Ayon kay Max Scheler (Dy M., 1994), ang pagpapahalaga ay obheto ng ating intensyonal na damdamin. Mauunawaan natin ang pagpapahalaga sa pamamagitan ng pagdama dito. Hindi ito naghihintay ng katuwiran upang lumitaw sa ating buhay. Ang pagpapahalaga ay hindi iniisip; ito ay dinaramdam. Hindi ito obheto ng isip kundi obheto ng puso. Ang ating isip ay bulag sapagpapahalaga; tulad ng ating mata na bingi sa ingay at ng ating tainga na bulag sa kulay. Ngunit hindi ito nangangahulugan na hindi na natin mapag-iisipan ang halaga. Kapag ito ay pinag-iisipan na nang mabuti, hindi na ito sa pagpapahalaga bilang pagpapahalaga kundi ang konsepto na ngpagpapahalaga. Sinasabi ni Scheler na ang pagpapahalaga ang nagbibigay ng kabuluhan o kalidad sa buhay ng tao. Narito ang mga katangian ng pagpapahalaga:
a. Immutable at objective. Ibig sabihin, hindi nagbabago ang mga pagpapahalaga dahil ang mga ito, lalo na ang nasa higit na mataas na antas, ay mga kalidad kung saan nakasalalay ang pagkatao. Halimbawa, ang pagpapahalaga ng kalusugan ay hindi nagbabago. Kung ang tao ay hindi tumugon sa pagpapahalaga ng kalusugan; hindi siya kumakain ng masustansiyang pagkain, hindi nag-eehersisyo o kayay palagiang umiinom ng alak at naninigarilyo, hindi ang pagpapahalaga ng kalusugan ang nasisira kundi ang tao mismo. Dahil ang mga gawaing ito ay magiging sanhi upang magkasakit siya.
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and electric guitar.[3][4]
The first electronic musical devices were developed at the end of the 19th century. During the 1920s and 1930s, some electronic instruments were introduced and the first compositions featuring them were written. By the 1940s, magnetic audio tape allowed musicians to tape sounds and then modify them by changing the tape speed or direction, leading to the development of electroacoustic tape music in the 1940s, in Egypt and France. Musique concr竪te, created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds. Music produced solely from electronic generators was first produced in Germany in 1953 by Karlheinz Stockhausen. Electronic music was also created in Japan and the United States beginning in the 1950s and Algorithmic composition with computers was first demonstrated in the same decade.
During the 1960s, digital computer music was pioneered, innovation in live electronics took place, and Japanese electronic musical instruments began to influence the music industry. In the early 1970s, Moog synthesizers and drum machines helped popularize synthesized electronic music. The 1970s also saw electronic music begin to have a significant influence on popular music, with the adoption of polyphonic synthesizers, electronic drums, drum machines, and turntables, through the emergence of genres such as disco, krautrock, new wave, synth-pop, hip hop, and EDM. In the early 1980s mass-produced digital synthesizers, such as the Yamaha DX7, became popular, and MIDI (Musical Instrument Digital Interface) was developed. In the same decade, with a greater reliance on synthesizers and the adoption of programmable drum machines, electronic popular music came to the fore. During the 1990s, with the proliferation of increasingly affordable music technology, electronic music production became an established part of popular culture.[5] In Berlin starting in 1989, the Love Parade became the largest street party with over 1 million visitors, inspiring other such popular celebrations of electronic music.[6]
Ayon kay Max Scheler (Dy M., 1994), ang pagpapahalaga ay obheto ng ating intensyonal na damdamin. Mauunawaan natin ang pagpapahalaga sa pamamagitan ng pagdama dito. Hindi ito naghihintay ng katuwiran upang lumitaw sa ating buhay. Ang pagpapahalaga ay hindi iniisip; ito ay dinaramdam. Hindi ito obheto ng isip kundi obheto ng puso. Ang ating isip ay bulag sapagpapahalaga; tulad ng ating mata na bingi sa ingay at ng ating tainga na bulag sa kulay. Ngunit hindi ito nangangahulugan na hindi na natin mapag-iisipan ang halaga. Kapag ito ay pinag-iisipan na nang mabuti, hindi na ito sa pagpapahalaga bilang pagpapahalaga kundi ang konsepto na ngpagpapahalaga. Sinasabi ni Scheler na ang pagpapahalaga ang nagbibigay ng kabuluhan o kalidad sa buhay ng tao. Narito ang mga katangian ng pagpapahalaga:
