The document provides a history of Region 1 (Ilocos Region) in the Philippines. It discusses the origins and settlement of the region by indigenous groups and later immigrants. It then covers the colonial history under Spain and periods of administration by the US and Japan. Statistics on population growth and division into provinces are also mentioned. The bulk of the document focuses on describing the individual provinces of Ilocos Norte, Ilocos Sur, and La Union, including their cultures, traditions, festivals, products, famous people, and major tourist attractions.
CALABARZON is the most populous region in the Philippines, comprising the provinces of Cavite, Laguna, Batangas, Rizal, and Quezon. The region has a rich culture seen through its food, language, religions, industries, and festivals. Some key aspects of CALABARZON's culture include their specialty in seafood dishes often cooked in banana leaves, traditions around marriage and death, and festivals celebrating local delicacies like the Lechon Festival in Balayan and Pahiyas Festival in Lucban honoring farmers. The region aims to preserve its unique culture and beliefs despite modernization and diversity among its over 14 million inhabitants.
The document provides information on the arts and crafts of various regions in the Philippines. It discusses the architecture, textiles, pottery, basketry, tattooing, sculpture, and other crafts of the Ilocos Region, Cordillera Administrative Region, Cagayan Valley, Central Luzon, Calabarzon, and Bicol Region. Some of the key crafts mentioned include Inabel weaving from Ilocos, Burnay pottery, Kalinga basketry, Ifugao bul'ul sculptures, Abra textiles, Paete woodcarving from Laguna, and woven products from Bicol. The document shares details on materials, techniques, and cultural significance of the traditional arts in
The document discusses the arts and crafts of different regions in Luzon, Philippines. It describes architectural features like Spanish-style houses in Vigan and limestone walls in Batanes that withstand typhoons. Arts and crafts discussed include Bul-ul rice granary sculptures in Ifugao used in rituals, woven textiles like inabel from Ilocos and tapis skirts from Kalinga, and pottery like burnay jars. The document emphasizes how these art forms express each region's culture, traditions, beliefs, and use of local resources.
Mapeh lesson 1. talks about the arts of the folk arts and crafts of northern Luzon together with their distinctive characteristics. fffffffffffffffffffffffffffffffffffffffffffff
Brief Overview of Philippine Arts and Crafts.pptxCynthiaTagud1
油
This presentation is intended to give a glance of Philippine Arts and Crafts, for students' knowledge to ignite their interest towards indigenous crafts, an identity each locality own.
Philippine indigenous arts developed over thousands of years as various groups migrated to the islands. Major art forms included sculpture, pottery, weaving, and physical ornaments. Sculptures like the Bul-ul figures and hagabi chairs reflected important cultural and social roles. Pottery like the Manunggul Jar showed influences of beliefs about the afterlife. Weaving traditions varied by region and material, with techniques and designs demonstrating cultural identities. Ornaments displayed in textiles, jewelry, and tattoos communicated status and heritage. Overall, indigenous Philippine art was deeply rooted in each group's environment, history, and way of life.
This document provides information on various aspects of Philippine culture, including:
- Artistic works produced by untrained anonymous artists that represent the identity of the country.
- The Ilocano people, the largest ethnolinguistic group in the Philippines, who are highly influenced by Christianity.
- Traditional crafts like pi単a fabric, the beating of cotton balls, and threads made from black plum sap.
- Regions known for specific goods - Paoay for an occupational dance, Baguio for bamboo crafts, and Vigan for unglazed earthenware jars.
- Cultural practices like mummification in Kalinga and hanging coffins of the Ibaloi
This document summarizes arts and crafts from different regions in the Philippines. It discusses textiles, basketry, pottery, weaving, sculpture, tattooing, architecture and other crafts from areas like Ilocos, Cordillera, Cagayan Valley, Central Luzon, Calabarzon and Bicol. Specific crafts mentioned include Inabel weaving from Ilocos, Labba baskets and Wang-Od tattooing from Kalinga, Bulul rice granary sculptures from Ifugao, and abaca fiber weaving skills of Bicolanos. The document provides details on materials, techniques and cultural significance of these traditional Philippine arts.
