Lauku mksliniecisks pa邸darb朝bas atspogu勅ojums re庁ionlaj pres: novadu kul...Janis Daugavietis
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Latvijas Kult笛ras akadmijas Starptautisk zintnisk konference Kult笛ras krustpunkti 2013. Latvijas Kult笛ras akadmija, Zirgu pasts. R朝ga, 2013.gada 2. novembris
Una Sedleniece / Valsts a庁ent笛ra "Latvijas Etnogrfiskais br朝vdabas muzejs", direktores vietniece
Pdjo gadu laik Br朝vdabas muzejs cen邸as apg笛t socilo t朝klu pasauli un iek勅auties taj, tiecoties par muzeja ikdienu stst朝t satur朝gi un m笛sdien朝gi. Ceram, ka ieguvji 邸aj sazias proces esam gan ms pa邸i, gan muzeja lietotji - 朝stie un virtulie.
Dat nen gia re nhat, co hoi dau tu sinh loi ngay sau 4 thang. Thanh toan chi ...RELand.,Ltd
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Dat nen gia re nhat, co hoi dau tu sinh loi ngay sau 4 thang. Thanh toan chi 95tr/nen (lien ke TP.HCM, san Gofl, TTHC hien huu, ha tang hoan chinh, so do trao tay).Lh: Mr H畉u - 0932438691
O texto discute como nada na vida 辿 realmente nosso e tudo foi emprestado pelo Criador para ser compartilhado com os outros. Tamb辿m menciona que ningu辿m entra na vida de algu辿m por acaso e h叩 muito a aprender com experi棚ncias boas e ruins.
Lauku mksliniecisks pa邸darb朝bas atspogu勅ojums re庁ionlaj pres: novadu kul...Janis Daugavietis
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Latvijas Kult笛ras akadmijas Starptautisk zintnisk konference Kult笛ras krustpunkti 2013. Latvijas Kult笛ras akadmija, Zirgu pasts. R朝ga, 2013.gada 2. novembris
Una Sedleniece / Valsts a庁ent笛ra "Latvijas Etnogrfiskais br朝vdabas muzejs", direktores vietniece
Pdjo gadu laik Br朝vdabas muzejs cen邸as apg笛t socilo t朝klu pasauli un iek勅auties taj, tiecoties par muzeja ikdienu stst朝t satur朝gi un m笛sdien朝gi. Ceram, ka ieguvji 邸aj sazias proces esam gan ms pa邸i, gan muzeja lietotji - 朝stie un virtulie.
Dat nen gia re nhat, co hoi dau tu sinh loi ngay sau 4 thang. Thanh toan chi ...RELand.,Ltd
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Dat nen gia re nhat, co hoi dau tu sinh loi ngay sau 4 thang. Thanh toan chi 95tr/nen (lien ke TP.HCM, san Gofl, TTHC hien huu, ha tang hoan chinh, so do trao tay).Lh: Mr H畉u - 0932438691
O texto discute como nada na vida 辿 realmente nosso e tudo foi emprestado pelo Criador para ser compartilhado com os outros. Tamb辿m menciona que ningu辿m entra na vida de algu辿m por acaso e h叩 muito a aprender com experi棚ncias boas e ruins.
Resume_Mechanical Design Engineer_6.10 years experienceVijin p
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CAD designer offering 6.10 years of industrial experience, of which, 4.5 years in Mechanical Design and Manufacturing, 9 months in Production, and 1.8 years in Metal Fabrication.
El documento describe los conceptos de gesti坦n, control y auditor鱈a de gesti坦n en el sector p炭blico. Explica que la gesti坦n p炭blica busca obtener y usar recursos de manera eficaz y eficiente para cumplir objetivos. El control asegura el logro de objetivos mediante mecanismos de verificaci坦n. La auditor鱈a de gesti坦n eval炭a la eficiencia, eficacia y econom鱈a en el uso de recursos p炭blicos. Tambi辿n presenta los elementos, niveles, instrumentos y procesos de la gesti坦n y el control gubernamental.
Este documento describe la evoluci坦n de la tecnolog鱈a de las computadoras entre 1930 y 1958, cuando las primeras computadoras utilizaban bulbos de vac鱈o y se programaban en lenguaje de m叩quina, y luego los transistores reemplazaron los bulbos permitiendo computadoras m叩s peque単as y eficientes que se programaban con lenguajes de alto nivel.
