTCB op 23/03/16 in de abdij van Vlierbeek, in het kader van de opleidingscyclus "3D voor restauratie"
Introduction and introduction to the strategic project: Rupel Jayne Rogers
油
Congres Planning our Green Heritage March 27, 2012 at De Schorre Boom, Belgium
Introduction and introduction to the strategic project: Rupel by Rik R旦ttger, deputy province of Antwerp (Dutch)
The document discusses several key conservation charters:
1. UNESCO promotes conservation through conventions that member states adopt to influence conservation internationally.
2. The Council of Europe seeks to foster heritage protection among its 32 member countries and others.
3. ICOMOS, founded in 1965, advises UNESCO and has issued several influential charters on conservation and restoration of cultural heritage sites and structures.
4. The Stirling Charter, founded in 2000, focuses on Scottish built heritage and works closely with conservation standards.
The internship was with the Andhra Pradesh Capital Region Development Authority (AP CRDA). [1] AP CRDA oversees the development of the new capital region covering over 8,000 square kilometers across two districts. [2] The intern's role was as a surveyor assisting with the Building Penalization Scheme (BPS), which allows owners to legalize unauthorized constructions by paying fees. [3] The intern's tasks involved inspecting 480 applications over 33 days, completing inspections of 300 applications so far.
The Venice Charter from 1964 established principles for historic preservation that focused on physical fabric, original documents, and distinguishing modern additions. It advocated safeguarding structures as works of art and evidence of history. In contrast, the Burra Charter developed in Australia in the late 20th century emphasized cultural significance, intangible values, and allowing for respectful adaptive reuse. It established a process of identifying cultural significance through research and establishing a statement of significance to guide preservation, rehabilitation, and interpretation.
Top 10 tourist information officer interview questions and answershudsonevans96
油
In this file, you can ref interview materials for tourist information officer such as types of interview questions, tourist information officer situational interview, tourist information officer behavioral interview
The document outlines an agenda for a CAP Model Workshop over two days that will cover topics such as leading change, creating a shared need for change, shaping a vision for change, mobilizing commitment to change, and monitoring progress of change implementation using various change management tools.
This document provides an overview of an Architectural Conservation course, including:
- The course covers conservation basics, principles, history, and practices at both the building and urban scale.
- Conservation involves maintenance and may include preservation, restoration, reconstruction, and adaptation.
- Key methods of conservation include preservation, maintenance, restoration, adaptation, and reconstruction.
- Conservation aims to retain the cultural significance of historic places and includes tangible and intangible heritage.
This document outlines the history and evolution of change initiatives at a company from 1989 to present. It describes various programs and approaches the company has taken over the years to drive change, including initiatives focused on process improvement, productivity, quality, speed, customer centricity, and building a culture of change. It also includes tools and models for assessing and accelerating change efforts, such as the Change Acceleration Process (CAP) model, which provides a framework for leading change, creating shared vision and commitment, and monitoring progress.
Unit 9: Responsible Tourism Good Practice For Cultural Heritage Sites In Vietnamduanesrt
油
This document provides an outline for a unit on responsible tourism practices for cultural heritage sites in Vietnam. The unit objectives are to understand the positive and negative impacts of tourism on cultural heritage and the benefits of responsible tourism.
The document covers several topics: an overview of cultural heritage and tourism in Vietnam, including definitions of cultural heritage and an explanation of Vietnam's world heritage sites; cultural heritage site planning for sustainability; responsible interpretation and communication of cultural heritage values; cultural heritage conservation and tourism impact management; responsible cultural heritage product development; and sustainable financing for cultural heritage management.
Key components of applying responsible tourism to cultural heritage site management discussed include cultural heritage site planning, responsible cultural heritage product development, responsible interpretation and communication of cultural heritage
Asean a community of opportunities (overview ppt) jan2015Channy Leang
油
The document provides an overview of ASEAN (Association of Southeast Asian Nations), which consists of 10 member states representing over 600 million people and a combined GDP of $2.4 trillion. It summarizes ASEAN's goals of establishing three communities - political-security, economic, and socio-cultural - by 2015 to promote cooperation and accelerate economic growth. Key achievements include agreements reducing barriers to trade, investment, services, and mobility of skilled labor. Going forward, ASEAN aims to deepen integration through its post-2015 vision of a politically cohesive, economically integrated, and socially responsible community.