This document discusses the arts and crafts of the Southern Tagalog and Bicol regions of the Philippines. It outlines several folk art forms for each region, including wood carving and paper mache in Laguna, embroidery in Lucban, beaded slippers in Liliw, and festivals in Cavite and Quezon involving dances, parades, and food. The document also notes that Bicolanos are known for basketry, slipper-making, and other crafts using local materials like abaca and raffia.
The document summarizes arts and crafts from different regions in the Philippines. It describes architectural styles in Vigan and Ilocos, textile traditions like Inabel weaving and materials used for baskets and jars. Specific crafts are highlighted for regions like Kalinga textiles, Ifugao sculptures, Batanes clothing, Isabela churches, Bulacan lanterns and pastillas art. Regions like Pampanga, Laguna, Rizal, Taal and Quezon are known for lanterns, woodcarving, sculptures, pi単a fabrics and decorated houses respectively. Bicol crafts notably use abundant abaca and raffia fibers for weaving baskets and bags.
The document provides information on various arts and crafts from different regions in Luzon, Philippines. It discusses the architecture, textiles, pottery, basketry, tattooing, sculpture, and other crafts of areas like Ilocos Region, Cordillera Administrative Region, Cagayan Valley, Central Luzon, Calabarzon, and Bicol Region. Some highlights include the woven textiles of Kalinga, wooden bul'ul sculptures of Ifugao representing rice spirits, woven burial cloths of Mountain Province, and the carved wood art of Paete, Laguna.
This document provides information on the folk arts and designs of various provinces in the Philippines. It discusses the crafts, textiles, and festivals of regions such as Cagayan Valley, Batanes, Nueva Viscaya, Bulacan, Pampanga, Zambales, Nueva Ecija, Bataan, Laguna, Rizal, Cavite, Batangas, and Quezon. Some highlights include Ivatan headgear called vakul in Batanes, Gaddang weaving such as the bakwat belt in Nueva Viscaya, wood carving and Barong Tagalog in Laguna, and the Pahiyas festival decorations in Lucban
The Philippines is an archipelago located in Southeast Asia known for its beaches and fruit. It was discovered by Ferdinand Magellan in 1521 and colonized by Spain, being named after King Philip II. Manila is the capital and most populous city. The majority of Filipinos are Christian and the predominant religion is Catholicism. Filipino culture is characterized by traditions like harana serenades, helping one another through bayanihan, and celebrating festivals across the country's many regions. Famous works of Philippine literature include Rizal's Noli Me Tangere and Balagtas' Florante at Laura epic poetry.
The document provides an overview of pre-colonial Philippines, including:
1) The early settlers of the Philippines like the Negritos who were hunter-gatherers and the original inhabitants. Indonesians also settled and introduced influences.
2) The economy was based on foraging, hunting, fishing and basic agriculture. Housing was made of natural materials.
3) Society was organized into autonomous barangays ruled by a Datu. Laws and governance followed customs and tradition.
Here is a one paragraph discussion of the requested terms:
The traditional arts of the Philippines show its rich cultural heritage and history. Indigenous woodcarving has been practiced for centuries, with some of the oldest surviving examples being wooden boat fragments from 230 AD. Weaving is another important art form, with different ethnic groups employing distinct techniques like back-strap loom weaving. Folk architecture demonstrates how indigenous groups built shelters using local materials, resulting in diverse structures like the hut-style Bahay Kubo. Folk pottery has also been an integral part of Philippine cultures for over 3,500 years, as evidenced by artifacts like the Manunggul Jar. Folk graphic arts encompass traditions like tattooing and indigenous scripts. Overall,
G7 Arts and Crafts of the Ilocos Region and week 1.pptxThanalineGraceMozo
油
The document provides information on the arts and crafts of the Ilocos region and Cordillera Administrative Region in Luzon, Philippines. Some key arts and crafts discussed include inabel fabrics from the Ilocos region, known for intricate patterns like binakol. Crafts from the Cordillera include baskets called labba made from rattan and the bul'ul wooden sculptures that represent rice spirits. Tattooing is also discussed as an art form of the Kalinga people. The arts and crafts showcase the rich cultural traditions and utilize natural resources of the different ethnic groups in the regions.