Este documento presenta informaci坦n sobre la planificaci坦n de pol鱈ticas, programas y proyectos sociales. Explica que la planificaci坦n es un proceso que consiste en organizar ideas para resolver problemas determinando procedimientos mediante los cuales se seleccionan, ordenan y dise単an acciones para lograr objetivos utilizando recursos de manera racional. Luego, describe las etapas del proceso de planificaci坦n como la identificaci坦n del problema, la toma de decisiones, el dise単o y configuraci坦n de la pol鱈tica, la implementaci坦n y el monitoreo y evaluaci坦n. Finalmente,
Appropriating Urban Spaces to Local Scenes [w/ Jzeps Bik邸e]Janis Daugavietis
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This document discusses factors that contribute to the success or failure of non-state cultural, civic, and youth projects in obtaining and sustaining spaces for their activities. It analyzes data from 8 case studies of such projects in Latvia, Lithuania, and Russia using Qualitative Comparative Analysis (QCA). The analysis finds some common determinants of success across projects, including affordable costs, devoted leaders, and lack of conflicts. However, QCA has limitations for this type of cross-cultural comparison given differences between projects and challenges obtaining data on failed cases. While preliminary, the analysis suggests some key factors that characterize the surveyed projects.
Soviet time born Latvian punk: social origins and object of protestJanis Daugavietis
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Paper for 3rd INTERNATIONAL CONFERENCE, INTERDISCIPLINARY CULTURAL GROUP RESEARCH: Youth Subcultures, Worldviews and Lifestyles, Kaunas, Lithuania
Previous research on beginnings of Latvian punk, which was mostly done in fields of journalism and punk activism, indicates that first Latvian punks appeared in early 80-ies, but the first punk bands - in the first half of the same decade. This rises the first question: why punk came so late? Comparing with Estonia and Russia or with some Central European socialist countries, it was late (Troitsky 1988, Trubetsky 2009, Haas 2001). Comparing with some other Soviet Republics or some 3rd World Countries the first wave of Latvian punks cannot be labeled as late. There are some explanations why Latvian youth were behind the Estonians in adoption of punk style. Most popular is Estonias closeness to the capitalistic Finland. They were better informed about newest trends in the free world because they get better access to the Finlands broadcasting, including TV, and mass media, and to understand the communication was easier because of similar languages. Other explanation of lagging Latvian punk scene, and not only the punk, the same can be said about whole Latvian rock, is more conservative and strict local cultural policy.
Second question asks about the social origins of first soviet Latvias punks. There are two prevailing lines in explanation of the birth of subcultures, including punk. The first is original Birmingham subcultural theory, which talks about relations of youth class and resistance through the style and rituals (Hebdige 1979). More modern approach to the analysis of subcultures brings so called post-subcultural theory, stating that youth involvement in different taste cultures or subcultural groups are matter of individual choice, not determined by the factual class affiliation (Bennett 1999; Muggleton 2000).
If we are investigating early Latvian punk, we can detect both aspects and motivations, but also new factors emerges. Significant part of the first Latvian punks were strongly connected with the art school circuits. It might be said that these middle class kids were better informed about current cultural trends in the West and just appropriated punk style as a sign of distinction. At the same time actual resistance in soviet-time Latvian punk was always apparent. Arguing with the political regime the main battlefield was so called national question. Ethnic Latvian punks expressed their national oppression turning to the right, in direction of nationalism. This was one of the main reasons why they adopted swastika and nazi imagery. This also initially lead to the separation of newly forming punk scene into two: Latvian singing and Russian singing. This again contest the notion of style as purely aesthetic value.
CAWI izplat朝ba - nerunjot par aisberga redzamo pusi (studentu uc amatieru visidati.lv un google formm), praktiski katra firma piedv 邸du pakalpojumu. To izmanto pat oficils statistikas iestdes savu apsekojumu (aptauju) veik邸anai. LR CSP skums bija 2011.g. Tautas skait朝邸ana, bet tad kop邸 2014.g. praktiski katrs iedz朝votju/ mjsaimniec朝bas socilais apsekojums tiek 朝stenots 3 veidos CAWi, CATI, CAPI.
Anna Lei邸kalne (IZM), Jnis Daugavietis (LKA)
Referts nolas朝ts JVLMA IV starpdisciplinr zintnisk konferenc M笛zikas pt朝jumi Latvij. R朝ga, 2017.g. 31.marts
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Iesniegtais pieteikums
Stikla griesti ir viens no jdzieniem, ko izmanto, lai problematiztu sievie邸u un v朝rie邸u nevienl朝dz朝gs iespjas kpt aug邸up pa socil statusa kpnm, piemram, ieemt vado邸os amatus. Ms 邸o pieeju piemrojam, analizjot profesionlo mobilitti Latvijas kordiri庁邸. Ir nojau邸ams (un statistiskie dati to apliecina), ka profesijas zemkajos posmos, t.i. kordiri庁邸anas skolnu un amatierkoru diri庁entu pulk domin sievietes, bet augstkaj posm, t.i. Visprjo Dziesmu svtku virsdiri庁entu kopien, vairkum ir v朝rie邸i.