3D Virtual Reconstruction: experience of heritage toolDaniel Pletinckx
油
3D virtual reconstruction is a tool that is still heavily underused and underestimated in cultural heritage and perceived only as a way to create visitor experiences. This presentation shows the research workflow that sits behind the virtual reconstruction process, but also shows examples of innovative ways to experience 3D virtual reconstructions for museums, monuments and sites, with a focus on GroupVR
Eham 1291 is een uitbreiding van de bestaande virtuele rondleiding "Ename 1290" die in juni 2017 in het museum in Ename wordt ge誰nstalleerd. Het is een educatieve game die niet alleen toelaat om in de virtuele reconstructie van Ename (toen: Eham) in 1291 rond te lopen, maar ook om er een spannend verhaal te beleven. Daarnaast is er de digitale restauratie van de kromstaf van Ename, een Vlaams Topstuk en uniek ivoren object uit de 12de eeuw, dat beschikbaar is als interactieve 3D print maar ook de hoofdrol speelt in de educatieve game.
presentation at the Blander conference in Amsterdam (25/10/15, http://www.blender.org/conference/ ) about interaction with 3D through natural interaction and tangible interfaces
Strategy for Optimal Documentation of Museum ObjectsDaniel Pletinckx
油
This document discusses strategies for optimally documenting museum objects using 3D digitization. It recommends a three stage approach: 1) Create image-based visualizations using multiple photos from different angles. 2) Generate draft 3D models from the images when needed. 3) For specific goals, create high-end 3D models using specialized equipment and techniques. Each stage produces digital assets suitable for different uses like online viewing, research, or 3D printing. The document provides examples of digital documentation and interactive applications created for various museum objects.
This document discusses new technologies for experiencing heritage sites through 3D digitization. It provides examples of virtual museums created from 3D scans of archaeological sites like Ename Abbey in Belgium. Technologies discussed include virtual reconstructions over time, interactive storytelling applications, natural interaction techniques, and digital restoration of artifacts. The goal is to digitally preserve cultural heritage and provide novel ways to explore archaeological sites and better understand the past.
Presentation at the Digital Museum Expo "Beyond 3D Digitisation: Applications of 3D Technology in Cultural Heritage" on 12-13 March 2015 in the Royal Museum of Art and History in Brussels, Belgium
This document discusses using serious games and interactive storytelling in museums. It provides examples of projects that use natural interaction technologies like hand gestures, augmented reality, and body motion to bring museum artifacts and historical sites to life. These include allowing visitors to interactively explore restored frescoes, virtual tomb reconstructions, and reconstructed heritage sites. The goal is to enhance the museum experience and make heritage more engaging through multimedia storytelling and educational games.
Presentation at the Digital Museum Expo "Beyond 3D Digitisation: Applications of 3D Technology in Cultural Heritage" on 12-13 March 2015 in the Royal Museum of Art and History in Brussels, Belgium
Digital heritage assets of the Keys2Rome exhibitionDaniel Pletinckx
油
This presentation explains the creation of some of the digital assets for the V-MusT Keys2Rome exhibition, and shows why they can be re-used and exchanged with other museums
Natural interaction and tangible interfaces for museumsDaniel Pletinckx
油
This document discusses natural interaction and tangible interfaces used in the Keys2Rome project. It describes using body movements, hand gestures, and touch to interact with augmented reality, virtual reality, and interactive 3D prints of historical artifacts. Technologies discussed include Microsoft Kinect, Leap Motion, AdMotum, TimeGate, and Virtex/Virtex Light. Several museum installations are highlighted that allow visitors to interactively scan artifacts, explore virtual historical sites, and interact with 3D printed objects through touch. The goal is to provide layered, multi-perspective storytelling and reveal the human experiences behind museum collections through interactive storytelling.
Digital restoration in the Keys2Rome exhibitionsDaniel Pletinckx
油
Presentation at the Digital Museum Expo in Amsterdam, about digital restoration of museum objects applied in the Keys2Rome exhibitions in Amsterdam, Rome, Sarajevo and Alexandria. One of the main goals of the Keys2Rome exhibitions is to re-contextualise museum objects in their original environment. Digitising museum objects and building elements and digitally restoring them is crucial for this process. Digital restoration is not only important for this visualisation process, but is also a powerful research tool, that focuses on structure of the object, the creation technique and its use.