This document summarizes contemporary art forms and practices from different regions in the Philippines. It discusses various forms of architecture, music, dance, crafts, and festivals. Some highlights include bahay na bato and bahay kubo styles of architecture from nationwide; harana and kundiman musical traditions; rice terraces and tattoos from the Cordillera region; and parol lanterns, balsa boats, and higantes figures from Central Luzon and CALABARZON regions. The document provides an overview of the diverse cultural expressions found across Philippine provinces.
Pre-colonial Philippine art was integrated into everyday life through rituals and ceremonies. Expressions like music, dance, and visual arts were not distinguished as separate categories. Rituals marked important events and involved performances, offerings, and divination. Indigenous art forms varied between ethnic groups and included carvings, weavings, pottery, body adornments, and musical and dance traditions that imitated nature. Under Spanish colonial rule from the 16th-19th centuries, Christian art and architecture developed following Baroque styles. Local art incorporated European influences while maintaining some traditions. Theater and music evolved new hybrid forms.
This document provides information about various aspects of pre-colonial Philippines, including early settlers like the Negritos and Indonesians, economic life which involved foraging and farming, the barangay form of government led by a datu, indigenous spiritual traditions and gods/goddesses, clothing like the barong tagalog, the baybayin writing system, and oral literary forms like riddles, folk songs, myths, and legends. It discusses the Negritos as the original inhabitants and hunter-gatherers, and the influence of Malays and Indonesians on governance, trade, religion and language. The barangay was the basic political unit ruled by a datu and council, and laws were disseminated by
Indigenous creative crafts have long been an important part of Philippine culture and history, with different ethnic groups creating unique crafts using natural resources to tell stories of their lives and culture. These crafts demonstrate Filipino craftsmanship through products made with skill, love, and patience. The document provides an overview of different types of traditional Philippine arts and crafts such as architecture, weaving, basketry, woodcarving, pottery, and describes their significance.
1) The document summarizes arts and crafts from different regions in the Philippines, including textiles from Ilocos, Kalinga, and Mountain Province; pottery, basketry, tattooing, and wood carving from Ilocos, Kalinga, Ifugao, and Laguna; and accessories from various provinces like parols from Pampanga and balisongs from Batangas.
2) Major arts discussed include abel iloco textiles, burnay pottery, labba baskets, bul'ul rice granary figures, singkaban bamboo arches, parol lanterns, and woodcarving from Laguna.
3) Different regions are
The document summarizes arts and crafts from different regions in the Philippines, including textiles, pottery, basketry, woodcarving, and more. Some highlights include:
1) Ilocos Region is known for abel textiles produced on wooden looms, burnay earthen jars for storage, and Calle Crisologo architecture made of indigenous materials.
2) Cordillera Region's Kalinga province has distinctive textiles featuring geometric patterns representing natural elements, and labba rattan baskets.
3) Mountain Province is home to Tingguian textiles for clothing and blankets.
4) Batanes has unique limestone and cogon grass houses to
Philippine indigenous arts developed over thousands of years as various groups migrated to the islands. Major art forms included sculpture, pottery, weaving, and physical ornaments. Sculptures like the Bul-ul figures and hagabi chairs reflected important cultural and social roles. Pottery like the Manunggul Jar showed influences of beliefs about the afterlife. Weaving traditions varied by region and material, with techniques and designs demonstrating cultural identities. Ornaments displayed in textiles, jewelry, and tattoos communicated status and heritage. Overall, indigenous Philippine art was deeply rooted in each group's environment, history, and way of life.
This document provides information on various aspects of Philippine culture, including:
- Artistic works produced by untrained anonymous artists that represent the identity of the country.
- The Ilocano people, the largest ethnolinguistic group in the Philippines, who are highly influenced by Christianity.
- Traditional crafts like pi単a fabric, the beating of cotton balls, and threads made from black plum sap.
- Regions known for specific goods - Paoay for an occupational dance, Baguio for bamboo crafts, and Vigan for unglazed earthenware jars.