Kordiri庁邸an situcija dzimumu nevienl朝dz朝bas jom nav unikla, l朝dz朝ga tendence ir konstatjama, piemram, Latvijas zintn vai politik, kur 邸o jomu augstkajos amatos domin v朝rie邸i, kaut gan lielko masu zemkajos slos veido sievietes (studentes, zintnieces vai vienkr邸i attiec朝g vecuma valsts iedz朝votjas).
Analizjot statistiskos datus, veicot analogu pt朝jumu sekundro anal朝zi un intervjot da転da l朝mea Latvijas diri庁entus un diri庁entes, meklsim atbildes uz jautjumu, kas ir tie faktori, kas samazina sievie邸u-diri庁en邸u iespjas kpt pa profesionlajm kpnm aug邸up.
Atslgas vrdi: koru sociolo庁ija, Dziesmu svtki, dzimumu nevienl朝dz朝ba, stikla griesti.
Differences and Inequalities in arts participation: Case of Latvian Song and ...Janis Daugavietis
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The Latvian Song and Dance Festival is a traditional national event held every five years that brings together over 35,000 amateur performers. Research has found social inequalities in participation, with some groups like ethnic minorities and those with low incomes being excluded. The current study analyzes survey data from 2002, 2007, and 2010 to compare the characteristics of participants and non-participants. It finds that participants are more likely to be ethnic Latvians, live in rural areas, have children, and have higher incomes. The goal is to better understand barriers to participation facing underrepresented groups.
Jdziens 'ilgtspj朝ba' Latvijas Republikas att朝st朝bas un kult笛ras politiku pa...Janis Daugavietis
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Prezentcija, kas nolas朝ta LU 73. konferences Sociolo庁ijas sekcij 束Ilgstpj朝ga att朝st朝ba Latvij un sociolo庁ij損.
2015.gada 13. februr朝, LU Socilo zintu fak., 325. aud.; Lomonosova iel 1a
Paper for ESA (European Sociological Association ) 11th Conference in Turin. 2013.08.31.
In contemporary theory of cultural policy there is a popular assumption about role of arts in social development. The local cultural assotiations can be powerful actors in revitalization, civic engagement, community-building, etc. Cultural participation is viewed as a source of social capital, which in turn contributes to social cohesion and building better environment. The two most popular Latvian amateur arts forms are choral singing and participation in folk dance ensembles. Their popularity is a result of established national tradition - singing is regarded as one of the most important Latvian cornerstones of the nation's identity. The other factor is administration of culture which is largely inherited from the USSR without any significant structural transformations. Cultural policy is still dominated by paternalistic model in which the state continues to undertake responsibility and control of certain professional and amateur art forms. Government is responsible for the delivery of culture and certain art activities (amateur singing and dancing are among them) to the masses. Maintaining network of cultural houses and hiring amateur collective conductors are dominant type of support. Therefore the government nourished choirs and dance ensembles do not meet requirements to be regarded as associations of free citizens. They are rather groups of amateurs in residential care than active and self-organizing art or cultural communities from whose artistic practices we can hope to get additional social capital and input in local social development.
Meanings and changes in Subcultural tastes in Latvia 2002-2010.
Presented at conference "Youth (Sub)cultures in Changing Societies " in Tallinn, Estonia, 2011.02.04.
Aizvestais un sastaptais Latvijas tls ikdienas pieredz rzemsJanis Daugavietis
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Latvijas kulturpolitika Kulturas ministrijas fotografijas
1. Latvijas kult笛rpolitika Kult笛ras ministrijas fotogrfijs Jnis Daugavietis, LU SPPI Baltic Readings Nacionls skolas sociolo庁ij Baltijas valst朝s: 1991-2011.g. Daugavpils Universitte, Socilo pt朝jumu instit笛ts 2011.gada 4.novembris Daugavpils
7. Kult笛ras ministre Sarm朝te lerte pasniedz Ministru kabineta un Kult笛ras ministrijas Atzin朝bas rakstus Lielaj 帳ild, 2010. gada 16. novembris.