Presentation at the Digital Museum Expo in Amsterdam, about the publication of 3D assets (in the context of the European 3D-ICONS project) on Europeana
The Venice Charter from 1964 established principles for historic preservation that focused on physical fabric, original documents, and distinguishing modern additions. It advocated safeguarding structures as works of art and evidence of history. In contrast, the Burra Charter developed in Australia in the late 20th century emphasized cultural significance, intangible values, and allowing for respectful adaptive reuse. It established a process of identifying cultural significance through research and establishing a statement of significance to guide preservation, rehabilitation, and interpretation.
Top 10 tourist information officer interview questions and answershudsonevans96
油
In this file, you can ref interview materials for tourist information officer such as types of interview questions, tourist information officer situational interview, tourist information officer behavioral interview
The document outlines an agenda for a CAP Model Workshop over two days that will cover topics such as leading change, creating a shared need for change, shaping a vision for change, mobilizing commitment to change, and monitoring progress of change implementation using various change management tools.
This document provides an overview of an Architectural Conservation course, including:
- The course covers conservation basics, principles, history, and practices at both the building and urban scale.
- Conservation involves maintenance and may include preservation, restoration, reconstruction, and adaptation.
- Key methods of conservation include preservation, maintenance, restoration, adaptation, and reconstruction.
- Conservation aims to retain the cultural significance of historic places and includes tangible and intangible heritage.
This document outlines the history and evolution of change initiatives at a company from 1989 to present. It describes various programs and approaches the company has taken over the years to drive change, including initiatives focused on process improvement, productivity, quality, speed, customer centricity, and building a culture of change. It also includes tools and models for assessing and accelerating change efforts, such as the Change Acceleration Process (CAP) model, which provides a framework for leading change, creating shared vision and commitment, and monitoring progress.
Unit 9: Responsible Tourism Good Practice For Cultural Heritage Sites In Vietnamduanesrt
油
This document provides an outline for a unit on responsible tourism practices for cultural heritage sites in Vietnam. The unit objectives are to understand the positive and negative impacts of tourism on cultural heritage and the benefits of responsible tourism.
The document covers several topics: an overview of cultural heritage and tourism in Vietnam, including definitions of cultural heritage and an explanation of Vietnam's world heritage sites; cultural heritage site planning for sustainability; responsible interpretation and communication of cultural heritage values; cultural heritage conservation and tourism impact management; responsible cultural heritage product development; and sustainable financing for cultural heritage management.
Key components of applying responsible tourism to cultural heritage site management discussed include cultural heritage site planning, responsible cultural heritage product development, responsible interpretation and communication of cultural heritage
Asean a community of opportunities (overview ppt) jan2015Channy Leang
油
The document provides an overview of ASEAN (Association of Southeast Asian Nations), which consists of 10 member states representing over 600 million people and a combined GDP of $2.4 trillion. It summarizes ASEAN's goals of establishing three communities - political-security, economic, and socio-cultural - by 2015 to promote cooperation and accelerate economic growth. Key achievements include agreements reducing barriers to trade, investment, services, and mobility of skilled labor. Going forward, ASEAN aims to deepen integration through its post-2015 vision of a politically cohesive, economically integrated, and socially responsible community.
3D Virtual Reconstruction: experience of heritage toolDaniel Pletinckx
油
3D virtual reconstruction is a tool that is still heavily underused and underestimated in cultural heritage and perceived only as a way to create visitor experiences. This presentation shows the research workflow that sits behind the virtual reconstruction process, but also shows examples of innovative ways to experience 3D virtual reconstructions for museums, monuments and sites, with a focus on GroupVR
Eham 1291 is een uitbreiding van de bestaande virtuele rondleiding "Ename 1290" die in juni 2017 in het museum in Ename wordt ge誰nstalleerd. Het is een educatieve game die niet alleen toelaat om in de virtuele reconstructie van Ename (toen: Eham) in 1291 rond te lopen, maar ook om er een spannend verhaal te beleven. Daarnaast is er de digitale restauratie van de kromstaf van Ename, een Vlaams Topstuk en uniek ivoren object uit de 12de eeuw, dat beschikbaar is als interactieve 3D print maar ook de hoofdrol speelt in de educatieve game.