a. Immutable at objective. Ibig sabihin, hindi nagbabago ang mga pagpapahalaga dahil ang mga ito, lalo na ang nasa higit na mataas na antas, ay mga kalidad kung saan nakasalalay ang pagkatao. Halimbawa, ang pagpapahalaga ng kalusugan ay hindi nagbabago. Kung ang tao ay hindi tumugon sa pagpapahalaga ng kalusugan; hindi siya kumakain ng masustansiyang pagkain, hindi nag-eehersisyo o kayay palagiang umiinom ng alak at naninigarilyo, hindi ang pagpapahalaga ng kalusugan ang nasisira kundi ang tao mismo. Dahil ang mga gawaing ito ay magiging sanhi upang magkasakit siya.
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and electric guitar.[3][4]
The first electronic musical devices were developed at the end of the 19th century. During the 1920s and 1930s, some electronic instruments were introduced and the first compositions featuring them were written. By the 1940s, magnetic audio tape allowed musicians to tape sounds and then modify them by changing the tape speed or direction, leading to the development of electroacoustic tape music in the 1940s, in Egypt and France. Musique concr竪te, created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds. Music produced solely from electronic generators was first produced in Germany in 1953 by Karlheinz Stockhausen. Electronic music was also created in Japan and the United States beginning in the 1950s and Algorithmic composition with computers was first demonstrated in the same decade.
During the 1960s, digital computer music was pioneered, innovation in live electronics took place, and Japanese electronic musical instruments began to influence the music industry. In the early 1970s, Moog synthesizers and drum machines helped popularize synthesized electronic music. The 1970s also saw electronic music begin to have a significant influence on popular music, with the adoption of polyphonic synthesizers, electronic drums, drum machines, and turntables, through the emergence of genres such as disco, krautrock, new wave, synth-pop, hip hop, and EDM. In the early 1980s mass-produced digital synthesizers, such as the Yamaha DX7, became popular, and MIDI (Musical Instrument Digital Interface) was developed. In the same decade, with a greater reliance on synthesizers and the adoption of programmable drum machines, electronic popular music came to the fore. During the 1990s, with the proliferation of increasingly affordable music technology, electronic music production became an established part of popular culture.[5] In Berlin starting in 1989, the Love Parade became the largest street party with over 1 million visitors, inspiring other such popular celebrations of electronic music.[6]
Grade 1 Week 4 Quarter 3 GMRC Presentation for teachers of Grade 1 who are bu...estrellaagabe
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DEMO TEACHING FOR GRADE 1 Q4 WEEK 3. for faster understanding of concepts. it is developed solely for Grade 1 Learners to enjoy learning in GMRC. it enables Grade 1 learners to achieve the objective at the targeted time. This presentation gives clarity and opportunity to develop concepts and understanding on the developing of values and good
8. VIRTUE/ BIRTUD
Likas sa tao dahil sa kanyang
isip at kilos loob.
Hindi taglay ng tao noong
siya ay ipinangangak.
Natutuhan lamang niya ito
sa pamamagitan ng Gawi o
Habit.
10. HABIT O GAWI
Bunga ng paulit-ulit na
pagsasagawa ng isang kilos.
Paraan ng paggawa ng mga
nakagawiang bagay o kilos.
Sa pamamagitan ng gawi
ang isang kilos ay nagiging
ugali.