8. KULT的RPOLITIKA: defin邸ana ... uzdevums ir pal朝dzt valstij tuvoties izvirz朝tajiem politiskajiem mr跳iem, k instrumentu izmantojot kult笛ru. Mkslas iespaids uz sabiedr朝bu dr朝zk ir politisks, nek esttisks . ( 6 .lpp., Tisenkopfs, Tlis [ 1988 ] Mkslas sabiedrisk saskarsme. R朝ga: Zin朝bu biedr朝ba ) Kult笛ras ministre Sarm朝te lerte seminra "Kult笛rpolitikas arhitekt笛ra: Francijas un Latvijas pieredze atkl邸an 2011. gada 23. februr朝. 丐亳亠仆从仂仗, 丐舒仍亳 (1989) 从亳于亳亰舒亳 亟仂亢亠于亠仆仆仂亶 亟亠亠仍仆仂亳 仆舒亠仍亠仆亳 于 仗仂亠亠 仂弍亠仆亳 亳从于仂仄 (仆舒 仄舒亠亳舒仍亠 仂亳仂仍仂亞亳亠从仂亞仂 舒仆舒仍亳亰舒 仆亠亶 亳 舒亰亟仆亳从仂于 亳从于 于 舒于亳亳) . Vilnius : 亳. , 仆亳 个亳仍仂仂亳亳, 仂亳仂仍仂亞亳亳 亳 仗舒于舒
9. KULT的RPOLITIKA: tic朝ba ... kult笛ras spkam (varai, potencilam), kas var nest aug勅us . S imboliskus, ekonomiskus, socilus (Bennett 2001). Kult笛ras ministre Sarm朝te lerte Latvijas rlietu ministrijas sagatavots apjom朝gs, ilustrat朝vi bagts izstdes "Latvie邸u Dziesmu un Deju svtki fotogrfijs" atkl邸an Igaunijas Nacionlaj oper, 2011. gada 18. janvris.
10. KULT的RPOLITIKA: uzdevumi ... (1) nacionls identittes veido邸ana un ts presti転a stiprin邸ana; (2) ienkumu g笛邸ana; (3) iedz朝votju morles cel邸ana (Bennett 1997) Izmantojama ar朝: labklj朝bas cel邸anai (subjekt朝v apmierint朝ba un laime, dz朝vesprieks) vides izdai勅o邸anai vesel朝bai, rekrecijai lokls identittes, pieder朝bas stiprin邸anai kopienas att朝st朝邸anai Kult笛ras ministre Sarm朝te lerte tik邸ans laik ar Eiropas Dro邸朝bas un sadarb朝bas organizcijas augsto komisru nacionlo minorit邸u jautjumos Knutu Vollebeku.
11. KULT的RPOLITIKA: problma Kult笛ras vai mkslas politika? Kult笛ras ministre Sarm朝te lerte sveic Latvijas Nacionl tetra aktierus ar ieg笛to "Splmau nakts" balvu nomincij par labko dramatisk tetra izrdi 2010. gada 23. novembr朝.
13. Kult笛ras ministre Sarm朝te lerte apmekl Daugavpils cietoksni , kur norisins Rotko mkslas centra b笛vniec朝ba.
14. LERTES POLITIKA: priorittes - nacionl identitte - kvalitat朝va vide - rado邸uma prnese uz tautsaimniec朝bu Kult笛ras ministre Sarm朝te lerte piedals preses konferenc saist朝b ar Microsoft dvinjumu Latvijas publiskajm bibliotkm, 2010. gada 24. novembris. Vald朝bas deklarcij ...demokrtijas nostiprin邸ana, akt朝va sabiedr朝bas un socilo partneru iesaiste lmumu pieem邸anas proces...
15. Kult笛ras ministre Sarm朝te lerte apmekl Alsungu un iepaz朝stas ar suitu kult笛rtelpu, 2011. gada 25. marts. ... bie転i vien kolekt朝vi, kori, mksliniecisk pa邸darb朝ba ir pamats vietjs kopienas veido邸anai. Tikai tad, ja veidojas vietj kopiena, rodas attiec朝g dz朝ves kvalitte, un cilvki vlas dz朝vot 邸ajs viets. (S..)
16. Kult笛ras ministre Sarm朝te lerte iepaz朝stas ar Durbes pils atjauno邸anas darbiem, kas tiek finansti no ERAF l朝dzek勅iem.
17. Kult笛ras ministre Sarm朝te lerte tiekas ar Valsts prezidentu Andri Brziu, lai iepaz朝stintu ar Nacionls identittes un sabiedr朝bas integrcijas politikas pamatnostdnm. 2011. gada 8. augusts.