presentation at the Blander conference in Amsterdam (25/10/15, http://www.blender.org/conference/ ) about interaction with 3D through natural interaction and tangible interfaces
Strategy for Optimal Documentation of Museum ObjectsDaniel Pletinckx
油
This document discusses strategies for optimally documenting museum objects using 3D digitization. It recommends a three stage approach: 1) Create image-based visualizations using multiple photos from different angles. 2) Generate draft 3D models from the images when needed. 3) For specific goals, create high-end 3D models using specialized equipment and techniques. Each stage produces digital assets suitable for different uses like online viewing, research, or 3D printing. The document provides examples of digital documentation and interactive applications created for various museum objects.
This document discusses new technologies for experiencing heritage sites through 3D digitization. It provides examples of virtual museums created from 3D scans of archaeological sites like Ename Abbey in Belgium. Technologies discussed include virtual reconstructions over time, interactive storytelling applications, natural interaction techniques, and digital restoration of artifacts. The goal is to digitally preserve cultural heritage and provide novel ways to explore archaeological sites and better understand the past.
Presentation at the Digital Museum Expo "Beyond 3D Digitisation: Applications of 3D Technology in Cultural Heritage" on 12-13 March 2015 in the Royal Museum of Art and History in Brussels, Belgium
This document discusses using serious games and interactive storytelling in museums. It provides examples of projects that use natural interaction technologies like hand gestures, augmented reality, and body motion to bring museum artifacts and historical sites to life. These include allowing visitors to interactively explore restored frescoes, virtual tomb reconstructions, and reconstructed heritage sites. The goal is to enhance the museum experience and make heritage more engaging through multimedia storytelling and educational games.
Presentation at the Digital Museum Expo "Beyond 3D Digitisation: Applications of 3D Technology in Cultural Heritage" on 12-13 March 2015 in the Royal Museum of Art and History in Brussels, Belgium
Digital heritage assets of the Keys2Rome exhibitionDaniel Pletinckx
油
This presentation explains the creation of some of the digital assets for the V-MusT Keys2Rome exhibition, and shows why they can be re-used and exchanged with other museums
Natural interaction and tangible interfaces for museumsDaniel Pletinckx
油
This document discusses natural interaction and tangible interfaces used in the Keys2Rome project. It describes using body movements, hand gestures, and touch to interact with augmented reality, virtual reality, and interactive 3D prints of historical artifacts. Technologies discussed include Microsoft Kinect, Leap Motion, AdMotum, TimeGate, and Virtex/Virtex Light. Several museum installations are highlighted that allow visitors to interactively scan artifacts, explore virtual historical sites, and interact with 3D printed objects through touch. The goal is to provide layered, multi-perspective storytelling and reveal the human experiences behind museum collections through interactive storytelling.
Digital restoration in the Keys2Rome exhibitionsDaniel Pletinckx
油
Presentation at the Digital Museum Expo in Amsterdam, about digital restoration of museum objects applied in the Keys2Rome exhibitions in Amsterdam, Rome, Sarajevo and Alexandria. One of the main goals of the Keys2Rome exhibitions is to re-contextualise museum objects in their original environment. Digitising museum objects and building elements and digitally restoring them is crucial for this process. Digital restoration is not only important for this visualisation process, but is also a powerful research tool, that focuses on structure of the object, the creation technique and its use.
Presentation at the Digital Museum Expo in Amsterdam, about the publication of 3D assets (in the context of the European 3D-ICONS project) on Europeana
Sustainable virtual reconstruction for the Keys2Rome exhibitionsDaniel Pletinckx
油
Presentation at the Digital Museum Expo in Amsterdam, about virtual reconstruction of a wide range of sites in the Roman Empire, applied in the Keys2Rome exhibitions in Amsterdam, Rome, Sarajevo and Alexandria. Virtual 3D reconstruction processes are scientific research processes that synthesise the knowledge of different domains to come to the most probable reconstruction of a man-made structure or landscape. This means that the process needs to be formalised and documented, in different ways, for different audiences (which we do through for example blogs and 3DPDF). But it means also that virtual reconstructions needs to be re-usable, hence they should be seen by museums and heritage institutions as investments, not as costs.