- Cultural practices like mummification in Kalinga and hanging coffins of the Ibaloi
This document summarizes arts and crafts from different regions in the Philippines. It discusses textiles, basketry, pottery, weaving, sculpture, tattooing, architecture and other crafts from areas like Ilocos, Cordillera, Cagayan Valley, Central Luzon, Calabarzon and Bicol. Specific crafts mentioned include Inabel weaving from Ilocos, Labba baskets and Wang-Od tattooing from Kalinga, Bulul rice granary sculptures from Ifugao, and abaca fiber weaving skills of Bicolanos. The document provides details on materials, techniques and cultural significance of these traditional Philippine arts.
This document discusses the arts and crafts of the Southern Tagalog and Bicol regions of the Philippines. It outlines several folk art forms for each region, including wood carving and paper mache in Laguna, embroidery in Lucban, beaded slippers in Liliw, and festivals in Cavite and Quezon involving dances, parades, and food. The document also notes that Bicolanos are known for basketry, slipper-making, and other crafts using local materials like abaca and raffia.
The document summarizes arts and crafts from different regions in the Philippines. It describes architectural styles in Vigan and Ilocos, textile traditions like Inabel weaving and materials used for baskets and jars. Specific crafts are highlighted for regions like Kalinga textiles, Ifugao sculptures, Batanes clothing, Isabela churches, Bulacan lanterns and pastillas art. Regions like Pampanga, Laguna, Rizal, Taal and Quezon are known for lanterns, woodcarving, sculptures, pi単a fabrics and decorated houses respectively. Bicol crafts notably use abundant abaca and raffia fibers for weaving baskets and bags.
The document provides information on various arts and crafts from different regions in Luzon, Philippines. It discusses the architecture, textiles, pottery, basketry, tattooing, sculpture, and other crafts of areas like Ilocos Region, Cordillera Administrative Region, Cagayan Valley, Central Luzon, Calabarzon, and Bicol Region. Some highlights include the woven textiles of Kalinga, wooden bul'ul sculptures of Ifugao representing rice spirits, woven burial cloths of Mountain Province, and the carved wood art of Paete, Laguna.
This document provides information on the folk arts and designs of various provinces in the Philippines. It discusses the crafts, textiles, and festivals of regions such as Cagayan Valley, Batanes, Nueva Viscaya, Bulacan, Pampanga, Zambales, Nueva Ecija, Bataan, Laguna, Rizal, Cavite, Batangas, and Quezon. Some highlights include Ivatan headgear called vakul in Batanes, Gaddang weaving such as the bakwat belt in Nueva Viscaya, wood carving and Barong Tagalog in Laguna, and the Pahiyas festival decorations in Lucban
The Philippines is an archipelago located in Southeast Asia known for its beaches and fruit. It was discovered by Ferdinand Magellan in 1521 and colonized by Spain, being named after King Philip II. Manila is the capital and most populous city. The majority of Filipinos are Christian and the predominant religion is Catholicism. Filipino culture is characterized by traditions like harana serenades, helping one another through bayanihan, and celebrating festivals across the country's many regions. Famous works of Philippine literature include Rizal's Noli Me Tangere and Balagtas' Florante at Laura epic poetry.
The document provides an overview of pre-colonial Philippines, including:
1) The early settlers of the Philippines like the Negritos who were hunter-gatherers and the original inhabitants. Indonesians also settled and introduced influences.
2) The economy was based on foraging, hunting, fishing and basic agriculture. Housing was made of natural materials.
3) Society was organized into autonomous barangays ruled by a Datu. Laws and governance followed customs and tradition.
Here is a one paragraph discussion of the requested terms:
The traditional arts of the Philippines show its rich cultural heritage and history. Indigenous woodcarving has been practiced for centuries, with some of the oldest surviving examples being wooden boat fragments from 230 AD. Weaving is another important art form, with different ethnic groups employing distinct techniques like back-strap loom weaving. Folk architecture demonstrates how indigenous groups built shelters using local materials, resulting in diverse structures like the hut-style Bahay Kubo. Folk pottery has also been an integral part of Philippine cultures for over 3,500 years, as evidenced by artifacts like the Manunggul Jar. Folk graphic arts encompass traditions like tattooing and indigenous scripts. Overall,
G7 Arts and Crafts of the Ilocos Region and week 1.pptxThanalineGraceMozo
油
The document provides information on the arts and crafts of the Ilocos region and Cordillera Administrative Region in Luzon, Philippines. Some key arts and crafts discussed include inabel fabrics from the Ilocos region, known for intricate patterns like binakol. Crafts from the Cordillera include baskets called labba made from rattan and the bul'ul wooden sculptures that represent rice spirits. Tattooing is also discussed as an art form of the Kalinga people. The arts and crafts showcase the rich cultural traditions and utilize natural resources of the different ethnic groups in the regions.