11. Mahalaga na ang ating
gawi o habit ay mabuti
upang makagawa ng
mabubuting kilos (birtud)
18. INTELEKWAL NA BIRTUD
1. Pag-unawa (Understanding)
2. Agham (Science)
3. Karunungan (Wisdom)
4. Maingat na Paghuhusga (Prudence)
5. Sining (Art)
19. 1. PAG-UNAWA (UNDERSTANDING)
Pangunahin sa lahat ng
birtud na
nakapagpapa-unlad ng
isip.
Sa pamamagitan ng
pag-unawa natututo
ang tao.
20. 2. AGHAM (SCIENCE)
- Kalipunan ng mga tiyak at tunay na
kaalaman na bunga ng pananaliksik at
pagpapatunay.
21. 2. AGHAM (SCIENCE)
a. Pilosopikong pananaw
Hal. Pag- aaral tungkol sa tao,
kalikasan o pinagmulan
b. Siyentipikong pananaw
Hal. Pag- aaral sa bahagi ng tao o sa
kanyang kapaligiran.
22. 3. KARUNUNGAN (WISDOM)
Nagtuturo sa tao
upang humusga ng
tama at gawin ang
mga bagay na
Mabuti ayon sa
kanyang kaalaman
at pag-unawa.
Aplikasyon o
paglalapat ng lahat
ng kaalaman ng tao.
23. 4. MAINGAT NA PAGHUHUSGA
(PRUDENCE)
Pinakamahalaga at pinakamakabuluhan sa
lahat ng mga intelekwal na birtud
Nagtuturo ng wastong panghuhusga
tungkol sa mga bagay na dapat isagawa.
Paghuhusga upang makagawa ng tamang
desisyon at magpakita ng tamang asal.
Praktikal na karunungan (practical wisdom)
28. 2. PAGTITIPMPI (TEMPERANCE)
Pagkakaroon ng kontrol o
pagpipigil sa sarili sa larangan
ng hilig, isip, kakayahan, talent,
oras, salapi/pera at pagkain.
29. 3. KATATAGAN (FORTITUDE)
Nagpapatatag at
nagpapatibay sa tao
na harapin ang
anumang pagsubok,
panganib at tukso na
kinahaharap sa araw-
araw.
30. 4. MAINGAT NA PAGHUHUSGA
(PRUDENCE)
- Gamit ang maingat na paghuhusga, ang
isang tao ay nakapag-iisip at
makapagdedesisyon ng tama ayon sa
kabutihan.
Parehong intelekwal at moral na birtud.
31. KAHULUGAN NG PAGPAPAHALAGA
Latin:valore = pagiging malakas o matatag
Pagiging malakas o matatag at
makabuluhan.
Anumang bagay na kaibig-ibig, kaakit-akit,
kapuri-puri, kahanga-hanga at nagbibigay
ng inspirasyon.
32. KATANGIAN NG PAGPAPAHALAGA
1. Immutable and objective
2. Transcends
3. Givesdirection to life
4. Ought-to-be and ought-to-do
37. QUIZ
1. Uri ng moral na birtud kung saan
ibinibigay sa tao ang nararapat para sa
kanya, sinoman o anoman ang kaanyang
katayuan sa lipunan.
A. Karunungan
B. Katarungan
C. Kalayaan
D. Katatagan
38. QUIZ
2. Salitang Latin ng habit/gawi na ang ibig
sabihin ay magkaroon.
A. habere
B. habito
C. valore
D. volare
42. ANSWER KEY:
1. B. Katarungan
2. A. hebere
3. Understanding
4. Science
5. Wisdom
6. Prudence
7. Art
8. B. Temperance
9. -transends,
immutable, ou
43. ACTIVITY 3
Write a value/virtue of your spelled name. (Complete name)
Ex. Bridget
B RIGHT
R ESPECTFUL
I NDUSTRIOUS
D ILIGENT G OOD
E XCELLENT
T RUST-WORTHY