Design of 3D interactive applications for museumsDaniel Pletinckx
油
Presentation at the Digital Museum Expo in Amsterdam, about the design of innovative 3D interactive applications for museums. Integrating 3D in a museum context means also that easy interaction with 3D for a wide range of users is a must. We focus in this presentation on the design process and requirements of different types of interactive applications based on 3D digital heritage assets and how they can be applied in different museum activities.
Presentation at the Digital Museum Expo in Amsterdam (8-9 Dec 2014). To continue the activities of the V-MusT Network of Excellence, a non-profit international organisation will be started that will focus on knowledge transfer through the implementation of projects. In addition, the Competence Centre will provide training and re-usable digital assets.
V-MUST is funded by the European Commission to apply knowledge and technology to improve how ICT is used in museums and cultural heritage. It brings together museums, research centers, and companies from across Europe. The document discusses several case studies of 3D virtual museums and reconstructions, including the Ename museum in Belgium and the landscape around Egmont castle in Zottegem. It emphasizes sustainable approaches through procedural modeling, standardized workflows, and enabling reuse of digital assets.
2. Visual Dimension bvba
Actief in digitaal erfgoed en architectuur
Opgericht in 2003, kantoor in Ename
Actief op Europese schaal als innovatiebedrijf
Actief in commerci谷le & Europese projecten
3. Visual Dimension bvba
Digitale erfgoedprojecten
3D virtuele reconstructie & digitale restoratie
Interactie met 3D digitaal erfgoed (TimeGate)
Interactive storytelling met digitaal erfgoed (TimeFrame, TimeScope)
Europese projecten
EPOCH, Etruscanning
V-MusT
CARARE, 3D-ICONS
Projectontwikkeling
http://heritage.visualdimension.be/
4. Ir. Dani谷l Pletinckx
Burgerlijk ingenieur ICT
Actief in digitaal erfgoed sinds 1997
Onderscheidingen
Vlaamse Monumentenprijs 1998
VGI ICT Innovation
Award 2004
Tartessos Award 2009
for virtual archaeology
(Sevilla)
Heritage in Motion 2016
(nominatie games and
interactive experiences)
https://be.linkedin.com/in/danielpletinckx
16. Virtuele reconstructie in 3D
Virtuele reconstructie toont wat we weten
Gebaseerd op grondige research
Bouwhistorisch
Historisch
Archeologisch
Typologisch
Functioneel
Belangrijk instrument voor research van een site
Beleving van de ruimtes en de site
Landschapsreconstructie
https://enameabbey.wordpress.com/
17. Ename 30 jaar archeologie
Archeologische opgravingen (1985) abdij van Ename
18. Ename 30 jaar archeologie
Archeologische opgravingen (1995) abdij van Ename
22. Ename 1290
Ename 1290 educatieve game = virtueel museum = interactieve film
gebaseerd op historische, archeologische, kunsthistorische en landschappelijke informatie
23. Heritage in Motion Award 2016
2de in de categorie games & interactive experiences, prijsuitreiking op Lesbos
24. Heritage in Motion Award 2016
2de in de categorie games & interactive experiences, prijsuitreiking op Lesbos
25. Heritage in Motion Award 2016
2de in de categorie games & interactive experiences, prijsuitreiking op Lesbos
26. Ename 1290
13 % van de inwoners van Ename sterven in 1665-1666
Spijker
27. Ename 1290
13 % van de inwoners van Ename sterven in 1665-1666
Beelden uit de Veil rentier (Vlaams topstuk)
28. Ename 1290
13 % van de inwoners van Ename sterven in 1665-1666
Beelden uit de Veil rentier (Vlaams topstuk)
29. Ename 1290
13 % van de inwoners van Ename sterven in 1665-1666
Beelden uit de Veil rentier (Vlaams topstuk)
30. Ename 1290
13 % van de inwoners van Ename sterven in 1665-1666
houthaven
31. Ename 1290
13 % van de inwoners van Ename sterven in 1665-1666
Gu辿delon bouw van middeleeuws kasteel rond 1250 - Frankrijk