This document summarizes contemporary art forms and practices from different regions in the Philippines. It discusses various forms of architecture, music, dance, crafts, and festivals. Some highlights include bahay na bato and bahay kubo styles of architecture from nationwide; harana and kundiman musical traditions; rice terraces and tattoos from the Cordillera region; and parol lanterns, balsa boats, and higantes figures from Central Luzon and CALABARZON regions. The document provides an overview of the diverse cultural expressions found across Philippine provinces.
Pre-colonial Philippine art was integrated into everyday life through rituals and ceremonies. Expressions like music, dance, and visual arts were not distinguished as separate categories. Rituals marked important events and involved performances, offerings, and divination. Indigenous art forms varied between ethnic groups and included carvings, weavings, pottery, body adornments, and musical and dance traditions that imitated nature. Under Spanish colonial rule from the 16th-19th centuries, Christian art and architecture developed following Baroque styles. Local art incorporated European influences while maintaining some traditions. Theater and music evolved new hybrid forms.
This document provides information about various aspects of pre-colonial Philippines, including early settlers like the Negritos and Indonesians, economic life which involved foraging and farming, the barangay form of government led by a datu, indigenous spiritual traditions and gods/goddesses, clothing like the barong tagalog, the baybayin writing system, and oral literary forms like riddles, folk songs, myths, and legends. It discusses the Negritos as the original inhabitants and hunter-gatherers, and the influence of Malays and Indonesians on governance, trade, religion and language. The barangay was the basic political unit ruled by a datu and council, and laws were disseminated by
Indigenous creative crafts have long been an important part of Philippine culture and history, with different ethnic groups creating unique crafts using natural resources to tell stories of their lives and culture. These crafts demonstrate Filipino craftsmanship through products made with skill, love, and patience. The document provides an overview of different types of traditional Philippine arts and crafts such as architecture, weaving, basketry, woodcarving, pottery, and describes their significance.
1) The document summarizes arts and crafts from different regions in the Philippines, including textiles from Ilocos, Kalinga, and Mountain Province; pottery, basketry, tattooing, and wood carving from Ilocos, Kalinga, Ifugao, and Laguna; and accessories from various provinces like parols from Pampanga and balisongs from Batangas.
2) Major arts discussed include abel iloco textiles, burnay pottery, labba baskets, bul'ul rice granary figures, singkaban bamboo arches, parol lanterns, and woodcarving from Laguna.
3) Different regions are
The document summarizes arts and crafts from different regions in the Philippines, including textiles, pottery, basketry, woodcarving, and more. Some highlights include:
1) Ilocos Region is known for abel textiles produced on wooden looms, burnay earthen jars for storage, and Calle Crisologo architecture made of indigenous materials.
2) Cordillera Region's Kalinga province has distinctive textiles featuring geometric patterns representing natural elements, and labba rattan baskets.
3) Mountain Province is home to Tingguian textiles for clothing and blankets.
4) Batanes has unique limestone and cogon grass houses to
The document discusses heat transfer and temperature. It defines heat as the total energy of molecular motion in a substance, while temperature is a measure of the average molecular energy. Heat is transferred between objects or places due to temperature differences by three methods: conduction, convection, and radiation. Factors like a material's conductivity can affect the rate of heat transfer. Heat transfers from warmer objects to cooler ones, changing the thermal energy and temperature of the objects.
How to Configure Restaurants in Odoo 17 Point of SaleCeline George
油
Odoo, a versatile and integrated business management software, excels with its robust Point of Sale (POS) module. This guide delves into the intricacies of configuring restaurants in Odoo 17 POS, unlocking numerous possibilities for streamlined operations and enhanced customer experiences.