18. Kult笛ras ministre Sarm朝te lerte ar Ministru kabineta Atzin朝bas raksta samjiem un Imantu un Gido Kokariem.
20. REZULTTI , 1 Sarm朝te lerte 100% fotogrfiju (citas KM vai LR kult笛ras prvaldes amatpersonas vai nu nav redzamas vispr vai ir otraj pln) Bie転kie temati: ministres ikdienas darbs; simbolisks reprezentcijas rituli; mantojums; kult笛rizgl朝t朝ba; kult笛ras eksports; muzeji; re庁ionl att朝st朝ba Re庁ioni 9/10 foto uzemtas R朝g (pa vienai Tallin, Madon, Durb, Alsung un Liepj, divas Daugavpil朝) ( rpus R朝gas - iesaist朝ti noz朝m朝gi starptautiskie vai nacionlie kapitli ) Darbs un simboliskie reprezentcijas akti 50/50 preses konferences, apbalvo邸anas un godin邸anas ceremonijas (retk - izstdes atkl邸ana, prezentcijas, izstdes atkl邸anas, darba viz朝tes viz朝tes, l朝guma parakst朝邸anas vai politiskas tik邸ans)
21. REZULTTI , 2 Darb朝bas teritorija: pa邸vald朝bu 1/5 valsts prjs tre邸 un otr sektora nav Identitte , vsture, integrcija 村 Mksla: profesionl 80% profesionl un amatieru 20% tikai amatieru 1 vai 2 gab.
22. SECINJUMI nacionl identitte J kvalitat朝va vide da勅ji PPP da勅ji rado邸s industrijas N pilsonisk sabiedr朝ba N Kult笛rpolitika KM fotogrfijs: elitra nacionla (nacionlistiska) autoritra Kpc 邸da vizul komunikcija? nevr朝ba? apzinta politika? ...
23. Sarm朝te lerte nodod kult笛ras ministra amata pilnvaras 貼anetai Jaunzemei-Grendei ( 25.10.2011. )
25. Tisenkopfs, Tlis ( 1988 ) Mkslas sabiedrisk saskarsme . R朝ga: Zin朝bu biedr朝ba Bennett, Tony (2001) "Cultural Policy." Pp. 3092-7 in International encyclopedia of the social & behavioral sciences , edited by Neil J. Smelser and Paul B. Baltes. Amsterdam ; New York: Elsevier. Bennett, Oliver (1997) "Cultural policy, cultural pessimism and postmodernity." International Journal of Cultural Policy 4:67-84. Deklarcija par Valda Dombrovska vad朝t Ministru kabineta iecerto darb朝bu. Nacionlajai izaugsmei un vienot朝bai (Partijas Vienot朝ba un Za勅o un zemnieku savien朝ba, 24.10.2011. http://www.mk.gov.lv/lv/mk/darbibu-reglamentejosie-dokumenti/valdibasd/). Sarm朝te lerte (2010) Kult笛ras ministres Sarm朝tes lertes priorittes, uzskot darbu Valda Dombrovska vad朝taj Ministru kabinet. Informcija pla邸sazias l朝dzek勅iem (KM, 03.11.2010.; http:// www.km.gov.lv/lv/jaunumi/?news_id =1557 ; skat. 2011-10-25) AVOTI
Editor's Notes
#9: Atbilsto邸i valdo邸s ideolo庁ijas uzstd朝jumiem un pieejamajiem resursiem, tiek veidota attiec朝ga kult笛ras prvaldes, kontroles vai uzraudz朝bas sistma. 丐亳亠仆从仂仗, 丐舒仍亳 (1989) 从亳于亳亰舒亳 亟仂亢亠于亠仆仆仂亶 亟亠亠仍仆仂亳 仆舒亠仍亠仆亳 于 仗仂亠亠 仂弍亠仆亳 亳从于仂仄 (仆舒 仄舒亠亳舒仍亠 仂亳仂仍仂亞亳亠从仂亞仂 舒仆舒仍亳亰舒 仆亠亶 亳 舒亰亟仆亳从仂于 亳从于 于 舒于亳亳) . Vilnius : 亳. , 仆亳 个亳仍仂仂亳亳, 仂亳仂仍仂亞亳亳 亳 仗舒于舒
#12: Atbilsto邸i valdo邸s ideolo庁ijas uzstd朝jumiem un pieejamajiem resursiem, tiek veidota attiec朝ga kult笛ras prvaldes, kontroles vai uzraudz朝bas sistma.
#15: Deklarcija par Valda Dombrovska vad朝t Ministru kabineta iecerto darb朝bu. Nacionlajai izaugsmei un vienot朝bai (Partijas Vienot朝ba un Za勅o un zemnieku savien朝ba, 24.10.2011. http://www.mk.gov.lv/lv/mk/darbibu-reglamentejosie-dokumenti/valdibasd/).