APM event hosted by the South Wales and West of England Network (SWWE Network)
Speaker: Aalok Sonawala
The SWWE Regional Network were very pleased to welcome Aalok Sonawala, Head of PMO, National Programmes, Rider Levett Bucknall on 26 February, to BAWA for our first face to face event of 2025. Aalok is a member of APMs Thames Valley Regional Network and also speaks to members of APMs PMO Interest Network, which aims to facilitate collaboration and learning, offer unbiased advice and guidance.
Tonight, Aalok planned to discuss the importance of a PMO within project-based organisations, the different types of PMO and their key elements, PMO governance and centres of excellence.
PMOs within an organisation can be centralised, hub and spoke with a central PMO with satellite PMOs globally, or embedded within projects. The appropriate structure will be determined by the specific business needs of the organisation. The PMO sits above PM delivery and the supply chain delivery teams.
For further information about the event please click here.
Finals of Kaun TALHA : a Travel, Architecture, Lifestyle, Heritage and Activism quiz, organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025.
Database population in Odoo 18 - Odoo slidesCeline George
油
In this slide, well discuss the database population in Odoo 18. In Odoo, performance analysis of the source code is more important. Database population is one of the methods used to analyze the performance of our code.
APM People Interest Network Conference 2025
- Autonomy, Teams and Tension
- Oliver Randall & David Bovis
- Own Your Autonomy
Oliver Randall
Consultant, Tribe365
Oliver is a career project professional since 2011 and started volunteering with APM in 2016 and has since chaired the People Interest Network and the North East Regional Network. Oliver has been consulting in culture, leadership and behaviours since 2019 and co-developed HPTM速an off the shelf high performance framework for teams and organisations and is currently working with SAS (Stellenbosch Academy for Sport) developing the culture, leadership and behaviours framework for future elite sportspeople whilst also holding down work as a project manager in the NHS at North Tees and Hartlepool Foundation Trust.
David Bovis
Consultant, Duxinaroe
A Leadership and Culture Change expert, David is the originator of BTFA and The Dux Model.
With a Masters in Applied Neuroscience from the Institute of Organisational Neuroscience, he is widely regarded as the Go-To expert in the field, recognised as an inspiring keynote speaker and change strategist.
He has an industrial engineering background, majoring in TPS / Lean. David worked his way up from his apprenticeship to earn his seat at the C-suite table. His career spans several industries, including Automotive, Aerospace, Defence, Space, Heavy Industries and Elec-Mech / polymer contract manufacture.
Published in Londons Evening Standard quarterly business supplement, James Caans Your business Magazine, Quality World, the Lean Management Journal and Cambridge Universities PMA, he works as comfortably with leaders from FTSE and Fortune 100 companies as he does owner-managers in SMEs. He is passionate about helping leaders understand the neurological root cause of a high-performance culture and sustainable change, in business.
Session | Own Your Autonomy The Importance of Autonomy in Project Management
#OwnYourAutonomy is aiming to be a global APM initiative to position everyone to take a more conscious role in their decision making process leading to increased outcomes for everyone and contribute to a world in which all projects succeed.
We want everyone to join the journey.
#OwnYourAutonomy is the culmination of 3 years of collaborative exploration within the Leadership Focus Group which is part of the APM People Interest Network. The work has been pulled together using the 5 HPTM速 Systems and the BTFA neuroscience leadership programme.
https://www.linkedin.com/showcase/apm-people-network/about/
Prelims of Kaun TALHA : a Travel, Architecture, Lifestyle, Heritage and Activism quiz, organized by Conquiztadors, the Quiz society of Sri Venkateswara College under their annual quizzing fest El Dorado 2025.
How to Setup WhatsApp in Odoo 17 - Odoo 際際滷sCeline George
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Integrate WhatsApp into Odoo using the WhatsApp Business API or third-party modules to enhance communication. This integration enables automated messaging and customer interaction management within Odoo 17.
How to Configure Flexible Working Schedule in Odoo 18 EmployeeCeline George
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In this slide, well discuss on how to configure flexible working schedule in Odoo 18 Employee module. In Odoo 18, the Employee module offers powerful tools to configure and manage flexible working schedules tailored to your organization's needs.
Blind Spots in AI and Formulation Science Knowledge Pyramid (Updated Perspect...Ajaz Hussain
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This presentation delves into the systemic blind spots within pharmaceutical science and regulatory systems, emphasizing the significance of "inactive ingredients" and their influence on therapeutic equivalence. These blind spots, indicative of normalized systemic failures, go beyond mere chance occurrences and are ingrained deeply enough to compromise decision-making processes and erode trust.
Historical instances like the 1938 FD&C Act and the Generic Drug Scandals underscore how crisis-triggered reforms often fail to address the fundamental issues, perpetuating inefficiencies and hazards.
The narrative advocates a shift from reactive crisis management to proactive, adaptable systems prioritizing continuous enhancement. Key hurdles involve challenging outdated assumptions regarding bioavailability, inadequately funded research ventures, and the impact of vague language in regulatory frameworks.
The rise of large language models (LLMs) presents promising solutions, albeit with accompanying risks necessitating thorough validation and seamless integration.
Tackling these blind spots demands a holistic approach, embracing adaptive learning and a steadfast commitment to self-improvement. By nurturing curiosity, refining regulatory terminology, and judiciously harnessing new technologies, the pharmaceutical sector can progress towards better public health service delivery and ensure the safety, efficacy, and real-world impact of drug products.
How to use Init Hooks in Odoo 18 - Odoo 際際滷sCeline George
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In this slide, well discuss on how to use Init Hooks in Odoo 18. In Odoo, Init Hooks are essential functions specified as strings in the __init__ file of a module.
How to use Init Hooks in Odoo 18 - Odoo 際際滷sCeline George
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GR.7- MAPEH (ARTS)_ FOLK ARTS LESSON 1.pptx
1. LESSON 1:
Folk Arts and Crafts of Northern Luzon
( Ilocos , Pangasinan & Cordillera)
2. This unit will bring and introduce you to different
cultural communities from the highlands and lowlands of
Luzon.
It will guide you in your journey to the rich cultural range
on the arts and crafts inspired by the different artist in
Luzon.
You will understand how the elements of arts like lines,
color, shapes and forms are combined by the Luzon local
folk artist n expressing their feelings and of the
communities.
3. The principles of design such as contrast, harmony, unity,
repetition of rhythm, symmetry, proportion, and
emphasis are part of the process in studying and
analyzing the different art objectives used in the lessons.
You know-how in the artistic expression of the Filipino
Luzon folk arts will enjoin you to innovate and create
your own for the modern audience.
4. FOLK ARTS- are art expressions and
productions of the community that are usually
passed on from generation to generation.
These crafts are not only for aesthetic
purposes alone but also for utility and function
too.
6. Ilocos Region
Philippines has a large number of cultural and linguistic
groups. One of the largest is the Ilocano group. They are
historically highly influenced by Christianity. This is
evident in the architectural structures built during the
colonial times in various places in the region.
8. PAOAY CHURCH is declared as a National CulturalTreasure by the
Philippine government.
The Saint Augustine Church ( Iglesia de San Agust鱈n de Paoay), commonly
known as the Paoay Church, is a Roman Catholic church in the Municipality
of Paoay, Ilocos Norte in the Philippines. Completed in 1710, the church is
famous for its distinct architecture highlighted by the enormous buttresses on
the sides and back of the building.
It is declared as a National CulturalTreasure by the Philippine government in
1973 and a UNESCOWorld Heritage Site under the collective group of
Baroque Churches of the Philippines in 1993
-
10. The Old Colonial Houses inVigan
Philippines are of particular interest to tourists both locally and abroad
because these give visitors a glimpse into the colorful Hispanic past of
Ilocos Sur.
These houses are a combination of the provinces architectural style, Asian
designs and Spanish architectural patterns.
This being said, you will find that the Old Colonial Houses inVigan
Philippines are quite apart from other old Spanish-style houses in other
countries.
13. Inabel or Abel Iloco-handwoven cloth
Loom- devise used to weave cloth
Pagabel- or panagabel or loom weaving is one of the oldest
industries that ilocanos have acquired from their ancestors.
Weaving- to interlace threads, yarns, strips and other fibrous
materials so as to form a fabric.
-
15. Binatbatan- is one of the Ilocano ways of processing textile.The
wood comes from an ilocano term batbatin which means
separating cotton balls from seeds of the local fruit tree
kapasanglay.
Dyes- coloring materials that are made of natural or synthetic
pigments from coloring fibers that are used for loom weaving
processes.
18. Burnay- storage
AsVigan is known for its historic ancestral houses that illustrate
a fusion of architecture from Spanish colonial time with Asian
influences, the people of Vigan also exert great effort to preserve
the tradition of making burnay.
Burnay jars have small openings, and its earlier use were for tea
drinking, storage for water, rice grains and as container for salt,
brown sugar, local wine (basi) and bagoong (fermented fish).
21. Pangasinan comes from the word asin meaning salt, and interprets as a place where salt
is made.
Pangasinan is a province located at the northern end of the Central Luzon
plain and its shores form a lap for Lingayen Gulf. Known as the salt capital
during the pre-Hispanic times, Pangasinans arts and culture are also rich
and diverse.
Their local stories tell us that this place used to be Muslim kingdom,
which trades with the Arabs and Chinese, led by a warrior princess named
Urduja who fought and won in different battles during her time.
23. The province of Pangasinan thrives in various arts and crafts.Their
handicrafts are usually made of swampland grasses, bamboo and
rattan. In the past, some farmers in Pangasinan left their farms
when the fields had been parched during the dry season.
Some of the noteworthy murals painted by Pangasinan local visual
artist are found in the shrine of the Nuestra Se単ora de Manaoag.
These murals depicts some of the shrine history and the legends as
to how our Lady of the Rosary of Manaoag was discovered by the
locals.
27. Making bigao and baskets and the production of bamboo
furniture and bahay kubo has helped earn San Carlos a spot
among the countrys destinations for native furniture.
The city has been mounting the Mango-Bamboo Festival every
April as thanksgiving and to highlight San Carlos major products.
29. It was a tradition of a man weaving a mat for courtship
from buri or raffia leaves in Bolinao, Philippines.
Nowadays they are woven by women too for commercial
purposes.
30. Folk arts and crafts of
Cordillera Administrative Region (CAR)
32. Benguet is also known as the Salad Bowl of the
Philippines because of its large production of upland
vegetables.
Most of the people living in Benguet province are
commonly known as Igorots. However, the term is
politically corrected as Cordillerans they are hillside
dwellers, which explains why most of them is into farming.
33. Is a highland province of the Philippines located
in the southern tip of the Cordillera
Administrative Region in the Island of Luzon.
Its capital is LaTrinidad.
35. Benguet is known for its Kayabang basket.
It symbolizes abundance.
It is narrow and the base and gradually widens at the
mouth.
42. The Cordillerans ingenuity, skill and greatness in sculpting is
evident in how they carved the mountains into terraces.
43. The Kalinga people are also known as the great weave.
Their art of cloth weaving and basketry are among the finest products in the
whole country.
The Kalinga fabrics are characterized by red stripes and various motifs of
geometric shapes and patterns with inclusion of varied symbol interlaced
with white, yellow and sometimes with blue or black fibers.
45. IFUGAO
The term Ifugao means people from the hills.
The Ifugao women usually weave a loincloth utilizing the tie.
The Ifugao are also known for their amulets that are made of
gold, bronze. Beads, and other materials.
The ifugao are also known for their sculpted Bulul which they
considered as the granary god.
46. Dinumug
It is usually worn
around the neck by
women and men.They
believe to be the
fertility symbol.
47. Bulul are believed to be
powerful guardians of the
crops and responsible for
the bountiful harvest.
49. Mountain Province
It is located at the center of the Cordillera Mountains, the
home of Ibalois.
This province is known for its hanging coffins and
mummified bodies.
The people in this place are using, as part of their cultural
rite, technique that are somehow similar to the
mummification used by the Egyptians.